Showing results by author "Elizabeth Peters" in All Categories

The 1895-96 season promises to be an exceptional one for Amelia Peabody, her dashing Egyptologist husband, Emerson, and their wild and precocious eight-year-old son, Ramses. The much-coveted burial chamber of the Black Pyramid in Dahshoor is theirs for the digging. But there is a great evil in the wind that roils the hot sands sweeping through the bustling streets and marketplaces of Cairo.

Radcliffe Emerson, the irascible husband of fellow archaeologist Amelia Peabody, has earned the nickname "Father of Curses"—and in Mazghunah he demonstrates why. Denied permission to dig at the pyramids of Dahshoor, he and Amelia are resigned to excavating mounds of rubble in the middle of nowhere.

So, a thousand a month, all expenses, the opportunity to spend some time on an Arizona ranch...it was everything a young graduate student trying to prove herself might want. And it was...until Hank suffered an accident, then disappeared.

A new year, 1917, is dawning, and the Great War that ravages the world shows no sign of abating. Answering the siren call of Egypt once more, Amelia Peabody and her family arrive at their home in Luxor to learn of a new royal tomb ransacked by thieves. Soon an even more disturbing outrage concerns the intrepid clan of archaeologists: the freshly and savagely slain corpse of a thief defiling the ancient burial site. Yet this is nothing compared with the lethal fate that threatens Ramses.

Amelia Peabody, archaeologist and woman extraordinaire, should have greeted the approaching excavation with transports of joy. Nothing in the world could compare with exploring the muddy, musty corridors of some bat-infested pyramid. And at Dahshoor, to which she was headed, there existed some particularly fine specimens.

It's 1892, and Amelia and her now-husband Radcliffe Emerson have settled down in Victorian England after their escapade in Egypt. They're raising their young son Ramses and everything seems normal–until they are approached by a damsel in distress. Lady Baskerville's husband, Sir Henry, has died after uncovering what might be a royal tomb in Luxor. Despite rumors of a curse haunting all those involved with the dig, Amelia and Radcliffe proceed to Egypt and realize that Sir Henry did not die a natural death.

Most of us at the very least wonder about our own immortality and many people are convinced that there is something beyond death, beyond the blackness of the grave. In Western Judaeo-Christian culture we absorb from an early age the idea that virtue now has its own reward - later. We are taught that the universe is essentially moral and that there are absolute human values. But increasingly, science presents us with a picture of a much more mechanical universe in which there is no absolute morality and man has no purpose and no personal responsibility except to his culture and his biology. ...

Adventure and romance enter Vicky Bliss' life in the form of a black-and-white photograph of a woman covered from head to toe in gold jewels. This "Trojan Gold" has an intriguing history, but it is the envelope that piques Vicky's curiosity. It is a grimy brown, with no return address, and it appears to have been soaked in blood.

It was a dream come true. Susan loved all things Scottish. So, when the opportunity presented itself, there was no question in her mind that she would go on the archaeological dig in the Highlands.

Who stole one of Egypt's most priceless treasures? That is the question that haunts the authorities after a distinguished British gentleman with an upper-crust accent cons his way past a security guard and escapes into the desert carrying a world-famous, one-of-a-kind historic relic. But the Egyptian authorities and Interpol believe they know the identity of the culprit.

Jessica Tregarth goes to England to visit her grandfather; an invitation that surprises and pleases her. The only link she has with her dead father's family is an antique ring he brought with him to America. This will be a chance to learn more about who she is; it will be fun.

Dinah Van der Lyn hears the cries for help through her hotel room wall, cries in English in the middle of Beirut. "Help" is the only English word spoken. She thinks the men are simply drunk and fighting. Her mistake is the first step on an odyssey of terror that will take Dinah to the fabled cities of Sidon, Tyro, Damascus.

Undeterred by world war and enemy submarines, Amelia and Emerson set sail once again for Egypt, where ghosts of an ancient past and spectres of a present-day evil hover silently over an inscrutable land. In the autumn of 1915 Cairo is transformed into an army camp teeming with enemy agents and shockingly bold tomb robbers are brazenly desecrating the ancient sites. Amelia seeks refuge at a remote dig in Luxor, but this provides no guarantee of safety when she discovers a fresh corpse in an ancient tomb.

While on an all-expenses-paid cruise down the Nile, Vicky takes on a new case involving a plot to rob the Egyptian museum. With Sir John Smythe, reformed jewel thief and Vicky's lover, the prime suspect, she prepares for shipboard romance and a dash of intrigue.

Join spunky Amelia and her charming family for a thrilling new archaeological adventure in Edwardian Egypt. Even on the joyous occasion of the marriage of their Egyptian "son" David to their beloved niece Lia, trouble finds Amelia and hunky hubby Emerson. And this time it is personal.

In her best-selling Amelia Peabody mysteries, author Elizabeth Peters has created an award-winning mixture of vivid archeological detail, finely-tuned suspense, and witty romance. This, the 12th Amelia Peabody mystery, opens in 1914. As the tides of war rise, Egypt is threatened by attacks. Espionage abounds, pulling in several members of the Peabody Emerson household even as they embark on a new archeological season.

For vibrant, lovely Jean Suttman, the fellowship to study in Rome was the culmination of her dreams, until she undertook an innocent expedition to the ancient Temple of Mithra. From the moment she stepped into the pagan darkness and discovered the corpse of Albert, one of her fellow students, she was afraid. Not even the comforting presence of the perceptive and practical Jacqueline Kirby could erase the fear that was nourished by one small accident after another, "accidents" that came dreadfully close to killing her.

The last camel is dead, and Egyptologist Amelia Peabody, her dashing husband, Emerson, and precocious son, Ramses, are in dire straits on the sun-scorched desert sands. Months before, back in cool, green England, Viscount Blacktower had approached them to find his son and his son's new bride, who have been missing in war-torn Sudan for over a decade. An enigmatic message scrawled on papyrus and a cryptic map had been delivered to Blacktower, awakening his hope that the couple was still alive.

After Vicky Bliss stumbles over a clue to the existence of a hidden masterpiece by a late Gothic sculptor, she and her then-boyfriend, Tony, embark on a contest of will and wits to find the treasure.

The Charlemagne talisman, with its gold filigree volutes and enormous azure-blue sapphire, has caught Vicky Bliss' attention. When a man is found murdered with an enchanting copy of the antiquity in his pocket, along with an odd set of hieroglyphs, Vicky follows the trail of the gifted genius who created the fake to the narrow streets of the anitquity markets in Rome.