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The only person who might have the answers to a baffling murder case is the victim's seven-year-old daughter, found hiding in the room where her mother died. And she's not talking. Newly-promoted, out of his depth, detective Huldar turns to Freyja for her expertise with traumatized young people. Freyja, who distrusts the police in general and Huldar in particular, isn't best pleased. But she's determined to keep little Margret safe. It may prove tricky. The killer is leaving them strange clues: warnings in text messages, sums scribbled on bits of paper, numbers on the radio.
DI Nikki Galena: A police detective with nothing left to lose, she's seen a girl die in her arms, and her daughter will never leave the hospital again. She's gotten tough on the criminals she believes did this to her. Too tough. And now she's been given one final warning: make it work with her new sergeant, DS Joseph Easter, or she's out.
A 90-year-old man is found dead in his bed, smothered with his own pillow. On his desk, the police find newspaper cuttings about a murder case dating from the Second World War, when a young woman was found strangled behind Reykjavik's National Theatre. Konrad, a former detective, is bored with retirement and remembers the crime. He grew up in "the shadow district", a rough neighborhood bordered by the National Theatre. Why would someone be interested in that crime now?
At a university in Reykjavík, the body of a young German student is discovered, his eyes cut out and strange symbols carved into his chest. Police waste no time in making an arrest, but the victim's family isn't convinced that the right man is in custody. They ask Thóra Gudmundsdóttir, an attorney and single mother of two, to investigate. It isn't long before Thóra and her associate, Matthew Reich, uncover the deceased student's obsession with Iceland's grisly history of torture, execution, and witch hunts.
When editor Susan Ryeland is given the manuscript of Alan Conway's latest novel, she has no reason to think it will be much different from any of his others. After working with the best-selling crime writer for years, she's intimately familiar with his detective, Atticus Pünd, who solves mysteries disturbing sleepy English villages. An homage to queens of classic British crime such as Agatha Christie and Dorothy Sayers, Alan's traditional formula has proved hugely successful.
Why we think it’s a great listen: How do you one-up a book that’s already a global literary phenomenon? Hire Simon Vance to (flawlessly) interpret the loves, lives, and murders of Sweden’s cold and secret-filled world. A spellbinding amalgam of murder mystery, family saga, love story, and financial intrigue. It's about the disappearance 40 years ago of Harriet Vanger, a young scion of one of the wealthiest families in Sweden.
The only person who might have the answers to a baffling murder case is the victim's seven-year-old daughter, found hiding in the room where her mother died. And she's not talking. Newly-promoted, out of his depth, detective Huldar turns to Freyja for her expertise with traumatized young people. Freyja, who distrusts the police in general and Huldar in particular, isn't best pleased. But she's determined to keep little Margret safe. It may prove tricky. The killer is leaving them strange clues: warnings in text messages, sums scribbled on bits of paper, numbers on the radio.
DI Nikki Galena: A police detective with nothing left to lose, she's seen a girl die in her arms, and her daughter will never leave the hospital again. She's gotten tough on the criminals she believes did this to her. Too tough. And now she's been given one final warning: make it work with her new sergeant, DS Joseph Easter, or she's out.
A 90-year-old man is found dead in his bed, smothered with his own pillow. On his desk, the police find newspaper cuttings about a murder case dating from the Second World War, when a young woman was found strangled behind Reykjavik's National Theatre. Konrad, a former detective, is bored with retirement and remembers the crime. He grew up in "the shadow district", a rough neighborhood bordered by the National Theatre. Why would someone be interested in that crime now?
At a university in Reykjavík, the body of a young German student is discovered, his eyes cut out and strange symbols carved into his chest. Police waste no time in making an arrest, but the victim's family isn't convinced that the right man is in custody. They ask Thóra Gudmundsdóttir, an attorney and single mother of two, to investigate. It isn't long before Thóra and her associate, Matthew Reich, uncover the deceased student's obsession with Iceland's grisly history of torture, execution, and witch hunts.
When editor Susan Ryeland is given the manuscript of Alan Conway's latest novel, she has no reason to think it will be much different from any of his others. After working with the best-selling crime writer for years, she's intimately familiar with his detective, Atticus Pünd, who solves mysteries disturbing sleepy English villages. An homage to queens of classic British crime such as Agatha Christie and Dorothy Sayers, Alan's traditional formula has proved hugely successful.
Why we think it’s a great listen: How do you one-up a book that’s already a global literary phenomenon? Hire Simon Vance to (flawlessly) interpret the loves, lives, and murders of Sweden’s cold and secret-filled world. A spellbinding amalgam of murder mystery, family saga, love story, and financial intrigue. It's about the disappearance 40 years ago of Harriet Vanger, a young scion of one of the wealthiest families in Sweden.
After a messy divorce, attractive young mother Sonia is struggling to provide for herself and keep custody of her son.
With her back to the wall, she resorts to smuggling cocaine into Iceland and finds herself caught up in a ruthless criminal world. As she desperately looks for a way out of trouble, she must pit her wits against her nemesis, Bragi, a customs officer whose years of experience frustrate her new and ever more daring strategies.
Things become even more complicated when Sonia embarks on a relationship with a woman, Agla. Once a high-level bank executive, Agla is currently being prosecuted in the aftermath of the Icelandic financial crash.
Set in a Reykjavík still covered in the dust of the Eyjafjallajökull volcanic eruption, and with a dark, fast-paced and chilling plot and intriguing characters, Snare is an outstandingly original and sexy Nordic crime thriller from one of the most exciting new names in crime fiction.
This was well written , suspenseful without keeping me up. I learned a great deal about Iceland, drug running and banking. The characters were fully developed and. Interesting. The audio performance was perfect.
I downloaded this on a whim wasn’t sure I’d enjoy it but absolutely loved it.
It’s narrated brilliantly considering there are so many diverse characters.
I also felt I’d learnt a lot about Iceland and there banking crisis
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