Does nature really make us feel better? The 3-Day Effect takes a look at the science behind why being in the wild can make us happier, healthier, and more creative. Whether it’s rafting down Utah’s Green River, hiking in Utah’s wilderness, or walking through Rock Creek Park in Washington, DC, scientists are finding that the more exposure humans have to nature, the more we can benefit from reduced anxiety, enhanced creativity, and overall well-being.

The year is 2016. Not our 2016. Theirs. Earth is dying, the result of a worldwide nuclear holocaust caused by America’s dictatorial President-for-Life Lewis Henderson, a man who will use any means necessary to maintain power and survive. Enter: The Splitter. A machine capable of splitting off an exact replica of Henderson’s world. A world where the cataclysmic events causing its destruction have yet to occur. That world is ours. In August of 1945, our postwar Europe becomes the battleground for Henderson’s operatives - led by his sociopathic son - as they engineer a complete redo of their history. By changing ours.

The Indignities of Being a Woman candidly traces the history of womanhood and investigates how much things have really changed for womankind. By carefully x-raying areas such as body image, marriage, mental illness, fashion, and politics, this audiobook examines what it was like to be a woman in the past versus what it’s like now, when women are constantly told equality between the sexes exists but reality proves otherwise. 

Living and slaving in Fill City One, you get used to the smell. We call it the Everpresent Stink. But every once in a while, on a spring day with a breeze, it clears away enough to remind us that there is something more out there. Most Fillers' wildest dreams would be just to get past the walls and live in the mainland. But my dream? It’s a little bigger. I’m going to Mars.   

Zane Phillips mistook me for his dog walker. It shouldn’t surprise me that the man with a suit more expensive than my rent would assume that I was there to serve him. The positive? I put him in his place. The negative? I missed my job interview because of it. Now I find out he’s a rich Australian entrepreneur, and he wants to make up for tanking my interview. Yes, he’s impossibly hot - but he’s also an arrogant jackass - so...no thanks. But after a little white lie I tell spirals out of control, I’m somehow offered the chance to play Zane’s girlfriend to help promote his new dating website....

Picture this - I’m ready to win back the love of my life, and I’m going big this time. We’re talking boom box, sing her name in the rain, let the whole damn neighborhood know I'm good and ready this time around. After all, if you're going to grand gesture the ever-loving hell out of a second chance, you need to pull out all the stops. There’s only one little problem. My college girlfriend isn't the one who shows up when I play my "I'll do anything to win you back" tune. The woman who flings open the second-floor window tells me my ex doesn’t live here anymore.

They were sent to investigate the first extraterrestrial signal. What they found was beyond anything they could have imagined - or feared. On a voyage to a mysterious moon in the Alpha Centauri system, the UEA Centaurus meets with disaster. Only the quick thinking of the flight engineer, Rachel Terman, saves some of the crew. Crash-landing on the moon, trillions of kilometers from Earth, they struggle to carry out their mission and try to survive. But nothing has prepared them for what they will face.

A magical serial killer is on the loose, and gelatinous, otherworldly creatures are infesting the English countryside. Which is making life for the Ministry of Occultism difficult, because magic is supposed to be their best kept secret. After centuries in the shadows, the Ministry is forced to unmask, exposing the country's magical history - and magical citizens - to a brave new world of social media, government scrutiny, and public relations.

Aubrey St. James is in trouble. She's locked in a cell at a government black site. She doesn't know where that site is or how the hell she got there. But she knows that it has something to do with the stranger she rescued from the river. Someone - or some thing - called Johnny.

Andrea Vernon always thought she would spend her life living in Paris writing thought-provoking historical novels all day and sipping wine on the Seine all night. But the reality is she's drowning in debt, has no prospects, and is forced to move back to Queens, where her parents remind her daily that they are very interested in grandchildren. Then, one morning, she is kidnapped, interviewed, and hired as an administrative assistant by the Corporation for UltraHuman Protection. Superheroes for hire, using their powers for good. What could possibly go wrong?

Martin and his friends discovered that their world is computer generated and that by altering the code they could alter reality. They traveled back in time to Medieval England to live as wizards. Almost everything they've done since then has, in one way or another, blown up in their faces. So of course they decide to make dragons. It does not go well.

She is the clone of a famed space explorer, but Mariska Volochkova rejects her mother and her heritage and wants no part of interstellar adventure. Although she is genetically engineered to hibernate through the interminable decades of space travel, Mariska's home is a habitat on the moon, and there she intends to stay. But the sweep of interplanetary politics and an affair with a Martian catches Mariska up in a conspiracy to commit a bold theft that will alter the future of space colonization.

Sharon Washington’s autobiographical one-woman play, Feeding the Dragon, delighted audiences off-Broadway and is now available exclusively on Audible. The one-act play invites listeners into Sharon’s unorthodox childhood, growing up in an apartment on the top floor of the St. Agnes Branch of the New York Public Library, where her father served as the building’s custodian. A love of literature and boundless imagination helped the playwright as a young woman persevere over dragons of all forms.

All the Ways to Say I Love You by Neil LaBute, directed by Leigh Silverman, is a thoughtful, psychological solo play centered around the character Faye Johnson, performed by multi-award-winning actress Judith Light (Transparent, American Crime Story, Who's the Boss?). Reflecting on an event from her past, Johnson confronts the defining question of her life: What is the weight of a lie? 

All the Ways to Say I Love You received its World Premiere production at the MCC Theater in September of 2016. MCC is under the leadership of Artistic Directors Robert Lupone, Bernard Telsey, William Cantler, and Executive Director Blake West. 

Bonus content includes an Audible-exclusive conversation between director Leigh Silverman and actress Judith Light.