Showing results by author "Edith Wharton" in All Categories

Twilight Sleep, a gothic satire of Jazz Age New York, was an instant best-seller when it was released in 1927. Quintessential Edith Wharton, it is stylish and sharp, at turns scathing, hilarious and melodramatic, but also deeply and surprisingly human. In a modernist twist, the story is told by three distinct narrators—19-year-old Nona Manford, her unflappable socialite mother Pauline, and Nona’s father and Pauline’s second husband, divorce lawyer Dexter Manford. All are trying to save the marriage of Nona’s half-brother, Jim Wyant, and his wife Lita.

This collection of 10 classic tales is very representative of Wharton's approach to story-telling - in the narrative, the venue becomes a character almost as much as do the people. Situations are presented in an elegantly understated way, and the overall effect is disturbing rather than blatantly horrific.

Few ghost stories are as chilling as the ones written by Victorian writers. Featuring work by H.G. Wells, Edith Wharton, F.G. Loring and Florence Marryat, this second volume of eight enduring stories, some well-known, others less familiar, transport you to a cosy fireside to hear tales of disembodied voices, haunted objects and unknown entities lurking in the shadows cast by candlelight.

The Age of Innocence is a 1920 novel by American author Edith Wharton. It was her twelfth novel and was initially serialized in 1920 in four parts, in the magazine Pictorial Review. Later that year, it was released as a book by D. Appleton & Company. It won the 1921 Pulitzer Prize for Fiction, making Wharton the first woman to win the prize. The story is set in the 1870s, in upper-class, "Gilded Age" New York City.

Edith Wharton on Audio, Vol.1 contains a few of the many short stories she composed during her stay at The Mount from 1902 to 1911. The stories delve deeply into the issues she was most concerned with at the time – namely the paradox of balancing a life of integrity with the required compromises of conforming to a newly formed society.

A ghostly presence in “The Lady’s Maid’s Bell” desires revenge against a tyrannical husband. In “Mr. Jones”, Lady Jane Lynke inherits an estate unexpectedly, and can’t make sense of how to manage the servants - especially since the caretaker has been dead for decades, but keeps giving orders. Meanwhile, in “Afterward”, a newly wealthy American couple moves into a large, isolated house in southern England complete with a ghost...and the mysteries surrounding the husband’s business are slowly uncovered. 

Winter in a Massachusetts village serves as a backdrop to Edith Wharton's masterpiece about a man with little hope of escaping his bleak future. Married to an older woman named Zeena, Ethan Frome finds himself drawn to his wife's cousin, Mattie.

Alice Lethbury, a young wife stuck in a dull, passionless marriage, decides to adopt a baby, Jane, with the consent of her reluctant husband. As Jane grows up, it becomes clear that she has entered the Lethburys' lives for a reason.

The House of Mirth is the story of Lily Bart, a penniless woman of the high society of New York City, who was raised and educated to become wife to a wealthy man, a hothouse flower for conspicuous consumption. As an unattached woman with gambling debts and an uncertain future, Lily is destroyed by the society who created her. Written in the style of a novel of manners, the writing itself is an illustration of American literary naturalism.

Edith Wharton (1862-1937) was a Pulitzer Prize-winning American novelist and short story writer. She was nominated for the Nobel Prize in Literature in 1927, 1928 and 1930. Among her most popular and terrifying tales are the many masterly ghost stories which she wrote in her early career. "Afterward" is a dramatic story of the most mysterious ghost of all. When Ned and Mary Boyne move to a remote and unrenovated manor house in Dorsetshire, their list of desired features includes a resident ghost.

Newland Archer, gentleman lawyer and heir to one of New York City's best families, is happily anticipating a highly desirable marriage to the sheltered and beautiful May Welland. Yet he finds reason to doubt his choice of bride after the appearance of Countess Ellen Olenska, May's exotic, beautiful 30-year-old cousin who has been living in Europe.

Lily Bart enjoys an equitable standing within the New York City elite. Although she desires a comfortable life and has received generous proposals from wealthy suitors, Lily remains single with hope for an honest and loving marriage. However, her life takes an unexpected twist when a nasty bit of gossip instigates her long descent down the social ladder. With her reputation plummeting, Lily escapes the city by joining an acquaintance on a European cruise.

Burdened by poverty and spiritually dulled by a loveless marriage to Zeena, his older and ailing wife, Ethan Frome is emotionally stirred by the arrival of their youthful cousin, Mattie Silver, who becomes employed as household help. Mattie's presence not only brightens a gloomy house but also stirs long-dormant feelings in Ethan. However, their growing love for each other is discovered by the embittered Zeena, and it presages an ending to the tale that is both shocking and savagely ironic.

Penned in 1899 by Edith Wharton, this short story features the proper Mrs. Carstyle; her husband, Mr. Carstyle; and their daughter, Irene, who are all are taken with their guest and an eligible bachelor named Vibart. Narrator John Chancer is a film and television actor with professional readings of many audiobooks to his credit.

Edith Wharton's novel The House of Mirth follows the social ups and downs of Lily Bart, who is a very attractive woman about to turn 30. At the beginning of the book, she is slated to marry Percy Gryce, seeing as he fits the exact description of the type of bachelor that she is looking for: wealthy and predictable. Yet through a series of missteps, Lily loses her chance with Percy, and must therefore spend some time trying to regain her social standing.

Eighteen-year-old Charity Royall is bored with life in the small town of North Dormer. She is a librarian and ward of North Dormer’s premier citizen, Lawyer Royall. While working at the library, Charity meets visiting architect Lucius Harney. Mr. Royall, who once tried to force his way into Charity’s bedroom after his wife’s death, and later asked her to marry him, notices their growing closeness. He tries to put a stop to it by telling Harney he can no longer accommodate him in his house.

A gripping collection of Victorian supernatural stories from the greatest ghost story writers of the age. 'Room Number Ten' by Bessie Kyffin-Taylor, 'Kerfol' by Edith Wharton, 'A Child of the Rain' by Elia W. Peattie, 'The Cold Embrace' by Mary E. Braddon, 'The Mummy of Thompson-Pratt' by Charles John Cutcliffe Hyne, 'When I Was Dead' by Vincent O'Sullivan, 'The Everlasting Club' by Arthur Gray, 'The Story of the Spaniards' by E & H Heron, 'The Staircase' by Hugh Walpole....

The story is set in the fictitious town of Starkfield, Massachusetts, where a visiting engineer recounts the story of his encounter with Ethan Frome, a man with a past of thwarted dreams and wishes. The amassed longing of Frome ends in an ironic turn of events. His original impressions are based on his observations of Frome going about his everyday tasks in Starkfield, and something about him catches the eye and curiosity of the visitor, but no one in the town seems interested in revealing many details about the man or his history - or perhaps they are not able to.

A BBC Radio 4 full-cast dramatisation of Edith Wharton’s 1913 satire of marriage and money in early-20th century American society. ‘The Custom of the Country’ was originally broadcast as the ‘Classic Serial’ from 3 - 17 January 2010. The play follows the beautiful Undine Spragg as she arrives in New York and sets her sights on Ralph Marvell, then travels to Paris where she meets a charming French aristocrat. Will Undine ever find real happiness?

La ironía y el talento se convirtieron, en manos de Edith Wharton, en las armas con las que apuntar y disparar sin temor contra la sociedad de su tiempo.