Showing results by publisher "HighBridge, a division of Recorded Books" in Poetry

In his much-anticipated follow-up to The Crown Ain't Worth Much, poet, essayist, biographer, and music critic Hanif Abdurraqib has written a book of poems about how one rebuilds oneself after a heartbreak, the kind that renders them a different version of themselves than the one they knew. It's a book about a mother's death, and admitting that Michael Jordan pushed off, about forgiveness, and how none of the author's black friends wanted to listen to "Don't Stop Believin'". It's about wrestling with histories, personal and shared.

In this heart-expanding collection of poetry and short prose, Scott Stabile delivers liberating truths rooted in the premise that each of us is beautiful, whole, and enough—just as we are. With the same wise, humorous, and unembellished voice that has garnered him hundreds of thousands of followers online, Scott assures us that our worth is inherent, our authenticity bridges the path to freedom, and with willingness and commitment, deep self-love is possible for each of us.

Award-winning poet Danez Smith is a groundbreaking force, celebrated for deft lyrics, urgent subjects, and performative power. Don't Call Us Dead opens with a heartrending sequence that imagines an afterlife for black men shot by police, a place where suspicion, violence, and grief are forgotten and replaced with the safety, love, and longevity they deserved here on earth. Smith turns then to desire, mortality - the dangers experienced in skin and body and blood - and a diagnosis of HIV positive. "Some of us are killed / in pieces", Smith writes, "some of us all at once."

Duende, that dark and elusive force described by Federico Garcia Lorca, is the creative and ecstatic power an artist seeks to channel from within. It can lead the artist toward revelation, but it must also, Lorca says, accept and even serenade the possibility of death. Tracy K. Smith's bold second poetry collection explores history and the intersections of folk traditions, political resistance, and personal survival. Duende gives passionate testament to suppressed cultures, and allows them to sing.

He's a comedy legend whose effortlessly wicked whimsy has enthralled audiences all over the world. His manic humor needs no introduction. But who is Billy Connolly? Where did he come from? Where does he get his material? What motivates him? What drives him crazy? And what is it like to live with him?

In this staggering work of documentary and poetry, Mai Der Vang reopens a wrongdoing that deserves a new reckoning. As the US abandoned them at the end of the Vietnam War, many Hmong refugees recounted stories of a mysterious substance that fell from planes during their escape from Laos in the mid-1970s. This substance, known as "yellow rain," caused severe illnesses and thousands of deaths. These reports prompted an investigation into allegations that a chemical biological weapon had been used against the Hmong in breach of international treaties.

Gabrielle Bates's electric debut collection Judas Goat plumbs the depths of intimate relationships. The book's eponymous animal is used to lead sheep to slaughter, while its own life is spared, and its harrowing existence echoes through this spellbinding collection of forty poems, which wrestle with betrayal and forced obedience, violence and young womanhood, and the "forbidden felt language" of sexual and sacred love.

Confronting loss, historical intersections with race and family, and the threshold between childhood and adulthood, Smith gathers courage and direction from the many disparate selves encountered in these poems, until, as she writes, "I was anyone I wanted to be."

Jericho Brown's daring new book The Tradition details the normalization of evil and its history at the intersection of the past and the personal. Brown's poetic concerns are both broad and intimate, and at their very core a distillation of the incredibly human: What is safety? Who is this nation? Where does freedom truly lie?

I Done Clicked My Heels Three Times takes its inspiration and concept from the cult classic film The Wiz to explore a Black woman's journey out of the South Side of Chicago and into adulthood. The narrative arc of The Wiz—a tumultuous departure from home, trials designed to reveal new things about the self, and the eventual return home—serves as a loose trajectory for this collection, pulling listeners through an abandoned barn, a Wendy's drive-thru, a Beyonce video, Grandma's house, Sunday service, and the corner store.

In the world of Jericho Brown's second book, disease runs through the body, violence runs through the neighborhood, memories run through the mind, trauma runs through generations. Almost eerily quiet in even the bluntest of poems, Brown gives us the ache of a throat that has yet to say the hardest thing - and the truth is coming on fast.

Love: it is the single human emotion that has inspired the most passionate and despairing poems in the language. Words sprung from the heart, this collection of our greatest love poems speaks to our deepest memories, our most ardent longings. In The Voices of Love, 10 talented actors read the enthralling testimony of poets over the centuries, who write of the heart's desires, the soul's choice. Here is life at its most intense. Listen, and be changed forever.

The legendary Jack Johnson (1878-1946) was a true American creation. The child of emancipated slaves, he overcame the violent segregationism of Jim Crow, challenging white boxers—and white America—to become the first African-American heavyweight world champion. The Big Smoke, Adrian Matejka's third work of poetry, follows the fighter's journey from poverty to the most coveted title in sports through the multi-layered voices of Johnson and the white women he brazenly loved.

Library of Small Catastrophes, Alison Rollins's ambitious debut collection, interrogates the body and nation as storehouses of countless tragedies. Drawing from Jorge Luis Borges's fascination with the library, Rollins uses the concept of the archive to offer a lyric history of the ways in which we process loss. "Memory is about the future, not the past", she writes, and rather than shying away from the anger, anxiety, and mourning of her narrators, Rollins's poetry seeks to challenge the status quo.

Please make me pretty, I don't want to die explores tactility, sound, sensuality, and intimacy. Set across the four seasons of a year, these fresh and original poems by Tawanda Mulalu combine an inviting confessional voice and offbeat imagery, and offer an appealing mixture of seriousness and humor.

For Hala Alyan, 29 is a year of transformation and upheaval, a year in which the past - memories of family members, old friends and past lovers, the heat of another land, another language, a different faith - winds itself around the present. Hala's ever-shifting, subversive verse sifts together and through different forms of forced displacement and the tolls they take on mind and body. Poems leap from war-torn cities in the Middle East, to an Oklahoma Olive Garden, a Brooklyn brownstone; from alcoholism to recovery; from a single woman to a wife.

One of the many joys of Christmas comes from the traditions associated with it. Best-selling author Caroline Kennedy drew on her own family's traditions to create this charming collection of favorite stories, poems, and writings that celebrate the holiday spirit.

Juanita di Perli was a young woman when she decided to live the rest of her life on a table-top. She called it God's will, but for the order of nuns that sprang up around her, Juanita's devotion was a curse. For decades they did the bidding of the holy grouch, and the entire island of San Juan el Pirata sighed with relief when she died. Twenty years later, the islanders fight for Juanita's canonization - not because they liked her, but because a local saint would be a tourist boon. The only thing keeping the island poor is the Archduke, who refuses to ask Rome to consider Juanita for sainthood.

"When I was 16, Helen Fleischman assigned me to memorize Shakespeare's Sonnet No. 29, 'When in disgrace with fortune and men's eyes, I all alone beweep my outcast state', for English class. And 50 years later, that poem is still in my head. Algebra got washed away, and geometry and most of biology, but those lines about the redemptive power of love in the face of shame are still here behind my eyeballs, more permanent than my own teeth." --Garrison Keillor

In her striking second collection, Natalie Scenters-Zapico sets her unflinching gaze once again on the borders of things. Lima :: Limon illuminates both the sweet and the sour of the immigrant experience, of life as a woman in the US and Mexico, and of the politics of the present day. Her lyrical poems focus on the often-tested resilience of women. Scenters-Zapico writes heartbreakingly about domestic violence and its toxic duality of macho versus hembra, of masculinity versus femininity, and throws into harsh relief the all-too-normalized pain that women endure.