Showing results by publisher "Knopf Canada" in Historical Fiction

In an isolated outport on Newfoundland's northern coastline, Abe Strapp is about to marry the daughter of a rival merchant to cement his hold on the shore when the Widow Caines arrives to throw the wedding and Abe's plans into chaos. That ruthless act of sabotage is the opening salvo in a battle between the man and woman who own Mockbeggar's largest mercantile firms, each fighting for the scarce resources of the north Atlantic fishery, each seeking a measure of revenge on the person they despise most in the world.

England, 1580. A young Latin tutor—penniless, bullied by a violent father—falls in love with an eccentric young woman: a wild creature who walks her family's estate with a falcon on her shoulder and is known throughout the countryside for her unusual gifts as a healer.

In the late nineteenth century, Charlotte Bell is growing up at Fayne, a vast and lonely estate straddling the border between England and Scotland, where she has been kept from the world by her adoring father, Lord Henry Bell, owing to a mysterious condition. Charlotte, strong and insatiably curious, revels in the moorlands, and has learned the treacherous and healing ways of the bog from the old hired man, Byrn, whose own origins are shrouded in mystery.

As the witches roast chestnuts and melt lead to see their fate, a series of odd messengers land on their doorstep bearing invitations for a New Year's Eve masquerade hosted by a woman they've never met. Gossip, dreams and portents follow, leading the witches to question the woman's motives. Is she as benevolent as she seems or is she laying a trap? And so, as Gilded-Age New York prepares to ring in the new year, the witches don their finery and head for the ball, on the hunt for answers that might well be the end of them.

Florence, the 1550s. Lucrezia, third daughter of the grand duke, is comfortable with her obscure place in the palazzo: free to wonder at its treasures, observe its clandestine workings, and to devote herself to her own artistic pursuits. But when her older sister dies on the eve of her wedding to the ruler of Ferrara, Moderna and Regio, Lucrezia is thrust unwittingly into the limelight: the duke is quick to request her hand in marriage, and her father just as quick to accept on her behalf.

Akemi’s desire for independence and aversion to marriage are unusual in her small village. A gift for drawing allows her to move to a rooming house in Tokyo where she studies medical illustration, finding satisfaction in the precision and purpose of her work. Sayako is the first roommate to pay Akemi attention, and they quickly become inseparable—Sayako drawn to Akemi’s humble origins, so distinct from her own insufferable, wealthy family; Akemi attracted to Sayako’s rebelliousness and her aspiration to be a painter.

Curiosities opens with a present-day amateur historian, Anne, who describes her unexpected discovery of five seventeenth-century manuscripts that, astonishingly, tell the same strange story from vastly different points of view. The five manuscripts spin this tale: after the Plague descends upon a village in England, two small children, Joan and Thomasina, are the only survivors.

Ned Vatcher, only 14, ambles home from school in the chill hush that precedes the first storm of the winter of 1936 to find the house locked, the family car missing, and his parents gone without a trace. From that point on, his life is driven by the need to find out what happened to the Vanished Vatchers. His father, Edgar, born to a poor family of fishermen, had risen to become the right-hand man to the colony's prime minister, then suffered an unexpected fall from grace. Were he and his wife murdered? Was it suicide? Had they run away? If so, why had they left their only child behind?

Set largely in a Cape Breton coal mining community called New Waterford, ranging through four generations, Ann-Marie MacDonald’s dark, insightful, and hilarious first novel focuses on the Piper sisters and their troubled relationship with their father, James.

One day a shell lands in a bread line and kills 22 people as the cellist watches from a window in his flat. He vows to sit in the hollow where the mortar fell and play Albinoni’s Adagio once a day for each of the 22 victims. The Adagio had been re-created from a fragment after the only extant score was firebombed in the Dresden Music Library, but the fact that it had been rebuilt by a different composer into something new and worthwhile gives the cellist hope.

With murder dominating the news, the respected wife of a New Brunswick sea captain is drawn into the case of a British home child whose bad luck has turned worse. Mortified that she must purchase the girl in a pauper auction to save her from the lechery of wealthy townsmen, Josephine Galloway finds herself suddenly the proprietor of a boarding house kept afloat by the sweat and tears of a curious and not completely compatible collection of women, including this English teenager, Flora Salford.

Ifemelu—beautiful, self-assured—left Nigeria 15 years ago, and now studies in Princeton as a Graduate Fellow. She seems to have fulfilled every immigrant's dream: Ivy League education; success as a writer of a wildly popular political blog; money for the things she needs. But what came before is more like a nightmare: wrenching departure from family; humiliating jobs under a false name. She feels for the first time the weight of something she didn't think about back home: race.

The story of the restorative power of art in one man’s life, set against the sweep of the twentieth century—from Toronto in the ’20s and ’30s, through the killing fields of World War II, to 1960s Sicily.

Utopia Avenue may be the most extraordinary British band you've never heard of. Emerging from London's psychedelic scene in 1967 and fronted by folksinger Elf Holloway, guitar demigod Jasper de Zoet, and blues bassist Dean Moss, Utopia Avenue released only two LPs during its brief, blazing journey from the clubs of Soho and draughty ballrooms to Top of the Pops and the Top 10; to Amsterdam, Rome, and a fateful American fortnight in the autumn of 1968. David Mitchell's new novel is the story of Utopia Avenue.

The time is our own time. The place, Sri Lanka, the island nation off the southern tip of India, a country formerly known as Ceylon, which is steeped in centuries of cultural achievement and tradition - and forced into the late 20th century by the ravages of civil war and the consequences of a country divided against itself. Into this maelstrom steps a woman, Anil Tissera, born in Sri Lanka, educated in the West, a forensic anthropologist sent by an international human-rights group to work with officials to discover the source of the organized campaigns of murder engulfing the island.

It is the early 1950s in a restless Iran, a country powerful with oil wealth but unsettled by class and religious divides and by a larger world hungry for its resources. One night, a humble driver in the Iranian army is walking home through a neighbourhood in Tehran when he hears a small, pitiful cry. Curious, he searches for the source, and to his horror comes upon a newborn baby girl abandoned by the side of the road and encircled by ravenous dogs. He snatches up the child, and forever alters his own destiny and that of the little girl, whom he names Aria.

Heartbreaking and wise, Rush Home Road tells the life story of Adelaide Shadd, who finds redemption in old age, and Sharla, a five-year-old mixed race girl abandoned to Addy’s care by her white mother. Born in the first decade of the 20th century in Rusholme (inspired by the real town of Buxton), in southwestern Ontario, an all-black community settled by fugitive slaves, Addy Shadd is raped as a teenager and forced to flee the family home. She makes her way on foot to Detroit.

Here we are, just living in the first draft of creation, which was made by some great artist, who is now getting ready to tear it apart. In this first draft, a woman named Mira leaves home for school. There, she meets Annie, whose tremendous power opens Mira’s chest like a portal—to what, she doesn’t know. When Mira is older, her beloved father dies, and she enters the strange and dizzying dimension that true loss opens up.

Kay and Thea are half-sisters, separated in age by almost twenty years, but deeply attached. When their stern father dies, Thea returns to Nova Scotia for her long-promised marriage to the captain of the Morning Light. But she cannot abandon her orphaned young sister, so Kay too embarks on a life-changing voyage to the other side of the world.

In this sweeping tale, at once epic and intimate, Shyam Selvadurai introduces us to Siddhartha Gautama—who will later become “the enlightened one,” or the Buddha—an unusually bright and politically astute young man settling into his upper-caste life as a newlywed to Yasodhara, a woman of great intelligence and spirit. Mansions of the Moon traces the couple’s early love and life together, and then the anguished turmoil that descends upon them both as Siddhartha’s spiritual calling takes over and the marriage partnership slowly, inexorably crumbles.