Showing titles in Shakespeare

In Othello, Shakespeare creates powerful drama from a marriage between the exotic Moor Othello and the Venetian lady Desdemona. Shakespeare builds many differences into his hero and heroine, including race, age, and cultural background. Yet most audiences believe the couple’s strong love would overcome these differences were it not for Iago, who sets out to destroy Othello.

The young king of Navarre and three of his courtiers have vowed to lock themselves away for three years of study and fasting, and to forswear the company of women for this period. No sooner is their vow made than it is tested, however, as the princess of France and three of her ladies arrive in Navarre on a diplomatic mission. The young men fall instantly and hopelessly in love, and the tension between their vow and their passion forms the subject of this charming and sparkling early comedy.

This collection of masterful reinterpretations brilliantly demystifies and breathes new life into Shakespeare's work, demonstrating the continued resonance of a playwright whose popularity remains more than 400 years after his death. Now, the passion, heartbreak, deception, reconciliation, and mortality of Shakespeare’s originals can be understood by all, without the need to cross-reference to an enjoyment-sapping study guide.

Falstaff is both a comic and tragic central protagonist in Shakespeare's three Henry plays. He is companion to Prince Hal (the future Henry V), who loves him, goads him, teases him, indulges his vast appetites, and commits all sorts of mischief with him. Award-winning author and esteemed professor Harold Bloom examines Falstaff with the deepest compassion and sympathy and also with unerring wisdom. He uses the relationship between Falstaff and Hal to explore the devastation of severed bonds and the heartbreak of betrayal.

Young love, bawdiness and exuberance are played out in these comedies that continue to make us laugh and cheer. Performed by an incredible array of the 20th century’s greatest actors, Marlowe alumni including Ian McKellen, Diana Rigg, Derek Jacobi and Prunella Scales can be heard in these recordings.

How can we look afresh at Shakespeare as a writer of sonnets? What new light might they shed on his career, personality, and sexuality? Shakespeare wrote sonnets for at least 30 years, not only for himself, for professional reasons, and for those he loved, but also in his plays, as prologues, as epilogues, and as part of their poetic texture.

Paul Scofield, Siobhan McKenna and John Neville perform Twelfth Night. This is Shakespeare's comedy of gender confusion, in which a girl disguises herself as a man to be near the count she adores - only to be pursued by the woman he loves.

Young Claudio has fallen for the lovely heiress Hero, who also loves him. Their path to the altar looks smooth, until the evil Don John intervenes. All ends happily, thanks to his incompetent assassins and the lucky discoveries of the bungling constable Dogberry. Central to the play, one of Shakespeare's best-loved comedies, are Beatrice and Benedick, masters of wit and sworn foes to marriage - until a plot is hatched to bring them together.

Savor the most celebrated love poems in the English language. Written almost 400 years ago, the sonnets of William Shakespeare are passionate and exalted, rich in imagery and alliteration, and full of mystery and intrigue.

The most iconic love story of all time, Shakespeare's Romeo and Juliet is an epic-scale tragedy of desire and revenge. Despite the bitter rivalry that exists between their families, Romeo Montague and Juliet Capulet have fallen madly in love. But when the long-running rivalry boils over into murder, the young couple must embark on a dangerous and deadly mission to preserve their love at any cost. An L.A. Theatre Works full-cast performance featuring Calista Flockhart as Juliet.

Professor Farah Karim-Cooper has dedicated her career to the Bard, which is why she wants to take the playwright down from his pedestal to unveil a Shakespeare for the twenty-first century. If we persist in reading Shakespeare as representative of only one group, as the very pinnacle of the white Western canon, then he will truly be in peril.

Julius Caesar is one of Shakespeare’s most compelling Roman plays. The plot against Caesar and the infamous assassination scene make for unforgettable listening. Brutus, the true protagonist of the play, is mesmerizing in his psychological state of anguish, forced to choose between the bonds of friendship and his desire for patriotic justice.

In the years leading up to 1606, since the death of Queen Elizabeth and the arrival in England of her successor, King James of Scotland, Shakespeare's great productivity had ebbed, and it may have seemed to some that his prolific genius was a thing of the past. But that year, at age 42, he found his footing again, finishing a play he had begun the previous autumn - King Lear - then writing two other great tragedies, Macbeth and Antony and Cleopatra.

The tragedy of King Lear receives an outstanding performance in an all-star cast led by Britain’s senior classical actor, Paul Scofield. He is joined by Alec McCowen as Gloucester, Kenneth Branagh as The Fool, Harriet Walter as Gonerill, Sara Kestelman as Regan and Emilia Fox as Cordelia. This is the ninth recording of Shakespeare plays undertaken by Naxos AudioBooks in conjunction with Cambridge University Press, and is directed by John Tydeman. It was released to mark the 80th birthday of Paul Scofield in January 2002.

Cleopatra is one of the most famous women in history - and thanks to Shakespeare, one of the most intriguing personalities in literature. Award-winning writer and beloved professor Harold Bloom delivers exhilarating clarity and invites us to look at this character as a flawed human who might be living in our world. He also explores his own personal relationship to the character: Just as we encounter one Anna Karenina or Jay Gatsby when we are in high school and college and another when we are adults, Bloom explains his shifting understanding of Cleopatra over the course of his own lifetime.

Macbeth, one of Shakespeare's most popular plays, is among the most powerful and influential tragedies in the English language. Promised a golden future as ruler of Scotland by three sinister witches, Macbeth murders the king in order to succeed to the throne. Tortured by his conscience and fearful of discovery, he becomes fatally enmeshed in a web of treachery and deceit.

Politics, power and the tragedy of war are played out in these sweeping histories that continue to surprise and entertain. Performed by an incredible array of the 20th century’s greatest actors, Marlowe alumni including Ian McKellen, Derek Jacobi, Prunella Scales, William Squire and Timothy West can be heard in these recordings.

Rome is a city divided, nobility and common-people locked in mutual suspicion. The patrician Caius Marcius, later called Coriolanus, is Rome's greatest soldier, but his proud refusal to accommodate himself to the demands of the plebeians leads to banishment and death. A Roman history as well as tragedy, Coriolanus is a complex and subtle exploration of the themes of absolution and compromise, both in the political world and in the life of the individual.

Mystery, power and malevolence are present in these plays, all of which subvert the happy endings that one would expect in a comedy and the tragic effect one would expect in a tragedy, to pose deeper moral questions that echo modern society. Performed by an incredible array of the 20th century’s greatest actors, Marlowe alumni including Roy Dotrice, Prunella Scales, Ian McKellen, Michael Hordern and Derek Jacobi can be heard in these recordings.

This outstanding historical recording made in 1941 for radio is widely regarded as one of the finest Hamlet performances ever, and one of John Gielgud's greatest moments. Though he went on to record it for commercial release, nothing matched this recording in the BBC studios, made before the days of editing.