Showing results by publisher "Macmillan Audio" in Literature & Fiction

To be a Docile is to be kept, body and soul, for the uses of the owner of your contract. To be a Docile is to forget, to disappear, to hide inside your body from the horrors of your service. To be a Docile is to sell yourself to pay your parents' debts and buy your children's future. Elisha Wilder’s family has been ruined by debt, handed down to them from previous generations. His mother never recovered from the Dociline she took during her term as a Docile, so when Elisha decides to try and erase the family’s debt himself, he swears he will never take the drug.

Shagun knows he will never be the kind of son his father demands. After the sudden deaths of his beloved twin sisters, Shagun flees his own guilt, his mother’s grief, and his father’s violent disapproval by enrolling at an all-boys boarding school. But he doesn’t find true belonging until he encounters a traveling theater troupe performing the Hindu myths of his childhood. Welcomed by the other storytellers, Shagun thrives, easily embodying mortals and gods, men and women, and living on the road, where his father can’t catch him.

San Francisco, 1952. Detective Evander “Andy” Mills has started a new life for himself as a private detective—but his business hasn’t exactly taken off. It turns out that word spreads fast when you have a bad reputation, and no one in the queer community trusts him enough to ask an ex-cop for help. When James, an old flame from the war who had mysteriously disappeared, arrives in his offices above the Ruby, Andy wants to kick him out. But the job seems to be a simple case of blackmail, and Andy’s debts are piling up. He agrees to investigate, despite everything it stirs up.

Andrew and Eddie did everything together, best friends bonded more deeply than brothers, until Eddie left Andrew behind to start his graduate program at Vanderbilt. Six months later, only days before Andrew was to join him in Nashville, Eddie dies of an apparent suicide. He leaves Andrew a horrible inheritance: a roommate he doesn’t know, friends he never asked for, and a gruesome phantom that hungers for him.

Ellen, a deeply closeted lesbian spends all her time in solitude, restoring films at a failing archive in 1980s New York City. When a group of German academics present her with a print of an infamous exploitation film believed to have been destroyed during the Holocaust, Ellen finds herself forced to confront her own repressed sexuality. And the more she works on the restoration, the more obsessed she becomes with its depictions of occult practices and queer debauchery.

A virus tears across the globe, transforming its victims in nightmarish ways. As the world collapses, dark forces pull a small group of women together. Erin, once quiet and closeted, acquires an appetite for a woman and her brain. Why does forbidden fruit taste so good? Savannah, a professional BDSM switch, discovers a new turn-on: committing brutal murders for her eldritch masters. Mareva, plagued with chronic tumors, is too horrified to acknowledge her divine role in the coming apocalypse, and as her growths multiply, so too does her desperation.

Lavender House, 1952: the family seat of recently deceased matriarch Irene Lamontaine, head of the famous Lamontaine soap empire. Irene’s recipes for her signature scents are a well guarded secret—but it's not the only one behind these gates. This estate offers a unique freedom, where none of the residents or staff hide who they are. But to keep their secret, they've needed to keep others out. And now they're worried they're keeping a murderer in. When your existence is a crime, everything you do is criminal, and the gates of Lavender House can’t lock out the real world forever.

Barnett Durang has a secret. No, not THAT secret. His widowed mother has long known he’s gay. The secret is Barnett is getting married. At his mother’s farm. In their small Louisiana town. She just doesn’t know it yet. It’ll be an intimate affair. Just two hundred or so of the most fabulous folks Barnett is shipping in from the “heathen coasts,” as Mom likes to call them, turning her quiet rescue farm for misfit animals into a most unlikely wedding venue.

The Kingdom of Sand features a nameless narrator who has survived the death of his friends to AIDS and the loss of his parents to old age and tragedy. Now he must witness the slow demise of a friend just a shade older than he is. Semi-anonymous sexual encounters, gallows humor, and classic films are his tools for staving off the dying of the light. In prose that’s in turn mordantly funny and hauntingly elegiac, Andrew Holleran takes the listener from a video porn shop off Route 301 to the memory of parties in Washington, DC.

Follow professional fairy-tale fixer Zinnia Gray as she helps women get the endings they deserve! First, Sleeping Beauty in A Spindle Splintered, fractured and reimagined. And then, Snow White's Evil Queen in A Mirror Mended!

There's Jonathan, lonely, introspective, and unsure of himself; and Bobby, hip, dark, and inarticulate. In New York after college, Bobby moves in with Jonathan and his roommate, Clare, a veteran of the city's erotic wars. Bobby and Clare fall in love, scuttling the plans of Jonathan, who is gay, to father Clare's child. Then, when Clare and Bobby have a baby, the three move to a small house upstate to raise "their" child together and, with an odd friend, Alice, create a new kind of family.

Vern - seven months pregnant and desperate to escape the strict religious compound where she was raised - flees for the shelter of the woods. There, she gives birth to twins, and plans to raise them far from the influence of the outside world. But even in the forest, Vern is a hunted woman. Forced to fight back against the community that refuses to let her go, she unleashes incredible brutality far beyond what a person should be capable of, her body wracked by inexplicable and uncanny changes.

In the North of England, far from the intrusions of cities but not far from civilization, Silvie and her family are living as if they are ancient Britons, surviving by the tools and knowledge of the Iron Age. For two weeks, the length of her father’s vacation, they join an anthropology course set to reenact life in simpler times. The ancient Britons built ghost walls to ward off enemy invaders, rude barricades of stakes topped with ancestral skulls. When the group builds one of its own, they find a spiritual connection to the past. What comes next but human sacrifice?

Jordan Baker grows up in the most rarefied circles of 1920s American society - she has money, education, a killer golf handicap, and invitations to some of the most exclusive parties of the Jazz Age. She’s also queer and Asian, a Vietnamese adoptee treated as an exotic attraction by her peers, while the most important doors remain closed to her. But the world is full of wonders: infernal pacts and dazzling illusions, lost ghosts and elemental mysteries. In all paper is fire, and Jordan can burn the cut paper heart out of a man. She just has to learn how.

In this heartfelt and absorbing novel, Valdes-Rodriguez opens up the lives of six upwardly mobile Latina friends in their late 20's. These women, who come from widely varied backgrounds, meet at Boston University and, after graduating, reunite every six months to share their stories. Facing the complications and pressures of everyday lives, the Social Club offers a chance to meet regularly, dish, dine, and help each other over the bumpy course of life and love.

To the people of Uztar, nothing in their world is more revered than the birds of prey and no one more honored than the falconers who call them to their fists. Brysen strives to be a great falconer - while his twin sister, Kylee, rejects her ancient gifts for the sport and wishes to be free of falconry. She’s nearly made it out, too, but a war is rolling toward their home in the Six Villages, and no bird or falconer will be safe. Together, the twins must journey into the treacherous mountains to trap the Ghost Eagle, the greatest of the Uztari birds and a solitary killer.

At age sixteen, Fahad hopes to spend the summer with his mother in London. His father, Rafik, has other plans: hauling his son to Abad, the family’s feudal estate in upcountry, Pakistan. Rafik wants to toughen up his sensitive boy, to teach him about power, duty, family—to make him a man. He enlists Ali, a local teenager, in this project, hoping his presence will prove instructive.

After discovering she's a witch and being whisked away to the magical land of Crenshaw, Ellie wants nothing more than to spend time with her new wife, Prospero, who has magically altered Ellie's memories to convince her of exactly that. Prospero herself is guilt-wracked after erasing Ellie's memories and being forced into a sham marriage with the woman she loves for real. But Crenshaw is dying, poisoned by Prospero's enemies who want their community to return to the human world, and she will do anything to save it.

It is 1953 and Pearlie, a dutiful young housewife, finds herself living in the Sunset District in San Francisco, caring not only for her husband's fragile health but also for her son, who is afflicted with polio. Then, one Saturday morning, a stranger appears on her doorstep, and everything changes. All the certainties by which Pearlie has lived and tried to protect her family are thrown into doubt. Does she know her husband at all? And what does the stranger want in return for his offer of a hundred thousand dollars?

The last thing Nick Morrow expected to receive was an invitation from his father to return home. When he left rural Nebraska behind, he believed he was leaving everything there, including his abusive father, Carlyle, and the farm that loomed so large in memory, forever. But neither Nick nor his brother Joshua, disowned for marrying Emilia, a woman of Asian descent, can ignore such summons from their father, who hopes for a deathbed reconciliation. Predictably, Joshua and Carlyle quickly warm to each other while Nick and Emilia are left to their own devices.