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Ghost Wall
- A Novel
- Narrated by: Christine Hewitt
- Length: 3 hrs and 48 mins
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Publisher's Summary
2019 Publishers Weekly Best Books of the Year
2019 The Times Literary Supplement Books of the Year
2019 NYPL Book for Reading and Sharing
2019 Hudson Booksellers Best of the Year
2019 The Guardian (UK) Best Books of the Year
2018 Financial Times Books of the Year
2018 The Times Literary Supplement Books of the Year
2018 The Guardian (UK) Best Books of the Year
A taut, gripping tale of a young woman and an Iron Age reenactment trip that unearths frightening behavior.
The light blinds you; there’s a lot you miss by gathering at the fireside.
In the North of England, far from the intrusions of cities but not far from civilization, Silvie and her family are living as if they are ancient Britons, surviving by the tools and knowledge of the Iron Age.
For two weeks, the length of her father’s vacation, they join an anthropology course set to reenact life in simpler times. They are surrounded by forests of birch and rowan; they make stew from foraged roots and hunted rabbit. The students are fulfilling their coursework; Silvie’s father is fulfilling his lifelong obsession. He has raised her on stories of early man, taken her to witness rare artifacts, recounted time and again their rituals and beliefs - particularly their sacrifices to the bog. Mixing with the students, Silvie begins to see, hear, and imagine another kind of life, one that might include going to university, traveling beyond England, choosing her own clothes and food, speaking her mind.
The ancient Britons built ghost walls to ward off enemy invaders, rude barricades of stakes topped with ancestral skulls. When the group builds one of its own, they find a spiritual connection to the past. What comes next but human sacrifice?
A story at once mythic and strikingly timely, Sarah Moss’ Ghost Wall urges us to wonder how far we have come from the “primitive minds” of our ancestors.
Praise for Ghost Wall:
“I have never read a novel this slender that holds inside it quite so much. Wild, calm, dark yet hopeful, a girl with a smart-mouth narrates her own difficult history as well as that of Britain.... This book ratcheted the breath out of me so skillfully that as soon as I’d finished, the only thing I wanted was to read it again.” (Jessie Burton, author of The Miniaturist)
“I stayed up half the night gulping down Sarah Moss’s slim, unnervingly tense novel. Ghost Wall has subtlety, wit, and the force of a rock to the head: an instant classic.” (Emma Donoghue, author of Room)
Critic Reviews
"Narrator Christine Hewitt's insightful characterizations bring greater depth to Moss's nuanced and gripping novel... She's especially effective as Sylvie, whose internal dialogue is biting but whose spoken interactions are colored by fear of her father." (AudioFile Magazine, Earphones award winner)
Financial Times Books of the Year
The Guardian (UK) Best Books of the Year
Hudson Booksellers Best of the Year
NYPL Book for Reading and Sharing,
The Times Literary Supplement Books of the Year
Publishers Weekly Best Books of the Year
Featured Article: Kick Off Spooky Season with a Listening Rec Based on Your Favorite Horror Movie
What would Halloween be without a roster of terrifying stories to really get you in the spirit? With that said, actually choosing your next foray into the strange and unusual is easier said than done, as an ever-growing barrage of inventive horror media makes for a daunting endless scroll of options. To make things a bit simpler for our fellow goblins and ghouls, discover this list of book recommendations based on your favorite horror movies.
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What listeners say about Ghost Wall
Average Customer RatingsReviews - Please select the tabs below to change the source of reviews.
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Performance
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- Chester Johnson
- 02-23-19
A good read!
I enjoyed the historical aspects of this novella as well as the overall story being conveyed. It centers on a seventeen year old girl named Silvie, with her controlling and manipulative father and subservient mother who go on vacation to participate in an experiential archaeological re-enactment of an Iron Age British Northumbrian camp with a group of college students and a Professor, Silvie calls "Prof".
The book mirrors and highlights the ancient traditional roles of women who in this story as well are left to 'gather' and cook and clean, while the men are 'hunters' providing the meat for the camp. The story really starts when the Prof and Silvie's dad try to reenact the ancient ceremonies of the Bog People who resided in the region, which included building a "Ghost wall' of skulls of their kills as a sacrifice of sorts.
The crux of the story revolves around Silvie's relationship with her controlling father when she challenges his ideas, and how he views her and her mother's roles in life, and as the tension between father and daughter builds, others in the camp begin to take notice of her struggle.
The story started slowly and did pick up as I went along, and it didn't end like I'd expected, but all in all still a good 3 1/2 out of 5 star read.
5 people found this helpful
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- Susan 🎧Audible-a-holic🎧 Crowe
- 03-17-19
Strange.....
I tried to read the actual book and just could not get past the extremely strange writing style. So.... I decided to listen. Still very strange but i managed to get through it. I didn't hate the book but i would definitely say it's not a favorite. Funny thing, i purchased the US AND UK editions of the book because i loved the covers so much.
4 people found this helpful
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- STroutt
- 07-02-19
weird
i didnt know what to expect from this story, and it was hard to tell where it would end. I didnt know what was going on really, but couldnt stop listening.
3 people found this helpful
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- Lena
- 11-13-19
Disturbing and infuriating
A portrait of the anger and learned helplessness that accompany abuse. It's a cruel thing to listen to, but worth it.
1 person found this helpful
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- Eric
- 05-23-19
Great and quick read!
This story is an affecting parable about Brexit, consent, and masculinity gone awry. It is also a critique of the nostalgia for earlier times and the implications those earlier times carried.
1 person found this helpful
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- Calliope
- 01-10-23
I was surprised how much I enjoyed it
A short but really enjoyable story involving a family spending their vacation living as Britons did 3000 years ago, as they join a college anthropology field trip for 2 weeks. I thought it would be interesting, but it was far better than I thought.
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- Kanders
- 09-30-22
haunting is the word
Interesting and original, believable and likely psychological drama, and the narrator could not have been more perfect.
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- Meade Neumann
- 12-08-21
Disturbing but worth the read
The story is haunting but well created and definitely worth the listen! Fair warning that the content is not for all.
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- Mandy P
- 02-01-20
weird
not sure why I couldn't stop listening. The story was anxiety-making throughout. the resution at the end was not fulfilling - I dont wanna give it away but I really wanted more to happen. like BAM. instead it went out like "ping"
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- Gary B.
- 09-05-19
Tense, dense and violent
Captures the tension and violence of domestic violence brilliantly and in such a short novel. I'd love to read Moss' take on what happens next...
1 person found this helpful
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- Cara Walsh
- 08-23-21
Engrossing and rewarding
A wonderful story. Pitch perfect narration. Great characters. The setting was very atmospheric and reminiscent of the 1980’s. I’m embarrassed that after Summerwater I initially put off reading this because it is quite short. It is well worth it and I’ll be reading the rest of Sarah Moss’s books without delay.
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- Keith
- 08-16-20
Intense
Moss has delivered a masterpiece. Running across a short period of time and inhabiting an interesting setting of a family at a college arranged medieval study, Sylvie’s voice positively leaps off the page. So powerful and empathic.
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Story
Eleanor lives with prosopagnosia, the inability to recognize a familiar person's face. It causes stress. Acute anxiety. It can make you question what you think you know. When Eleanor walked in on the scene of her capriciously cruel grandmother, Vivianne’s, murder, she came face to face with the killer—a maddening expression that means nothing to someone like her. With each passing day, the horror of having come so close to a murderer—and not knowing if they’d be back—overtakes both her dreams and her waking moments, thwarting her perception of reality.
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Plot holes the size of a car (SPOILERS AHEAD)
- By Cole fox on 07-28-22
By: Camilla Sten, and others
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The Yellow Wallpaper
- By: Charlotte Perkins Gilman
- Narrated by: Jo Myddleton
- Length: 35 mins
- Unabridged
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Overall
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Performance
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Story
Instructed to abandon her intellectual life and avoid stimulating company, she sinks into a still-deeper depression invisible to her husband, who believes he knows what is best for her. Alone in the yellow-wallpapered nursery of a rented house, she descends into madness.
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A Visceral Reaction
- By Em on 05-02-12
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Summerwater
- A Novel
- By: Sarah Moss
- Narrated by: Morven Christie
- Length: 4 hrs and 27 mins
- Unabridged
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Overall
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Performance
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Story
They rarely speak to each other, but they take notice - watching from the safety of their cabins, peering into the half-lit drizzle of a Scottish summer day, making judgments from what little they know of their temporary neighbors. On the longest day of the year, the hours pass nearly imperceptibly as twelve people go from being strangers to bystanders to allies, their attention forced into action as tragedy sneaks into their lives.
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Beautifully written and beautifully read.
- By Susan on 01-30-21
By: Sarah Moss
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The Comfort of Strangers
- By: Ian McEwan
- Narrated by: Simon Prebble
- Length: 4 hrs and 9 mins
- Unabridged
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Overall
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Performance
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Story
New York Times best-selling author Ian McEwan has won the Booker Prize, Whitbread Award, and the National Book Critics Circle Award for his masterfully accomplished fiction. The Comfort of Strangers is an exquisitely crafted gothic novella. On holiday, Colin and Maria wander the ancient streets of Venice and frequently lose their way. When they are accosted by a man with a strange and alluring story to tell, they soon become entwined in a fantasy of violence and erotic obsession.
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Mysterious, bizarre
- By EVERETT on 07-21-07
By: Ian McEwan
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In the House in the Dark of the Woods
- By: Laird Hunt
- Narrated by: Vanessa Johansson
- Length: 5 hrs and 20 mins
- Unabridged
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Overall
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Performance
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Story
In this horror story set in colonial New England, a law-abiding Puritan woman goes missing. Or perhaps she has fled or abandoned her family. Or perhaps she's been kidnapped, and set loose to wander in the dense woods of the north. Alone and possibly lost, she meets another woman in the forest. Then everything changes.
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No thank you
- By charity on 10-17-18
By: Laird Hunt
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Lapvona
- A Novel
- By: Ottessa Moshfegh
- Narrated by: Ottessa Moshfegh
- Length: 8 hrs and 43 mins
- Unabridged
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Overall
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Performance
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Story
Little Marek, the abused and delusional son of the village shepherd, never knew his mother; his father told him she died in childbirth. One of life’s few consolations for Marek is his enduring bond with the blind village midwife, Ina, who suckled him when he was a baby, as she did so many of the village’s children. Ina’s gifts extend beyond childcare: she possesses a unique ability to communicate with the natural world. Her gift often brings her the transmission of sacred knowledge on levels far beyond those available to other villagers, however religious they might be.
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Nasty (Good)
- By Justice McDaniel on 07-27-22
By: Ottessa Moshfegh
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The Resting Place
- By: Camilla Sten, Alexandra Fleming - translator
- Narrated by: Angela Dawe
- Length: 8 hrs and 51 mins
- Unabridged
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Overall
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Performance
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Story
Eleanor lives with prosopagnosia, the inability to recognize a familiar person's face. It causes stress. Acute anxiety. It can make you question what you think you know. When Eleanor walked in on the scene of her capriciously cruel grandmother, Vivianne’s, murder, she came face to face with the killer—a maddening expression that means nothing to someone like her. With each passing day, the horror of having come so close to a murderer—and not knowing if they’d be back—overtakes both her dreams and her waking moments, thwarting her perception of reality.
-
-
Plot holes the size of a car (SPOILERS AHEAD)
- By Cole fox on 07-28-22
By: Camilla Sten, and others
-
The Yellow Wallpaper
- By: Charlotte Perkins Gilman
- Narrated by: Jo Myddleton
- Length: 35 mins
- Unabridged
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Overall
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Performance
-
Story
Instructed to abandon her intellectual life and avoid stimulating company, she sinks into a still-deeper depression invisible to her husband, who believes he knows what is best for her. Alone in the yellow-wallpapered nursery of a rented house, she descends into madness.
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A Visceral Reaction
- By Em on 05-02-12
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The Grip of It
- By: Jac Jemc
- Narrated by: Amy McFadden, Michael David Axtell
- Length: 6 hrs and 31 mins
- Unabridged
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Overall
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Performance
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Story
Julie and James settle into a house in a small town outside the city where they met. The move - prompted by James' penchant for gambling, his inability to keep his impulses in check - is quick and seamless; both Julie and James are happy to leave behind their usual haunts and start afresh. But this house, which sits between lake and forest, has plans for the unsuspecting couple.
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Wait....what??
- By Ali M. Fitzgerald on 11-10-17
By: Jac Jemc
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Where Reasons End
- A Novel
- By: Yiyun Li
- Narrated by: Cassandra Campbell
- Length: 4 hrs and 4 mins
- Unabridged
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Overall
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Performance
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Story
Yiyun Li meets life’s deepest sorrows as she imagines a conversation between a mother and child in a timeless world. Composed in the months after she lost a child to suicide, Where Reasons End trespasses into the space between life and death as mother and child talk, free from old images and narratives. Deeply moving, these conversations portray the love and complexity of a relationship. Written with originality, precision, and poise, Where Reasons End is suffused with intimacy, inescapable pain, and fierce love.
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A Story of Words that Go Beyond Itself
- By LJ on 04-15-19
By: Yiyun Li
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Devil's Day
- By: Andrew Michael Hurley
- Narrated by: Richard Burnip
- Length: 10 hrs and 44 mins
- Unabridged
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Overall
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Performance
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Story
Every autumn, John Pentecost returns to the farm where he grew up to help gather the sheep down from the moors for the winter. Very little changes in the Endlands, but this year, his grandfather - the Gaffer - has died, and John's new wife, Katherine, is accompanying him for the first time. As the farmers of the Endlands bury the Gaffer and prepare to gather the sheep, they begin to wonder whether they've let the Devil in.
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BORING!
- By McSusie on 10-17-20
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Human Acts
- A Novel
- By: Han Kang
- Narrated by: Sandra Oh, Deborah Smith - introduction, Greta Jung, and others
- Length: 6 hrs and 43 mins
- Unabridged
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Overall
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Performance
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Story
In the midst of a violent student uprising in South Korea, a young boy named Dong-ho is shockingly killed. The story of this tragic episode unfolds in a sequence of interconnected chapters as the victims and the bereaved encounter suppression, denial, and the echoing agony of the massacre. From Dong-ho's best friend who meets his own fateful end; to an editor struggling against censorship; to a prisoner and a factory worker, each suffering from traumatic memories; and to Dong-ho's own grief-stricken mother.
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Tedious
- By Kindle Customer on 02-16-17
By: Han Kang
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Meddling Kids
- A Novel
- By: Edgar Cantero
- Narrated by: Kyla Garcia
- Length: 12 hrs and 54 mins
- Unabridged
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Overall
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Performance
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Story
Summer 1977. The Blyton Summer Detective Club (of Blyton Hills, a small mining town in Oregon's Zoinx River Valley) solved their final mystery and unmasked the elusive Sleepy Lake monster - another low-life fortune hunter trying to get his dirty hands on the legendary riches hidden in Deboën Mansion. And he would have gotten away with it, too, if it weren't for those meddling kids.
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should have been a YA novel
- By Bearded Barista on 08-20-17
By: Edgar Cantero