Showing results by publisher "Simon & Schuster Audio" in Authors

Following the publication of her acclaimed, darkly funny novel O Caledonia, Elspeth Barker’s sharp and witty essays appeared regularly in the national press. Notes from the Henhouse, a selection of the most personal of these pieces, welcomes listeners into the celebrated writer’s life.

Survival Math is both a personal reckoning and a vital addition to the national conversation about race. Mitchell explores the Portland of his childhood, tracing the ways in which his family managed their lives in and around drugs, prostitution, gangs, and imprisonment as members of a tiny black population in one of the country’s whitest cities. He discusses sex work and serial killers, gangs and guns, near-death experiences, composite fathers, the concept of “hustle,” and the destructive power of drugs and addiction on family.

Shortly after 9 PM on April 19, 1989, a young woman jogs alone near 102nd Street in New York City's Central Park. She is attacked, raped, savagely beaten, and left for dead. Many hours later, she is found lying in the mud, her body thrashing violently.

I Am the Central Park Jogger recounts the mesmerizing, inspiring, often wrenching story of human strength and transcendent recovery that involved a family, a hospital, a city - in fact an entire nation - of supporters.

Chuck Klosterman IV consists of three parts:

THINGS THAT ARE TRUE
Profiles and trend stories: Britney Spears, Val Kilmer, McDonalds, '70s rock band nostalgia cruises. With new introductions and asides.

In this groundbreaking biography, Richard Ben Cramer presents a stunning, often shocking portrait of the hero nobody knew. It is a story that sweeps through the 20th century, bringing light to America's national game, movie stars, mobsters, as well as the birth - and the price - of national celebrity.

As North Korea's State Poet Laureate, Jang Jin-sung led a charmed life. With food provisions (even as the country suffered through its great famine), a travel pass, access to strictly censored information, and audiences with Kim Jong-il himself, his life in Pyongyang seemed safe and secure. But this privileged existence was about to be shattered. When a strictly forbidden magazine he lent to a friend goes missing, Jang Jin-sung must flee for his life.

A loving and devoted step-father, Donnie introduced Tracy Ross's family to the joys of fishing, deer hunting, camping, and hiking among the pristine mountains of rural Idaho. Donnie was everything Tracy dreamed a dad would be: protective, brave, and kind. But when his dependence on his eight-year-old daughter's companionship went too far, everything changed.

“IT ALL STARTED WITH MY BALLS.” So begins Colm Tóibín’s fabulously compelling essay, laced with humor, about his diagnosis and treatment for cancer. Tóibín survives, but he has entered, as he says, “the age of one ball.” Tóibín describes his education by priests, several of whom were condemned years later for abuse. He writes about Irish history and literature, and about the long, tragic journey toward legal and social acceptance of homosexuality. A Guest at the Feast is both an intimate encounter with a creative artist and a glorious celebration of writing.

Here is Hemingway: the adventurer, the reporter, the man! More intimately than all his fiction, Hemingway the reporter reveals Hemingway the man, driving an ambulance through a bullet-barrage or leading guerrilla forces into Paris, always in the thick of the action. Here are his most sensational dispatches, the behind-the-scenes stories that became For Whom the Bell Tolls, A Farewell to Arms, and The Sun Also Rises.

Bob Dylan's Chronicles: Volume One explores the critical junctions in his life and career. Through Dylan's eyes and open mind, we see Greenwich Village, circa 1961, when he first arrives in Manhattan. Dylan's New York is a magical city of possibilities: smoky, nightlong parties; literary awakenings; transient loves and unbreakable friendships. Elegiac observations are punctuated by jabs of memories, penetrating and tough.

Still considered one of the best books ever written about bullfighting, Death in the Afternoon reflects Hemingway's belief that bullfighting was more than mere sport. Here he describes and explains the technical aspects of this dangerous ritual, and "the emotional and spiritual intensity and pure classic beauty that can be produced by a man, an animal, and a piece of scarlet serge draped on a stick."

Everyone knows Judy Blume. Her books have garnered her fans of all ages for decades and sold tens of millions of copies. But why were people so drawn to them? And why are we still talking about them now in the 21st century? In The Genius of Judy, her remarkable story is revealed as never before, beginning with her as a mother of two searching for purpose outside of her home in 1960s suburban New Jersey.

The story of Mary Poppins, the quintessentially English and utterly magical children's nanny, is remarkable enough. She flew into the lives of the unsuspecting Banks family in a children's book that was instantly hailed as a classic, then became a household name when Julie Andrews stepped into the starring role in Walt Disney's hugely successful and equally classic film. Now she is a Broadway sensation all over again. But the story of Mary Poppins's creator, as this first biography reveals, is just as unexpected and remarkable.

In the summer of 1916, Dorothy Woodruff and Rosamond Underwood, close friends from childhood and graduates of Smith College, left home in Auburn, New York, for the wilds of northwestern Colorado. Bored by their soci-ety luncheons, charity work, and the effete young men who courted them, they learned that two teach-ing jobs were available in a remote mountaintop schoolhouse and applied—shocking their families and friends.

August Wilson wrote a series of ten plays celebrating African American life in the 20th century, one play for each decade. No other American playwright has completed such an ambitious oeuvre. Two of the plays became successful films, Fences, starring Denzel Washington and Viola Davis; and Ma Rainey’s Black Bottom, starring Viola Davis and Chadwick Boseman. Fences and The Piano Lesson won the Pulitzer Prize for Drama; Fences won the Tony Award for Best Play, and years after Wilson’s death in 2005, Jitney earned a Tony Award for Best Revival of a Play.

Los Angeles in the 1960s and '70s was the pop cultural capital of the world - a movie factory, a music factory, a dream factory. Eve Babitz was the ultimate factory girl, a pure product of LA. The goddaughter of Igor Stravinsky and a graduate of Hollywood High, Babitz posed in 1963, at age 20, playing chess with the French artist Marcel Duchamp. She was naked; he was not. The photograph, cheesecake with a Dadaist twist, made her an instant icon of art and sex. Babitz spent the rest of the decade rocking and rolling on the Sunset Strip, honing her notoriety.

Mark Twain founded the American voice. His works are a living national treasury: taught, quoted, and reprinted more than those of any writer except Shakespeare. His awestruck contemporaries saw him as the representative figure of his times, and his influence has deeply flavored the 20th and 21st centuries.

The theory that Shakespeare may not have written the works that bear his name is the most horrible, unspeakable subject in the history of English literature. Scholars admit that the Bard’s biography is a “black hole,” yet to publicly question the identity of the god of English literature is unacceptable, even (some say) “immoral.” In Shakespeare Was a Woman and Other Heresies, journalist and literary critic Elizabeth Winkler sets out to probe the origins of this literary taboo.

An autobiography usually requires a justification. The great autobiographies—those by Benvenuto Cellini, Jean-Jacques Rousseau, Benjamin Franklin, and Henry Brooks Adams—were justified by their authors living in interesting times, harboring radically new ideas, or participating in great events. Joseph Epstein qualifies on none of these counts. His life has been quiet, lucky in numerous ways, and far from dramatic. But it has also been emblematic of the great changes in our country since World War II. Never Say You’ve Had a Lucky Life is an intimate look at one life steeped in radical change.

In the tradition of Frank McCourt’s Angela’s Ashes and Alice Taylor’s To School Through the Fields, Tom Phelan’s We Were Rich and We Didn't Know It is a heartfelt and masterfully written memoir of growing up in Ireland in the 1940s. We Were Rich and We Didn't Know It recounts Tom’s upbringing in an isolated, rural community from the day he was delivered by the local midwife. With tears and laughter, it speaks to the strength of the human spirit in the face of life's adversities.