Showing titles in Dramatizations

Darrow would have lived in peace, but his enemies brought him war. The Gold overlords demanded his obedience, hanged his wife, and enslaved his people. But Darrow is determined to fight back. Risking everything to transform himself and breach Gold society, Darrow has battled to survive the cutthroat rivalries that breed Society’s mightiest warriors, climbed the ranks, and waited patiently to unleash the revolution that will tear the hierarchy apart from within. Finally, the time has come.

As a child, Chris Hooper dreamed of monsters. But in deep space, he found only darkness and isolation. Then, on planet LV178, he and his fellow miners discovered a storm-scoured, sand-blasted hell - and trimonite, the hardest material known to man. When a shuttle crashes into the mining ship Marion, the miners learn that there was more than trimonite deep in the caverns.

A window is but a piece of glass through which we view the world outside. It is not meant to distort. It is not intended to do anything but show us things as they are. At Oxford, though, there is a very particular window that reveals a very particular view. It is a view that defies all laws of nature and science. And when a detective is called in to investigate, he is startled to find that view opens a window into his own life–and a mystery he has never been able to solve.

It's 2116, and Bernard Marx and Helmholtz Watson are token rebels in an irretrievably corrupted society where promiscuity is the norm, eugenics a respectable science, and morality turned upside down. There is no poverty, crime or sickness - but no creativity, art or culture either. Human beings are merely docile citizens: divided into castes, brainwashed and controlled by the state and dependent on the drug soma for superficial gratification.

It is a simple question that is as profound as any we can ask: “Who am I?” Dr. Vikram Anthony is that rare person who believes the answer is relatively simple. I am my work; I am my skill; I am my mind. It is only when the noted surgeon faces his own mortality that the answer gets more complex. And the opportunity for a new life–a decidedly different life–opens a world of possibilities he’d never imagined.

It is June 1940. The war against Hitler’s forces is raging. And the tide is turning against the British. In this hour of despair, Prime Minister Winston Churchill receives a mysterious letter from an even more mysterious woman, offering a Faustian bargain and a promise of victory. But if Churchill accepts, will he be condemning his nation’s very soul?

Henry and Nomi are thrilled to find out they’re going to be parents. There is so much to think about, so many decisions they’ll need to make, about feeding schedules and childcare and schools. But there’s one decision they never would have imagined facing, and even considering the choice is a minefield of emotions and experiences and expectations. After all, the only thing that hangs in the balance is the course of their child’s life.

When H. G. Wells first published The War of The Worlds in 1898, the novel quickly became a sci-fi classic. The story of extraterrestrials from Mars invading Earth captured the public’s imagination, inspiring a famed 1938 radio broadcast with Orson Welles, several feature films, countless video games, and a best-selling musical concept album by Jeff Wayne in 1978, among others.

Charles Chilton's classic science-fiction trilogy stormed the BBC airwaves during the 1950s. Its gripping story lines, extra-terrestrial sound effects, and atmospheric music engaged the listener as never before. Between 1953 and 1958, a devoted audience of adults and children attentively followed Captain Jet Morgan and his crew from one cliff-hanger to another as, together, they faced the unknown perils of space.

When the Doctor and Donna visit London's Technology Museum for a glimpse into the future, things don't go to plan. The most brilliant IT brain in the country can't use her computer. More worrying, the exhibits are attacking the visitors, while outside, people seem to be losing control of the technology that runs their lives. Is it all down to simple human stupidity, or is something more sinister going on?

Charles Chilton's classic science-fiction trilogy stormed the BBC airwaves during the 1950s. Its gripping story lines, extra-terrestrial sound effects, and atmospheric music engaged listeners as never before. Between 1953 and 1958, a devoted audience of adults and children attentively followed Captain Jet Morgan and his crew from one cliff-hanger to another as, together, they faced the unknown perils of space.

Stranded on Prehistoric Earth since the end of the first series, Arthur Dent and Ford Prefect are once again trying to hitch their way off the planet. Zaphod finds his visit to the offices of the Guide rudely interrupted by Frogstar fighters, who further threaten to feed him to the Total Perspective Vortex. Eventually reunited, the three fetch up on the planet Brontitall and discover the indigenous species in something of a flap. Arthur meets Lintilla (several of her), Marvin gets to be a hero once again, and there is a meeting with the Man in the Shack who apparently runs the Universe....

I’m usually alone in my head, and that’s where 90 plus percent of my problems are. When Murderbot's human associates (not friends, never friends) are captured and another not-friend from its past requires urgent assistance, Murderbot must choose between inertia and drastic action. Drastic action it is, then.

While frequent flyer Arthur Dent searches the universe for his lost love, Ford Prefect discovers a disturbing blast from the past at The Hitchhiker’s Guide HQ. Meanwhile, on one of many versions of Earth, a blonder, more American Trillian gets tangled up with a party of lost aliens having an identity crisis. And just when Arthur thinks he has found his true vocation on the backwater planet of Lamuella, the original Trillian turns up with more than a little spanner in the works. A stolen ship, a dramatic stampede and a new and sinister Guide lead to a race to save the Earth...again. But this time, will they succeed?

The ongoing battle between star quarterback Quentin Barnes and team owner Gredok the Splithead is coming to a head. Endless threats and promises of ultraviolence hang on their every word. With sentients of several groups trying to manipulate or kill him, Quentin must chart a new course if he is to survive and overcome his injury to once again lead his beloved Krakens into battle.

Join the Eleventh Doctor on journeys in time and space in the stories 'The Runaway Train' by Oli Smith, 'The Ring of Steel' by Stephen Cole, 'The Jade Pyramid' by Martin Day, 'The Hounds of Artemis' by James Goss, 'The Gemini Contagion' by Jason Arnopp, 'Eye of the Jungle' by Darren Jones, 'Blackout' by Oli Smith, 'The Art of Death' by James Goss, 'Darkstar Academy' by Mark Morris, 'Day of the Cockroach' by Steve Lyons and many more.

With shades of Tom Clancy, Stephen King, and James Rollins, Mount Fitz Roy continues the tale of Patrick O’Doyle and Bertha Lybrand, who were part of the horror show that occurred far below the mountains of Utah. They learn that the "mother of all motherlodes” discovered there was not unique, that there is another deposit similar to it three miles beneath the towering peak of Cerro Chaltén on the disputed border between Chile and Argentina.

An original adventure for the Seventh Doctor and Ace, as played on TV by Sylvester McCoy and Sophie Aldred, in an encounter with the Autons.

Don't panic! The Hitchhiker's saga continues with a brand new full-cast dramatisation of Life, the Universe and Everything, the third book in Douglas Adams's famous 'trilogy in five parts'.

Patrick Troughton's Doctor encounters the Cybermen in London in this classic soundtrack adventure, narrated by Frazer Hines. Arriving on Earth in 1975, the Doctor, Jamie, and Zoe discover that the component manufacturers International Electromagnetics has a vice-like grip on the world's technology.