Showing titles in Screenwriting

Every aspect of screenwriting is covered with an authority and credibility never seen in any book to come before. Told with honesty, humor, and vulnerability from the real-world perspective of a working, professional screenwriter, Kill the Dog reveals the secrets of what it takes to have a successful career as a Hollywood screenwriter.

El mundo de hoy quiere conocerte y descubrir la verdadera historia de por qué haces lo que haces. Ya sea que tengas un producto que vender, la misión de una empresa que compartir o un público al que entretener, es mucho más probable que las personas se involucren y conecten contigo si les ofreces una historia bien elaborada con un núcleo emocional. Bobette Buster es guionista y colabora como asesora con las principales productoras cinematográficas, incluidas Pixar, Disney y Sony Animation. En Storytelling nos enseña el arte de contar historias poderosas y atractivas.

David Mamet went to Hollywood on top—a super successful playwright summoned west in 1980 to write a vehicle for Jack Nicholson. He arrived just in time to meet the luminaries of old Hollywood and revel in the friendship of giants like Paul Newman, Mike Nichols, Bob Evans, and Sue Mengers. Over the next forty years, Mamet wrote dozens of scripts, was fired off dozens of movies, and directed eleven himself. In Everywhere an Oink Oink, he revels of the taut and gag-filled professionalism of the film set.

Unleash your storytelling prowess with "How to Write a Screenplay: Crafting Compelling Scripts for Film and TV." Whether you're taking your first steps into screenwriting or aiming to elevate your existing skills, this book is your one-stop resource for turning raw ideas into cinematic masterpieces.

Finally, a book that tells the truth about the pitching process in Hollywood. This highly detailed guide is intended for writers, producers and directors, or anyone who wants to work in the intensely competitive, creative side of the entertainment industry. Written is simple, direct language, it is intended for beginners or established Hollywood pros. 

ADAPTING YOUR NOVEL INTO A SCREENPLAY BOOK TO SCREEN is based upon the content presented by Frank Catalano at the Annual Writer's Conference sponsored by San Diego State University. How to create great stories and characters from the page to the screen and how to pitch them to producers and get them made Writing Great Characters in the First Ten Pages What Does an Audience Expect of You? How to Pitch Your Book as a Screenplay Your First Ten Script Pages Writing on Your Feet How to Start Your Story at the End How to Visualize Your Book as a Movie Trailer How to Create Inevitability A Rose by...

"From Page to Screen" is an indispensable companion for authors embarking on the exhilarating journey of transforming their literary masterpieces into captivating cinematic experiences. Navigating the complexities of this process, the book serves as a comprehensive guide, beginning with the crucial step of understanding rights and guiding authors through the maze of contracts and exclusivity agreements. Crafting a compelling pitch becomes the next focus, providing insights into resonating with producers and studios while emphasizing the uniqueness of the narrative.

All you need to know about formatting your screenplay to align with professional standards in a quick-reading and to-the-point page turner. The author Robert L. McCullough has nearly 300 produced script credits and is a founder of The Santa Barbara International Screenplay Awards, The Diverse Writers Outreach Awards, The Wiki Screenplay Contest, and The Los Angeles International Screenplay Awards. With an M.A. in Screenwriting, an MFA from The American Film Institute, and a long professional career of promoting aspiring writers into working professionals at every major studio, he now ...

There has never been a better time to be a screenwriter. The recent explosion of cable and streaming services has created a huge demand for movies, limited series, and those long running “bingeable” shows that can hook viewers for years. Before streaming cable networks, the internet, and home entertainment systems radically changed how we consume our entertainment, there was a clear dividing line between writing for feature films and writing for television. That distinction no longer exists. Most major writers, filmmakers and movie stars are now eager to work on projects for the ...

How To Break In To TV Writing: Insider Interviews shatters myths about how to break in to Hollywood writers' rooms, and replaces them with insider information and a solid battle plan. Learn the lay of the land, tips and strategies from those who have gone before, opportunities to take advantage of, and pitfalls to avoid. You'll find a map to all the tools you need to get started, and tried and tested paths to your goal. In addition to these resources, the book features complete transcripts from 5 interviews on the TV Writer Podcast: • Carole Kirschner (Hollywood Game Plan, Showrunner ...

TV WRITING TOOL KIT 2nd Edition—is an update of my latest story tools, breakdowns, and handouts. The book covers story structure for a TV pilot and spec script, logline formulas for Logline For Your Life and your story, and character. With character, the book goes into the wound and the flaw. I cover everything that I teach in Writers on the Verge at NBC. There are breakdowns for several shows, including—THE GOOD WIFE, MODERN FAMILY, THE NIGHT MANAGER, HOMELAND, FLEABAG, and DEAD TO ME. The book also explores staffing and development.

Gill has taught screenwriting for 20 years at such institutions as Drexel University, the University of North Carolina School of the Arts and East Carolina University, and he’s noticed a common pattern among his students. First-time screenwriters are generally excited and full of ideas—until they hit a wall: “It feels good until they get somewhere between pages 20–30,” he notes. “Then, they run out of things to write about. Why is there nowhere else to go? Why is it so short? Where is the rest of the story? What do they do now?”

You know the basics of playwriting or screenwriting, but now you need to move to that next level. One of the best ways to sharpen those writing skills is by listening to what successful playwrights and screenwriters say about their own processes for developing story concepts, characters, and finding the right structure to tell the tale. Topics range across the entire practice of writing for theatre and film, including titles, dialogue, themes, editing and revision, and rules and not following them. The collection offers inspiration, encouragement, cautions, and practical advice from those ...

Scott Shaw is arguably most well known in the film industry as the creator of Zen Filmmaking. This is a style of filmmaking based on the fact that no screenplay is used in the creation of a film. Early in his career, however, Shaw did write numerous scripts. This book presents several of Scott Shaw's unproduced screenplays. Plus, it also presents the screenplay that he wrote for the Cult Film Classic, The Roller Blade Seven. This script was never used, however, as The Roller Blade Seven became the first Zen Film.

This practical guide shows exactly how to use The Talking Draft Method for a fast first draft of your script. This book also contains many of Hollywood's most popular outlining structures, plus great revision tricks of the trade to ensure that your next drafts are as great as they can be.

A screenplay about the epic story of titans who shaped the 21st century; Nikola Tesla, Thomas Edison, Mark Twain, J.P. Morgan, Anne Morgan. Tesla's battles with Edison, with Morgan are legendary, his battles with OCD and credit for his inventions are as well. One of the least famous and most important figures in US History, the story has never been told about his accomplishments, and how his inventions have shaped our world, our planet, and our future. Every single day we use one of his patents, from wireless technology to radio waves. How can it be that this man's story has never been told...

A screenplay based on the play "The Merchant of Venice" by William Shakespeare. Some years ago, the late great actor Ron Silver had agreed to play this character; a film producer named Shylock. I pitched the film to Tom Bernard at Sony Classic pictures and pointed out the "No one has made a screen adaptation of Shakespeare's play!" He didn't know that. A few months later, they announced the film adaptation of this play, directed by Michael Radford, starring Al Pacino. So much for inspiring great ideas. I've toyed with the idea of making this Dogme style, and may one day do so - but it's a ...

Do you love to write, but aren't sure what to do with it? Wondering how to approach the industry, find a market, or get an in with the right folks? Stephan Bugaj (Pixar, Telltale Games) and Justin Sloan (Roku's Cypher, the Reclaiming Honor novels) have come together to share advice on living the writer dream. Let them show you exactly what it takes to make it in the world of creative writing. What follows is a collection of their advice and interviews with the experts. This includes screenwriters, video game writers, and authors of books and comics. In this book you'll read interviews with ...

The only Horror Screenwriter's Handbook written by a successful Hollywood screenwriter. Authored by Hollywood horror screenwriting veteran Thomas Fenton, whose credits include work on the Saw and I Spit On Your Grave horror franchises, The Scream Writer's Handbook offers a 10-step approach to writing a screenplay from idea through completing a first draft. Tom's 10-Step approach in The Scream Writer's Handbook shares a proven process for developing story ideas, characters, dialogue, and scenes that terrify the reader on the page, and on the screen. You'll learn the powerful Rule of Three, ...

Field's books on the essential structure of emotionally satisfying screenplays have ignited lucrative careers in film and television since 1979. In this revised edition of his premiere guide, the underpinnings of successful onscreen narratives are revealed in clear and encouraging language that will remain wise and practical as long as audiences watch stories unfold visually—from hand-held devices to IMAX to virtual reality - and whatever comes next!