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The Modern Scholar
- Shakespeare: The Seven Major Tragedies
- Narrated by: Professor Harold Bloom
- Length: 8 hrs and 10 mins
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Harold Bloom surveys with majestic view the literature of the West from the Old Testament to Samuel Beckett. He provocatively rereads the Yahwist (or "J") writer, Jeremiah, Job, Jonah, the Illiad, the Aeneid, Dante's Divine Comedy, Hamlet, King Lear, Othello, the Henry IV plays, Paradise Lost, Blake's Milton, Wordsworth's Prelude, and works by Freud, Kafka, and Beckett.
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In this valedictory volume, Yale professor Harold Bloom — who for more than half a century was regarded as America's most daringly original and controversial literary critic — gives us his only book devoted entirely to the art of the novel. With his hallmark percipience, remarkable scholarship, and extraordinary devotion to sublimity, Bloom offers meditations on 48 essential works spanning the Western canon.
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Classic Bloom, but a curious reading of him
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Harold Bloom is Sterling Professor of Humanities at Yale University, Berg Professor of English at New York University, and a former Charles Eliot Norton Professor at Harvard. He has written more than 20 books of literary criticism. From a lifetime of writing and teaching about literature, this great scholar exhorts readers to consider the pleasures and benefits of reading well.
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Like a review of my graduate English degree
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The last book written by the most famous literary critic of his generation, on the sustaining power of poetry.
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Culmination of Bloom’s Wisdom
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King Lear is perhaps the most poignant character in literature. The aged, abused monarch is at once the consummate figure of authority and the classic example of the fall from majesty. He is widely agreed to be William Shakespeare's most moving, tragic hero. Award-winning writer and beloved professor Harold Bloom writes about Lear with wisdom, joy, exuberance, and compassion. He also explores his own personal relationship to the character.
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Bloom being Bloom
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In this valedictory volume, Yale professor Harold Bloom — who for more than half a century was regarded as America's most daringly original and controversial literary critic — gives us his only book devoted entirely to the art of the novel. With his hallmark percipience, remarkable scholarship, and extraordinary devotion to sublimity, Bloom offers meditations on 48 essential works spanning the Western canon.
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Falstaff brooks no rebuttal.
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In all of literature, few antagonists have displayed the ruthless cunning and unscrupulous deceit of Iago, the antagonist to Othello. Often described as Machiavellian, Iago is a fascinating psychological specimen: at once a shrewd expert of the human mind and yet, himself a deeply troubled man.
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A Moor's Not Nice Guy - friend
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In arguably his most personal and lasting work, America's most daringly original and controversial critic gives us brief, luminous readings of more than 80 texts by canonical authors - texts he has had by heart since childhood.
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Narrative choices at odds with text
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Why Shakespeare? What explains our continued fascination with his poems and plays? In Living with Shakespeare, Susannah Carson invites 40 actors, directors, scholars, and writers to reflect on why his work is still such a vital part of our culture.
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Publisher's summary
In Romeo and Juliet, Shakespeare embodied in the character of Juliet the world's most impressive representation ever of a woman in love. With Julius Caesar, the great playwright produced a drama of astonishing and perpetual relevance. In Hamlet, Shakespeare created a character with the most brilliant mind in all of literature. And the character of Iago in Othello has been the very archetype of the villain ever since. King Lear presents audiences with unparalleled emotional and intellectual demands. Macbeth is a play of ruthless economy in which Shakespeare forces his audience into intimate sympathy with a man not far from being a mass murderer. Finally, in Antony and Cleopatra, Shakespeare created something entirely new: a vast political and historical conspectus involving the whole world.
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In the heart of the South Pacific lies Point Nemo, the most desolate and remote place on Earth. At its core is a dead zone, devoid of life, where government agencies crash their obsolete satellites and space stations, confident they won't harm a soul. When the International Space Station suffers a catastrophic failure and plummets through the atmosphere, it's here that Mission Specialist Julie Rohr, an astrobiologist studying living space dust called xylem, finds herself marooned. Julie's only hope for rescue lies in the hands of her estranged father, Dr. Finn Maddern, a renowned mycologist.
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Totally original-totally feasible!
- By Lawrence Tate on 04-10-24
By: Jeremy Robinson
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Weeds
- By: Amanda Wilkin
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- Length: 1 hr and 29 mins
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Climate activist Shirley Watts has dedicated her entire life to protecting the planet for future generations. But constantly fighting for Mother Earth has taken its toll over time, leaving her in a precarious relationship with her adult daughter, Lela. When Shirley’s latest climate stunt lands her in serious legal jeopardy, Lela reluctantly lets Shirley stay with her and her boyfriend while awaiting her upcoming trial.
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Great character development
- By Veronica on 03-24-24
By: Amanda Wilkin
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Cleopatra is one of the most famous women in history - and thanks to Shakespeare, one of the most intriguing personalities in literature. Award-winning writer and beloved professor Harold Bloom delivers exhilarating clarity and invites us to look at this character as a flawed human who might be living in our world. He also explores his own personal relationship to the character: Just as we encounter one Anna Karenina or Jay Gatsby when we are in high school and college and another when we are adults, Bloom explains his shifting understanding of Cleopatra over the course of his own lifetime.
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What listeners say about The Modern Scholar
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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Overall
- Mark
- 04-03-11
The expert
Prof. Bloom is the leading expert on Shakespeare. This lecture series is based on his book "Shakespeare, The Invention of the Human", and gives a deeper insight into the characters that are the icons of Western literature.
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6 people found this helpful
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- Jay Quintana
- 01-23-21
Half Lecture, Half Performance
Bloom does a good job summarizing and analyzing Romeo and Juliet, Hamlet, Julius Caesar, Othello, King Lear, Macbeth, and Antony and Cleopatra. While he doesn't offer anything new or profound, there's enough here to make it a worthwhile listen.
Regarding the narration, Bloom speaks with a New York accent, which is fine, but it feels like half the lectures are him performing passages from the plays. He's actually not bad, but it's obvious he's not classically trained and, frankly, unless one is, I don't want to hear him do Shakespeare.
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2 people found this helpful
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- Amazon Customer
- 06-26-23
Bloom always blooming
How magnificent a spirit! What manner, this mind and this man that we have seen appear among us. This is a great investigation into Shakespeare’s most noted work. May he rest in peace and fire the imaginations of new readers of the bard.
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- Ronald
- 11-16-11
Lowest WPM Ever
I, in the late middle ages, have taken up a new appreciation of Shakespeare. He, of course, has influenced Western Thought for centuries. Dr. Bloom is clearly one of the rare Americans who can "bill" themselves as "Shakespearean Expert". I thoroughly loved the material presented BUT he has made the unfortunate decision of narating his own wonderfully insightful book. If you count (who would, but just "if you did get bored") words-per-minute, this product would win the award hands-down. Thankfully, on Dr. Bloom's "History of the Western Canon", he used a reader. A+ on content; C- on presentation.
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25 people found this helpful
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- Shane Ravenbane
- 07-21-23
This was terrible.
Harold has an unhealthy infatuation with Shakespeare (and I would be willing to bet that he has heard that sentiment voiced more than once in his life). It became quite clear while listening to him speak about Juliet that Harold had some childhood crush who either fell out of love with him, or never loved him at all. Regardless, he seems to have consoled himself by dedicating his heart to an idolized version of Juliet, and his soul to the worship of her creator. It's really creepy. He then clearly failed as an actor, and decided that maybe he was called instead to be an evangelist for the Church of Shakespeare rather than a member of its clergy.
One glaringly obvious culprit for his failures in acting is his bizarre ever-revolving accented pronunciation and awkward speech pattern. It sounds like he is a New York Jew from Brooklyn who was raised in New Jersey, then moved to London to rub elbows with the aristocracy (or to try to), and clearly attempted to sound like he belonged...and failed dramatically (that, or he has watched a lot of Monty-Python and lamely attempts to copy their accents).
As if that were not bad enough I finally had to stop listening shortly after he bragged about "sitting with audiences from around the world, and all over the world". I could get past the braggadocia, but the way he put on airs to clearly and definitively separate himself from the peasants attending Shakespeare Masses was just too much to take.
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- Ray M
- 08-13-17
Epic Disappointment
I was so excited to get this series of fourteen lectures from noted scholar Harold Bloom that I ignored a few tepid reviews. Boy, should I have heeded them. Bloom labors through these lectures which even if you speed up the audio as I did are painfully slow. Also, Bloom really gives few insights, indeed, most of the lectures consist of him reading enormous chunks of text and end with him saying something like "This is where Shakespeare makes his greatest and most profound...". Oddly enough, it seems that to Bloom every single play is the greatest literary achievement and will never be surpassed. However, to be fair, I did enjoy the pair of lectures on Macbeth but again, there are precious few true insights (though his insight into the sexual tensions of the Macbeth marriage was interesting).
I think the problem that I had with these lectures are as follows: a. Bloom's delivery is ponderous and unpleasant, b. the lectures are repetitive, and c. there is very little analysis beyond saying how great, brilliant, and incomparable the plays are.
Save your credits and your time. Only their brevity made this tolerable.
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11 people found this helpful