Showing results by publisher "Hamish Hamilton" in All Categories

An unnamed narrator abandons his unfinished thesis and returns to northern Alberta in search of what eludes him: the shape of the novel he yearns to write, an autobiography of his rural hometown, the answers to existential questions about family, love, and happiness.

Sarah Polley’s work as an actor, screenwriter, and director is celebrated for its honesty, complexity, and deep humanity. She brings all of those qualities along with her exquisite storytelling chops to these six essays. Each one captures a piece of Polley’s life as she remembers it, while at the same time examining the fallibility of memory, the mutability of reality in the mind, and the possibility of experiencing the past anew, as the person you are now but were not then. As Polley writes, the past and present are in a “reciprocal pressure dance.”

Krystal Senyk was the kind of friend everybody wants: a reliable confidant, a handywoman of all trades, and an infectious creative with an adventurous spirit. Most importantly, she was tough as nails. So when her friend, Lynn, needed help escaping her abusive husband, Ronald Bax, Krystal leapt into action to protect her. But soon Krystal became the new outlet for Bax’s rage. He terrorized and intimidated her for months on end, and finally issued a chilling warning: the hunt is on.

Paul Kelly is a uniquely gifted storyteller, and here, using his lyrics as starting points, he reads stories of his life and his songs, including "Before Too Long", "To Her Door", "Leaps And Bounds", "Don't Start Me Talking", "Dumb Things", "From Little Things Big Things Grow" and "How to Make Gravy". Mirroring the structure of his legendary A to Z shows - where he performs around a hundred of his songs alphabetically over four nights - Kelly describes the highs and lows of performing, the art of songwriting, being on the road with the band, tales of his childhood, family, friends and fellow musicians.

Cedar has nearly forgotten what her family looks like. Phoenix has nearly forgotten what freedom feels like. And Elsie has nearly given up hope. Nearly. After time spent in foster homes, Cedar goes to live with her estranged father. Although she grapples with the pain of being separated from her mother, Elsie, and sister, Phoenix, she’s hoping for a new chapter in her life, only to find herself once again in a strange house surrounded by strangers.

When all the fish vanish from the waters and the cod industry abruptly collapses, it's not long before the residents are forced to leave the island in search of work, and 10-year-old Finn Connor suddenly finds himself living in a ghost town. There's no school, no friends, and whole rows of houses stand abandoned. Then, Finn's parents announce that they must separate if their family is to survive. But Finn still has his sister, with whom he counts the dwindling boats on the coast at night, and Mrs. Callaghan, who teaches him the strange and ancient melodies of their native Ireland.

The themes in these fourteen essays become invigorating and intimate in Lee’s hands, centering on the lives of plants like seaweed, tangelos, and soy, and their entanglement with our human worlds. Lee explores the rich backstory of cherry trees in Berlin; a tea plant that grows in the Himalayan foothills just southwest of China; the world of algae and wakame, and the journeys they’ve made to reach us.

It's New Year's Day, and the residents of a small fishing town are ready to start their lives anew. Leo takes his two young sons out to the lake to write resolutions on paper boats. That same frigid morning, Vera sets out for a walk with her dog along the lake, leaving her husband in bed with a hangover. But she never returns. She places a call to the police saying she's found a boy in the woods, but the call is cut short by a muffled cry. Did one of Leo's sons see Vera? What are they hiding from the police? And why are they so scared of their own father?

The inhabitants of Eden are untouched by death. In the garden they care for their orchards and the land, and give thanks for their good fortune, because they know that beyond the garden walls is a world where disease and hunger rampage. Eden is overseen by angels—their bodies covered in blue iridescent feathers, their beaks sharp and curved. It is a pleasant place where no one wants for a thing. But, as this story begins, something is wrong in Eden. Because years after Adam and Eve left the garden, another inhabitant has escaped…

For reasons of her own, Hero Tojosoa accepts an invitation she was half expected to decline, and finds herself in Prague on a bachelorette weekend hosted by her estranged friend Sofie. Little does she know she’s arrived in a city with a penchant for playing tricks on the unsuspecting. A book Hero has brought with her seems to be warping her mind: the text changes depending on when it’s being read and who’s doing the reading, revealing startling new stories of fictional Praguers past and present.

It’s been 11 years since Gota has seen Kosmos, yet she still finds herself fantasizing about their intimate year together in Paris. Now it’s 1999, and, working as a journalist, she hears about a film festival in Sarajevo, where she knows Kosmos will be with his theatre company. She takes the assignment to investigate the fallout of the Bosnian war - and to reconnect with the love of her life. But when they are reunited, she finds a man, and a country, altered beyond recognition. Kosmos introduces Gota to Edina, the woman he has always loved.

A solitary woman’s inspiring, moving, surprising, and often funny memoir about the transformative power of her unusual friendship with a wild fox, a new window into the natural world, and the introduction of a remarkable literary talent.

aking George Orwell's famous essay, "Why I Write", as a jumping-off point, Deborah Levy offers her own indispensable reflections of the writing life. With wit, clarity, and calm brilliance, she considers how the writer must stake claim to that contested territory as a young woman and shape it to her need. Things I Don't Want to Know is a work of dazzling insight and deep psychological succor, from one of our most vital contemporary writers.

With the lyricism and emotional power of his award-winning poetry, Belcourt cracks apart his history and shares it with us one fragment at a time. He shines a light on Canada’s legacy of colonial violence and the joy that flourishes in spite of it. He revisits sexual encounters, ruminates on first loves and first loves lost, and navigates the racial politics of gay hookup apps. Among the hard truths he distills, the outline of a brighter future takes shape. A History of My Brief Body is a stunning achievement from one of this generation’s finest young minds.

A chance discovery of letters written by her immigrant grandfather leads Jessica J. Lee to her ancestral homeland, Taiwan. There, she seeks his story while growing closer to the land he knew. Lee hikes mountains home to Formosan flamecrests, birds found nowhere else on earth, and swims in a lake of drowned cedars. She bikes flatlands where spoonbills alight by fish farms, and learns about a tree whose fruit can float in the ocean for years, awaiting landfall.

Miranda Fitch’s life is a waking nightmare. The accident that ended her burgeoning acting career left her with excruciating, chronic pain, a failed marriage, and a deepening dependence on painkillers. And now she’s on the verge of losing her job as a college theatre director. Determined to put on Shakespeare’s All’s Well That Ends Well, the play that promised—and cost—her everything, she faces a mutinous cast hell-bent on staging Macbeth instead. Miranda sees her chance at redemption slip through her fingers.

A collection of intersecting stories about Indigenous love and loneliness from one of contemporary literature’s most boundless minds.

Lucy is a lapsed Catholic whose adolescent pretentions to sainthood are unexpectedly revived. It all starts when her cousin Zoltan, in hospital following a bizarre incident at a party, offers her a disturbing deathbed confession. Lucy's grief takes an unusual turn: Zoltan's death appears to have turned her into a magnet for the unshriven. Lucy is transformed into a self-described "flesh-and-blood Wailing Wall" as strangers unburden themselves to her. She becomes addicted to the dark stories and finds herself jonesing for hit after hit.

Most books about the environmental crisis are densely academic, depressingly doom-laden, and crammed with impersonal statistics. We Are the Weather is different--accessible, immediate, and with a single clear solution that individual readers can put into practice straight away. A significant proportion of global carbon emissions come from farming meat. Giving up meat is incredibly hard and nobody is perfect--but just cutting back is much easier and still has a huge positive effect on the environment.

The Caetanos move into a doomed house in the highway village of Happyland before an inevitable divorce pulls Cody’s parents in separate directions. His mom, Mindimooye, having discovered her Anishinaabe birth family and Sixties Scoop origin story, embarks on a series of fraught relationships and fresh starts. His dad, O Touro, a Portuguese immigrant and drifter, falls back into “big do, little think” behaviour, despite his best intentions.