Showing results by narrator "John Burlinson" in All Categories

In Volume Four, Dumas relates the 1819 murder of German dramatist August von Kotzebue by Karl Ludwig Sand, the campaign to destroy Father Urbain Grandier in 1634, who was successfully convicted of witchcraft and put to a brutal death, and the consequences of the amorous relationship between the prince of Brancaleone and Nisida.

In survey after survey, Abraham Lincoln is universally ranked as the greatest of America's presidents, setting standards for honesty, courage, compassion and ethical responsibility. John Drinkwater's play was the British poet's first theatrical success, opening in England in 1918 to surprising acclaim and making its way to Broadway in 1919, to even stronger public enthusiasm. It was produced on radio by Orson Wells on August 15, 1938, on his program, The Mercury Theater on the Air.

Edith Nesbit's trilogy about a group of children who encounter a sand fairy and, through his intercession, embark on a wild round of adventures has been a staple of juvenile literature since the first volume was published in 1902. The three books are Five Children and It (1902), The Phoenix and the Carpet (1904), and The Story of the Amulet (1906).

Margery Williams' classic story about a toy rabbit who longs to become real is a treat for listeners of all ages. This full-cast performance brings this timeless tale to vibrant life.

Under the auspices of the League for Political Discussion, in a meeting held at the Manhattan Opera House, Rev. John Haynes Holmes of the Community Church, taking the positive, and Clarence Darrow, taking the negative, debated the following proposition: "A Resolution that the United States should continue the policy of prohibition as defined in the 18th Amendment." The meeting was chaired by Senator Royal S. Copeland and introduced by Benjamin Javits.

A central theme of Ostrovsky's plays is the inevitable struggle between the demands of personal morality and and those dictated by social propriety. In this grim drama, the dramatist sketches a tragic incident arising from the conflict of two social classes: the petty tradesmen and the nobility. From the coarse environment of the first emerge honest, upright natures like Krasnov, the earnest shokeeper; from the superficial, dawdling culture of the second come weak-willed triflers like the ineffectual landowner, Babayev.

This collection presents eleven of Dreiser’s best tales, ranging from trenchant social analysis to penetrating character study.

After many years living abroad with her longtime lover, Lady Catherine Champion-Cheney visits her former marital home, now occupied by her son, Arnold, and his wife, Elizabeth. Also present is her estranged husband, Clive, who lives in a cottage on the estate. Elizabeth has become dissatisfied with the life she leads with her wealthy husband, who is very occupied with his political career, and she encourages the advances of a dashing but impecunious suitor, Teddy Luton.

The premier Russian dramatist before Chekov, Alexander Ostrovsky was one of the first masters of realistic theatre. A typical example of his approach to drama, A Protégée of the Mistress is almost cinematic in its presentation. The action is represented by a series of vivid snapshots, in which Ostrovsky quickly and subtly illustrates the foibles and weaknesses of each character, and shows how they are forced into a hostile dependence on each other.

Despite its patina of humor, the work is a merciless exposé of the commercial middle class dishonesty, and the convenient immorality hiding behind social conventions, which are characteristic of a developing urban society. The most noble character, Serafima, is a compelling mixture of naïveté, whimsicality, sentimentality, and obstinate practicality - one of the finest character portraits in Russian drama.

Pull up a chair, snuggle under your favorite blanket, gather the kids, and enjoy the charming stories you know and love. This multicast production brings to life all your favorites!

In a public debate held at the Manhattan Opera House, Clarence Darrow argued that not one of the 19 men under sentence of death at Sing Sing Prison would have been convicted if they could have afforded good attorneys. He was opposed by Judge Alfred J. Talley of General Sessions, who argued for the retention of the death penalty for murder. The debate commenced with an address by Lewis Lawes, who was the warden at Sing Sing.

Khaled is a genie who has fallen in love with the beautiful Zehowah, the only child of the powerful Sultan of Nejed. Zehowah is courted by suitors from far and wide. When she seems inclined to accept the proposal of a handsome Indian prince, Khaled, with his special powers, recognizes the prince's deceitful nature and whisks him into the desert to kill and bury him. In consequence, Khaled is punished by losing his rank as a genie and is given the body of a human, though without a soul, which he can obtain only if he wins the love of the proud and headstrong princess Zehowah.

This play forms part of a tetralogy which focuses on one of Wedekind's obsessive themes: the destructive interplay between primal sexual urges and social convention. Each play revolves around a powerful young female character, who has the power to control and captivate men, but who in turn is destroyed by the exercise of that power. In this play, the dominant female is Fräulein Elfriede von Malchus, an idealistic crusader who visits a brothel operated by the cynical impresario Casti-Piani in order to rescue a young woman who has fallen into his clutches.

This play is a dramatization of Boccaccio’s story of Gillette of Narbonne. Only the comic parts were of Shakespeare’s invention; he added the characters of the pusillanimous Parolles, the lofty courtier Lafew, the Clown Lavatch, and the long suffering Countess. He gave new depth and vitality to the leading characters, who are mere outlines in Boccaccio’s tale.

In As You Like It, a wicked Duke expels his virtuous brother, the lawful ruler, from his domains. The banished Duke takes refuge with his followers in the Forest of Arden, where they live as free a life as did Robin Hood and his merry men.

Our story takes us to Merritt Island, Florida, and a small spot on the map known as Angel City, where Wesley Sutton has spent many years building up a boarding house designed to be “a home away from home.” This year Wesley’s guests experience the Christmas spirit in a way that they had little expected.

Stephen Leacock (1869 - 1944) is considered by many to be the Canadian counterpart to the better known American humorists Mark Twain and S.J. Perelman. In the early 20th century he was one of the most widely read authors in the English speaking world. Jack Benny and Groucho Marx considered Leacock as one of the funniest writers they had ever read. The following sketches have been adapted from pieces in the miscellanies Moonbeams from the Larger Lunacy and Further Foolishness, in which Leacock satirizes many of the social institutions of his time.

As with many of Ostrovsky's plays, the target of the author's satire is the merchant class and the inevitable corruption associated with mercantile endeavors. In Ostrovsky's bitterly realistic world, all personal encounters end in transactions, some humourous and some tragic.

In the introduction to this selection of tales of the macabre, anthologist Arthur Reeve writes: "What is the fascination we feel for the mystery of the ghost story? Man is incurably fascinated by the mysterious. If all the ghost stories of the ages were blotted out, man would invent new ones. For, do we not all stand in awe of that which we cannot explain, of that which, if it is not in our own experience, is certainly recorded in the experience of others, of that of which we know and can know nothing?"