Mostrando resultados por narrador "David Shears" en Todas las categorías

Freckles and A Girl of the Limberlost are two of Gene Stratton Porter's most famous novels. Set primarily in the Limberlost Swamp of Indiana, USA, Freckles follows the story of Freckles, a lame orphan whose innate character rises above his circumstances. A Girl of the Limberlost is the story of Elnora, blamed for her father's death by her mother, who nevertheless meets every challenge that comes her way with admirable resilience.

Freckles is the only name he has ever known. His right hand is missing at the wrist, and he is haunted by not knowing how it happened. Raised since infancy in a Chicago orphanage, he speaks with a slight Irish accent and sings with a beautiful voice. Now, exhausted after many days of walking, he applies for a job with the Grand Rapids Lumber Company, guarding timber in the Limberlost Swamp from timber thieves. His Swamp Angel declares her love for him and promises that she will find his parents and prove that Freckles comes from "a race of men that have been gentlemen for ages."

Wuthering Heights is Emily Brontë's only novel, first published in 1847 under the pseudonym Ellis Bell. A work of considerable power and intensity set in the Yorkshire moors in the late 18th century - the bleak and wild moorland often reflected in the natures of the characters. Unsettling at times, the novel is a heady mix of gritty realism, romance, Gothic horror, and tragedy.

Old Friends and New Fancies is the first ever Jane Austen fan fiction and was originally published in 1913. Sybil Brinton imagines an entirely new story of romantic entanglements using a mashup of characters from all of Austen's major novels. Have you ever wondered what happened to Georgiana Darcy and Kitty Bennet from Pride and Prejudice or Mary Crawford and Tom Bertram from Mansfield Park? Find out in this delightfully comic homage to Austen's beloved characters.

The Wind in the Willows, first published in 1908, is one of the most beloved of all children's classics and has been adapted on multiple occasions for presentation on stage, in film, and as an opera. The action centers on the efforts of Mole, Rat, and Badger to discipline and reform their wealthy and self-destructive friend Toad, who lives in a splendid mansion known as Toad Hall.

Between 1895 and 1901 H. G. Wells wrote six science fiction novels, which have become among the most celebrated examples of the genre. In this collection, Wells explores a number of topics that have since become very common subjects in science fiction, including time travel, celestial beings, eugenics, alien invasion, and space exploration.

Shakespeare’s history plays fall into two categories: political dramas and propagandistic pageants. The second category is comprised of the two plays in this presentation, Henry V and Henry VIII.

Fresh off his victory at The Battle of Lodi, Napoleon is planning to enjoy his lunch when a lieutenant arrives with the bad news that the dispatches he had been carrying were stolen. Infuriated, Napoleon threatens him with being court-martialed unless he can recover them. A woman appears who claims to know about the theft. Unconvinced of her story, Napoleon and the woman enter into a battle of wits in true Shaw style. Will the conqueror of worlds end up conquered by a woman?

According to George Bernard Shaw, Joan of Arc was in fact one of the first Protestant martyrs. She was one of the first apostles of nationalism, and the first French practitioner of Napoleonic realism in warfare. She also refused to accept the specific woman's lot, and dressed and fought and lived as men did. Shaw's exploration of the story of this ingenuous and eponymous heroine is set in six scenes and an epilogue, which takes place in 1456, when the church cleared Joan of the charge of heresy and condemned her accusers of corruption.

This play is a dramatization of Boccaccio’s story of Gillette of Narbonne. Only the comic parts were of Shakespeare’s invention; he added the characters of the pusillanimous Parolles, the lofty courtier Lafew, the Clown Lavatch, and the long suffering Countess. He gave new depth and vitality to the leading characters, who are mere outlines in Boccaccio’s tale.

A merchant of Syracuse has twin sons and buys twin servants for them. His wife, with one twin and one servant, is soon separated from him by a shipwreck, and comes to live in Ephesus. When grown, the other son and his slave start out to find their brothers, and the father, some years later, starts out in turn to find them. Once in Ephesus, an amusing series of errors begins.

This classic farce was first performed in 1892. Since the record-breaking initial run in London, it has been revived many times around the world in a variety of languages, and has also been adapted for a number of presentations on film. The play incorporates many of the features which have become standard in romantic comedies: a cross dressing central character, identity confusion, young lovers kept apart by parental influence and older lovers unexpectedly reunited.

Anatol, one of Arthur Schnitzler's earliest works, concerns the life of a shallow and immature playboy, who has multiple dalliances with various women but suffers from a crippling fear of commitment underneath his womanising facade. The play offers sharp social commentary on the themes of toxic masculinity and fidelity, and has been adapted in English to two different musicals: The Game of Love and The Gay Life.

“He was born with a gift of laughter and a sense that the world was mad … “So begins this historical tale of romantic adventure. Andre-Louis Moreau is an orphan and cousin of the beloved Aline. He is raised by his godfather, the Lord of Gavrillac, and matures into an educated lawyer—while Aline sets her mind on marrying the rich but dishonorable Marquis de la Tour d’Azyr. But when Moreau’s closest friend is killed by the Marquis in a duel, Moreau vows vengeance. After publicly denouncing the aristocracy and stirring up the crowds, Moreau is forced to go into hiding.

Duke Vincentino, the ruler of Vienna, fears that under his mild sovereignty, the people may have become lazy and lax. He decides to “go over cover” in the disguise of a monk and appoint his deputy, Angelo, who is a reputed paragon of virtue, as temporary ruler. On assuming power, Angelo inaugurates draconian provisions regarding sexual propriety. One of the first victims of this new regime is young Claudio, who has impregnated his lover Juliet, and is accordingly sentenced to death.

Between 1895 and 1898, H. G. Wells wrote five science fiction novels, which have become among the most celebrated examples of the genre. The first of these was The Time Machine, in which Wells explores not only the fascinating subject of time travel but also the potential dangers to human autonomy by the advance of civilization. Well's world-weary Time Traveller, who is the main narrator, is one of his most quirky and appealing characters.

Although his work has somewhat fallen into obscurity, Alexander Ostrovsky (1823-1886) is considered to be one of the greatest of Russian dramatists. He was one of the pioneers of a realistic style, which later found exponents in celebrated European dramatists like Ibsen and Strindberg. Of Ostrovsky's 47 plays, one of the best known is The Storm, the portrait of an idealistic young woman trapped in a world of crushing and venal orthodoxy. The Storm formed the basis of Janacek's opera, Katya Kabanova.

European tourists travel languidly along the Nile River to Abousir, at the southern frontier of Egypt, aboard “a turtle-bottomed, round-bowed stern-wheeler,” the Korosko. But Dervish warriors threaten danger and then attack and kidnap the tourists. In this novel, Doyle explores themes of British Imperialism and a defensive European perspective on North Africa; racial paternalism; and debates on interference with other countries’ politics and religions. This wonderful novel was first published in 1898, long before Agatha Christie’s Death on the Nile.

Hamlet and Macbeth are two of Shakespeare's best-known plays and contain some of the most famous speeches in world literature. These one-act versions of the plays, which were edited by J. P. Crabb (the details of whose life and other works have disappeared into obscurity) retain the significant monologues and dialogues while presenting a streamlined view of the action.