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Critias is one of Plato's late dialogues and contains the story of the mighty island kingdom Atlantis and its attempt to conquer Athens, which failed due to the ordered society of the Athenians. Critias is the second of a projected trilogy of dialogues, preceded by Timaeus and followed by Hermocrates. The latter was possibly never written, and Critias was left incomplete. This edition was translated by Benjamin Jowett in 1871.

Lysis is a dialogue of Plato which discusses the nature often translated as friendship, while the word's original content was of a much larger and more intimate bond. It is generally classified as an early dialogue. The main characters are Socrates, the boys Lysis and Menexenus who are friends, as well as Hippothales, who is in unrequited love with Lysis and therefore, after the initial conversation, hides himself behind the surrounding listeners.

In Euthyphro, Socrates is on his way to the court, where he must defend himself against serious charges brought by religious and political authorities. On the way he meets Euthyphro, an expert on religious matters who has come to prosecute his own father. Socrates questions Euthyphro's claim that religion serves as the basis for ethics. Euthyphro is not able to provide satisfactory answers to Socrates' questions, but their dialogue leaves us with the challenge of making a reasonable connection between ethics and religion.

A dialogue between Socrates and Meno probes the subject of ethics. Can goodness be taught? If it can, then we should be able to find teachers capable of instructing others about what is good and bad, right and wrong, or just and unjust.

Gorgias of Leontini, a famous teacher of rhetoric, has come to Athens to recruit students, promising to teach them how to become leaders in politics and business. A group has gathered at Callicles' house to hear Gorgias demonstrate the power of his art. This dialogue blends comic and serious discussion of the best life, providing a penetrating examination of ethics.

Phaedrus lures Socrates outside the walls of Athens, where he seldom goes, by promising to share a new work by his friend and mentor, Lysias, a famous writer of speeches. This dialogue provides a powerful example of the dialectical writing that Plato uses to manifest ideas that are essential to human existence and to living a good life. Phaedrus shows how oral and written forms of language relate to each other and to philosophy.

"Eryxias" is a Socratic dialogue attributed to Plato, but which is considered spurious. It is set in the Stoa of Zeus Eleutherios, and features Socrates in conversation with Critias, Eryxias, and Erasistratus. "Eryxias" may not have been written by Plato. The dialogue discusses whether wealth has value and what the aim of philosophy should be.

The Charmides is a dialogue of Plato, in which Socrates engages a handsome and popular boy named Charmides in a conversation about the meaning of sophrosyne, a Greek word usually translated into English as "temperance," "self-control," or "restraint." When the boy is unable to satisfy him with an answer, he next turns to the boy's mentor Critias. In the dialogue, Charmides and then later Critias champion that Temperance is "doing one's own work" but Socrates derides this as vague.

The dramatic nature of Plato's dialogues is delightfully evident in Symposium. The marriage between character and thought bursts forth as the guests gather at Agathon's house to celebrate the success of his first tragedy. With wit and insight, they all present their ideas about love - from Erixymachus' scientific naturalism to Aristophanes' comic fantasy. The unexpected arrival of Alcibiades breaks the spell cast by Diotima's ethereal climb up the staircase of love to beauty itself.

The book is one of the most influential ethical treatises of all time. Written in 350 BC, it identifies happiness as life's goal. How do we achieve this goal? Not through the satisfactions that come from pleasure, wealth, or fame. According to Aristotle, the true path to happiness lies in contemplation of philosophic truth. This is the only action through which humans can exercise their distinctively unique trait: the ability to reason.

Aristotle's Poetics is best known for its definitions and analyses of tragedy and comedy, but it also applies to truth and beauty as they are manifested in the other arts. In our age, when the natural and social sciences have dominated the quest for truth, it is helpful to consider why Aristotle claimed poetry is more philosophical and more significant than history. Like so many other works by Aristotle, the Poetics has dominated the way we have thought about all forms of dramatic performance in Europe and America ever since.

Richard Dawkins, author of The God Delusion and a life-long committed Darwinist, abridges and reads this special audio version of Charles Darwin's famous book. A literally world-changing book, Darwin put forward the anti-religious and scientific idea that humans in fact evolved over millions of generations from animals, starting with fish, all the way up through the ranks to apes, then to our current form.

NATIONAL BESTSELLER Timeless insights into what it takes to lead a meaningful life—still profoundly relevant nearly two thousand years later. Now featuring a brand-new foreword from Ryan Holiday, #1 New York Times bestselling author of The Obstacle Is the Way! “Meditations offers a...

In Three Dialogues (set in a ‘Platonic’ garden), Hylas begins by challenging Philonous that he denied the existence of material substance. ‘What!’ says Hylas. ‘Can anything be more fantastical, more repugnant to Common Sense, or a more manifest piece of Scepticism, than to believe there is no such thing as matter?’ And Berkeley, in the guise of Philonous, replies, ‘Softly, good Hylas. What if it should prove that you, who hold there is, are, by virtue of that opinion, a greater sceptic, and maintain more paradoxes and repugnances to common sense, than I who believe no such thing.’

Each story explores a different twist of madness, murder, and melancholy, from the horror of being buried alive in "The Fall of the House of Usher" to the desperate case of two gruesome killings in "The Murders in the Rue Morgue." The heartbeat of paranoia in "The Tell-Tale Heart," the razor-sharp claustrophobia in "The Pit and the Pendulum," and a mourner's torment in "The Raven" reveal - and revel in - life's creepiest and craziest. These tales are not for the faint of heart or the thin of skin.

THE #1 NEW YORK TIMES BESTSELLING PHENONEMON A Katie Couric Book Club Pick A Jen Hatmaker Book Club Pick “[A] word-of-mouth smash hit.” —The New York Times “A treasure.” —Hoda Kotb One spring morning, a stranger named Theo arrives in the small Southern city of Golden. He doesn't...

The forerunner to The Lord of the Rings, The Silmarillion tells the earlier history of Middle-earth, recounting the events of the First and Second Ages, and introducing some of the key characters, such as Galadriel, Elrond, Elendil and the Dark Lord, Sauron. The tales of The Silmarillion are set...

Deep down here by the dark water lived old Gollum, a small slimy creature. I don’t know where he came from, nor who or what he was. He was Gollum—as dark as darkness, except for two big round pale eyes in his thin face. He had a little boat, and he rowed about quite quietly on the lake; for lake it was, wide and deep and deadly cold.