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Plato's Phaedrus
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Socrates is in prison, sentenced to die when the sun sets. In this final conversation, he asks what will become of him once he drinks the poison prescribed for his execution. Socrates and his friends examine several arguments designed to prove that the soul is immortal. This quest leads him to the broader topic of the nature of mind and its connection not only to human existence but also to the cosmos itself. What could be a better way to pass the time between now and the sunset?
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Gorgias of Leontini, a famous teacher of rhetoric, has come to Athens to recruit students, promising to teach them how to become leaders in politics and business. A group has gathered at Callicles' house to hear Gorgias demonstrate the power of his art. This dialogue blends comic and serious discussion of the best life, providing a penetrating examination of ethics.
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Plato's Apology
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Socrates is on trial for his life. He is charged with impiety and corrupting young people. He presents his own defense, explaining why he has devoted his life to challenging the most powerful and important people in the Greek world. The reason is that rich and famous politicians, priests, poets, and a host of others pretend to know what is good, true, holy, and beautiful, but when Socrates questions them, they are shown to be foolish rather than wise.
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Plato's Euthyphro
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In Euthyphro, Socrates is on his way to the court, where he must defend himself against serious charges brought by religious and political authorities. On the way he meets Euthyphro, an expert on religious matters who has come to prosecute his own father. Socrates questions Euthyphro's claim that religion serves as the basis for ethics. Euthyphro is not able to provide satisfactory answers to Socrates' questions, but their dialogue leaves us with the challenge of making a reasonable connection between ethics and religion.
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Plato's Crito
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The Athenian court has found Socrates guilty and sentenced him to death. While he is waiting to be executed, his friend, Crito, comes to the prison to persuade him to escape and go into exile. Socrates responds by examining the essence of law and community, probing the various kinds of law and making distinctions that go far beyond the particular issue of whether or not Socrates should escape.
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Overall4.5 out of 5 stars 74
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5 out of 5 stars
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fantastic
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Plato's Phaedo
- By: Plato
- Narrated by: Ray Childs
- Length: 2 hrs and 39 mins
- Unabridged
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Performance4.5 out of 5 stars 76
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Socrates is in prison, sentenced to die when the sun sets. In this final conversation, he asks what will become of him once he drinks the poison prescribed for his execution. Socrates and his friends examine several arguments designed to prove that the soul is immortal. This quest leads him to the broader topic of the nature of mind and its connection not only to human existence but also to the cosmos itself. What could be a better way to pass the time between now and the sunset?
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5 out of 5 stars
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Plato's Gorgias
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Gorgias of Leontini, a famous teacher of rhetoric, has come to Athens to recruit students, promising to teach them how to become leaders in politics and business. A group has gathered at Callicles' house to hear Gorgias demonstrate the power of his art. This dialogue blends comic and serious discussion of the best life, providing a penetrating examination of ethics.
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5 out of 5 stars
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ray childs hits it out of the park<br />
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Plato's Apology
- By: Plato
- Narrated by: Ray Childs
- Length: 1 hr
- Unabridged
-
Overall5 out of 5 stars 157
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Performance5 out of 5 stars 143
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Story5 out of 5 stars 143
Socrates is on trial for his life. He is charged with impiety and corrupting young people. He presents his own defense, explaining why he has devoted his life to challenging the most powerful and important people in the Greek world. The reason is that rich and famous politicians, priests, poets, and a host of others pretend to know what is good, true, holy, and beautiful, but when Socrates questions them, they are shown to be foolish rather than wise.
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3 out of 5 stars
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There are better translations & performances...
- By Thomas on 12-23-19
-
Plato's Euthyphro
- By: Plato
- Narrated by: Ray Childs
- Length: 33 mins
- Unabridged
-
Overall5 out of 5 stars 101
-
Performance5 out of 5 stars 90
-
Story5 out of 5 stars 89
In Euthyphro, Socrates is on his way to the court, where he must defend himself against serious charges brought by religious and political authorities. On the way he meets Euthyphro, an expert on religious matters who has come to prosecute his own father. Socrates questions Euthyphro's claim that religion serves as the basis for ethics. Euthyphro is not able to provide satisfactory answers to Socrates' questions, but their dialogue leaves us with the challenge of making a reasonable connection between ethics and religion.
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5 out of 5 stars
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Ray Childs is the bomb
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Plato's Crito
- By: Plato
- Narrated by: Ray Childs
- Length: 29 mins
- Unabridged
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Overall5 out of 5 stars 76
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Performance5 out of 5 stars 68
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Story5 out of 5 stars 69
The Athenian court has found Socrates guilty and sentenced him to death. While he is waiting to be executed, his friend, Crito, comes to the prison to persuade him to escape and go into exile. Socrates responds by examining the essence of law and community, probing the various kinds of law and making distinctions that go far beyond the particular issue of whether or not Socrates should escape.
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Bravo!
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Plato's Meno
- By: Plato
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- Length: 48 mins
- Unabridged
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Overall4.5 out of 5 stars 75
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Performance5 out of 5 stars 66
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Story5 out of 5 stars 67
A dialogue between Socrates and Meno probes the subject of ethics. Can goodness be taught? If it can, then we should be able to find teachers capable of instructing others about what is good and bad, right and wrong, or just and unjust.
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1 out of 5 stars
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Why Incomplete?
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Plato's Laches
- By: Plato
- Narrated by: Ray Childs
- Length: 59 mins
- Unabridged
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Overall5 out of 5 stars 45
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Performance5 out of 5 stars 41
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Story5 out of 5 stars 39
Laches, a general in the Athenian army, saw Socrates fight bravely in the battle of Delium. When he and Nicias, another general, are asked to explain the idea of courage, they are at a loss, and words fail them. How does courage differ from thoughtless and reckless audacity? Can a lion be said to be courageous? What about small children who have little idea of the dangers they face? Should we call people courageous who do not know whether their bravery will produce good or bad consequences?
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5 out of 5 stars
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Plato
- By Jerry on 05-08-18
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Plato's Greater Hippias
- By: Plato
- Narrated by: Ray Childs
- Length: 1 hr and 8 mins
- Unabridged
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Overall5 out of 5 stars 26
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Performance5 out of 5 stars 24
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Story5 out of 5 stars 24
Hippias of Elis travels throughout the Greek world practicing and teaching the art of making beautiful speeches. On a rare visit to Athens, he meets Socrates, who questions him about the nature of his art. Socrates is especially curious about how Hippias would define beauty. They agree that beauty makes all beautiful things beautiful, but when Socrates presses him to say precisely what he means, Hippias is unable to deliver such a definition.
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5 out of 5 stars
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What is Beauty???
- By Samson Caudle on 07-26-17
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Plato's Ion
- By: Plato
- Narrated by: Ray Childs
- Length: 35 mins
- Unabridged
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Overall5 out of 5 stars 34
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Performance5 out of 5 stars 32
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Story4.5 out of 5 stars 32
Socrates questions Ion, an actor who just won a major prize, about his ability to interpret the epic poetry of Homer. How does an actor, a poet, or any other artist create? Is it by knowing? Is it by inspiration? As the dialogue proceeds, the nature of human creativity emerges as a mysterious process and an unsolved puzzle.
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Plato's Republic
- By: Plato
- Narrated by: Ray Childs
- Length: 11 hrs and 46 mins
- Unabridged
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Overall4.5 out of 5 stars 926
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Performance4.5 out of 5 stars 843
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Story4.5 out of 5 stars 834
The Republic poses questions that endure: What is justice? What form of community fosters the best possible life for human beings? What is the nature and destiny of the soul? What form of education provides the best leaders for a good republic? What are the various forms of poetry and the other arts, and which ones should be fostered and which ones should be discouraged? How does knowing differ from believing?
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5 out of 5 stars
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Benjamin Jowett Translation, Ray Childs Narration
- By The Masked Reviewer on 06-24-17
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The Socratic Dialogues Early Period, Volume 2
- Gorgias, Protagoras, Meno, Euthydemus, Lesser Hippias, Greater Hippias
- By: Plato, Benjamin Jowett - translator
- Narrated by: David Rintoul, full cast
- Length: 10 hrs and 9 mins
- Unabridged
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Overall5 out of 5 stars 72
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Performance5 out of 5 stars 68
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Story5 out of 5 stars 68
Here, in this second collection of Socratic Dialogues from Plato's Early Period, read by David Rintoul as Socrates with a full cast, are contrasting six works. Often, as with Gorgias, which opens the recording, Socrates combats the popular subjects of sophistry and rhetoric, in direct conversation with Gorgias (a leading sophist teacher), and with one of his pupils, Callicles.
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5 out of 5 stars
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an excellent performance
- By Christopher Powell on 07-10-18
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The Socratic Dialogues Middle Period, Volume 2
- Phaedrus, Cratylus, Parmenides
- By: Plato
- Narrated by: David Rintoul, Laurence Kennedy, full cast
- Length: 6 hrs and 53 mins
- Unabridged
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Overall4.5 out of 5 stars 33
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Performance4.5 out of 5 stars 30
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Story4.5 out of 5 stars 29
The remarkable range of Plato's Dialogues is vividly demonstrated by these three works. It opens with Phaedrus, a highly personal discussion between Socrates (David Rintoul) and the young, love-struck Phaedrus (Gunnar Cauthery). They go for a walk outside the walls of Athens and, under a plane tree by the banks of the Ilissus, talk about love - erotic and 'Platonic' love. Socrates endeavours to steer Phaedrus away from infatuation and show him that real love is based on concern for the beloved.
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The Socratic Dialogues: Late Period, Volume 1
- Timaeus, Critias, Sophist, Statesman, Philebus
- By: Plato, Benjamin Jowett - translator
- Narrated by: David Rintoul, David Timson, Peter Kenny, and others
- Length: 10 hrs and 41 mins
- Unabridged
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Overall4.5 out of 5 stars 39
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Performance5 out of 5 stars 36
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Story4.5 out of 5 stars 34
These five very different Socratic Dialogues date from Plato's later period, when he was revisiting his early thoughts and conclusions and showing a willingness for revision. In Timaeus (mainly a monologue read by David Timson in the title role), Plato considers cosmology in terms of the nature and structure of the universe, the ever-changing physical world and the unchanging eternal world. And he proposes a demiurge as a benevolent creator God.
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5 out of 5 stars
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Perfectly performed and antidote for what ails us
- By Gary on 02-23-18
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Metaphysics
- By: Aristotle
- Narrated by: James Cameron Stewart
- Length: 14 hrs and 32 mins
- Unabridged
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Overall4.5 out of 5 stars 54
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Performance4.5 out of 5 stars 46
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Story4 out of 5 stars 48
Aristotle's Metaphysics was the first major study of the subject of metaphysics - in other words, an inquiry into 'first philosophy', or 'wisdom'. It differs from Physics which is concerned with the natural world: things which are subject to the laws of nature, things that move and change, are measurable. In Metaphysics, the study falls on 'being qua being' - being insofar as it is being; the causes and principles of being, the causes and principles of substances.
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5 out of 5 stars
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Very challenging indeed ...
- By mohadcheridi on 01-20-18
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Aristotle's Poetics
- By: Aristotle
- Narrated by: Ray Childs
- Length: 1 hr and 24 mins
- Unabridged
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Overall4.5 out of 5 stars 81
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Performance4.5 out of 5 stars 69
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Story4.5 out of 5 stars 65
Aristotle's Poetics is best known for its definitions and analyses of tragedy and comedy, but it also applies to truth and beauty as they are manifested in the other arts. In our age, when the natural and social sciences have dominated the quest for truth, it is helpful to consider why Aristotle claimed poetry is more philosophical and more significant than history. Like so many other works by Aristotle, the Poetics has dominated the way we have thought about all forms of dramatic performance in Europe and America ever since.
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5 out of 5 stars
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a careful reading of a great classic
- By Aristobulus on 01-11-18
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Symposium
- By: Plato
- Narrated by: full cast
- Length: 2 hrs and 31 mins
- Unabridged
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Overall4.5 out of 5 stars 294
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Performance4.5 out of 5 stars 225
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Story4.5 out of 5 stars 225
The Greek word sumposion means a drinking party (a fact shamefully ignored by the organizers of modern symposia), and the party described in Plato's Symposium is one supposedly given in the year 416 BC by the playwright Agathon to celebrate his victory in the dramatic festival of the Lenaea. He has already given one party, the previous evening; this second party is for a select group of friends, and host and guests alike are feeling a little frail.
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5 out of 5 stars
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A perfect introduction to Plato
- By B. Leddy on 02-19-12
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The Birth of Tragedy Out of the Spirit of Music
- By: Friedrich Nietzsche
- Narrated by: Duncan Steen
- Length: 6 hrs and 5 mins
- Unabridged
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Overall4.5 out of 5 stars 97
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Performance4.5 out of 5 stars 89
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Story4.5 out of 5 stars 89
One of Nietzsche’s earliest works, The Birth of Tragedy (1872) is a remarkable source of inspiration. It is here that the philosopher expresses his frustration with the contemporary world and urges man to embrace Dionysian energy once more. He refutes European culture since the time of Socrates, arguing that it is one-sidedly Apollonian and prevents man from living in optimistic harmony with the sufferings of life.
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5 out of 5 stars
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The Apollonian vs The Dionysian
- By Juan Malo on 02-05-18
Publisher's Summary
Plato's dialogues frequently treat several topics and show their connections to each other. Phaedrus is a model of that skill because of its seamless progression from examples of speeches about the nature of love to mythical visions of human nature and destiny to the essence of beauty and, finally, to a penetrating discussion of speaking and writing. It ends with an examination of the love of wisdom as a dialectical activity in the human mind.
Phaedrus lures Socrates outside the walls of Athens, where he seldom goes, by promising to share a new work by his friend and mentor, Lysias, a famous writer of speeches. This dialogue provides a powerful example of the dialectical writing that Plato uses to manifest ideas that are essential to human existence and to living a good life. Phaedrus shows how oral and written forms of language relate to each other and to philosophy. It simultaneously embodies the entire process in some of the greatest poetry ever written.
© Agora Publications
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Reviews - Please select the tabs below to change the source of reviews.
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Overall4 out of 5 stars
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Performance3 out of 5 stars
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Story5 out of 5 stars
- Stefan Balan
- 01-30-17
Plato's probably mots poetical dialogue.
Would you recommend this audiobook to a friend? If so, why?
Super dialogue with an unforgettable vision of the soul.
What other book might you compare Plato's Phaedrus to and why?
The other two dialogues dedicated to love.
What did you like about the performance? What did you dislike?
I (mostly) enjoyed Ray Charles-he brings a wry humor/irony to the role. The one who payed Phaedrus was not credible.
Was there a moment in the book that particularly moved you?
Socrates' second speech.
1 of 1 people found this review helpful
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Overall5 out of 5 stars
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Performance4 out of 5 stars
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Story5 out of 5 stars
- Amazon Customer
- 07-30-16
The source
One cannot be truly educated in the west without being intimate with Phaedrus. This book contains the proof of the source.
1 of 1 people found this review helpful
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Overall1 out of 5 stars
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Performance5 out of 5 stars
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Story5 out of 5 stars
- S. Lee
- College Station, TX United States
- 01-17-19
six pages (Hackett Complete Works edition) missing
I'm re-listening to this, this time together with the dialogue in print, one in the Hackett Complete Works of Plato. The first time I listened to this I loved it! Performance of the two narrators (Socrates, Phaedrus) is amazing.
Then, with the dialogue in print in front of me, I discover that almost six pages are missing (in the Stephanus pagination, 259c -- 266e). This happens in between chapters 35-36 in the audiobook. From what I hear in the audio, it seems those pages were recorded and them somehow excised. How come?!
At any rate, I think the publisher should let this be known in the product description. I wouldn't have bought this if I knew it was abridged.