Showing titles in Renaissance

Robert Cecil, statesman and spymaster, lived through an astonishingly threatening period in English history. Queen Elizabeth had no clear successor and enemies both external and internal threatened to destroy England as a Protestant state, most spectacularly with the Spanish Armada and the Gunpowder Plot. All His Spies is a wonderfully engaging and original work of history. Many listeners are familiar with the great events of this tumultuous time, but All His Spies shows how easily these dramas could have turned out very differently.

In historian Tabitha Stanmore’s beguiling account, we meet lovelorn widows, dissolute nobles, selfless healers, and renegade monks. We listen in on Queen Elizabeth I’s astrology readings and track treasure hunters trying to unearth buried gold without upsetting the fairies that guard it. Much like us, premodern people lived in a bewildering world, buffeted by forces beyond their control. As Stanmore reveals, their faith in magic has much to teach about how to accommodate the irrational in our allegedly enlightened lives today.

In 1494, there were five sovereign regional powers in Italy: Milan, Venice, Florence, the Papal States and Naples. In 1536, only one remained: Venice. These decades of conflict precipitated great anxiety among Western thinkers, and Italians responded to the fragmentation, forevermore, of Latin Christendom, the end of self-governance for Italians, and the beginning of the early modern era in a myriad of ways. They were always heavily influenced by the lived experience of warfare between large Christian armies on the peninsula.

In literary legend, Faustus is the quintessential occult personality of early modern Europe. The historical Faustus, however, was something quite different: a magus—a learned magician fully embedded in the scholarly currents and public life of the Renaissance. And he was hardly the only one. Anthony Grafton argues that the magus in sixteenth-century Europe was a distinctive intellectual type, both different from and indebted to medieval counterparts as well as contemporaries like the engineer, the artist, the Christian humanist, and the religious reformer.

At the heart of the extraordinary ferment of the High Renaissance stood a distinctive, strange and beguiling figure: the magus. An unstable mix of scientist, bibliophile, engineer, fabulist and fraud, the magus ushered in modern physics and chemistry while also working on everything from secret codes to siege engines to magic tricks. Anthony Grafton's wonderfully original book discusses the careers of men who somehow managed to be both figures of startling genius and - by some measures - credulous or worse.

Queen Elizabeth I was all too happy to play on courtly conventions of gender when it suited her “weak and feeble woman’s body” to do so for political gain. But in Elizabeth, historian Lisa Hilton offers ample evidence why those famous words should not be taken at face value. With new research out of France, Italy, Russia, and Turkey, Hilton’s fresh interpretation is of a queen who saw herself primarily as a Renaissance prince—an expert in Machiavellian statecraft.

Doba pobělohorská - úpadek, nebo rozkvět společnosti? Přehledně a čtivě zpracovaný přehled českých dějin v 17. a první polovině 18. století se snaží o vyvážený pohled na pobělohorskou dobu, schematicky nazývanou dobou temna. Bitva na Bílé hoře je symbolem potupné porážky, po níž následovala násilná rekatolizace, utužení moci Habsburků v českých zemích a emigrace elit.

Rescatamos los pensamientos que Francesco Guicciardini, el gran padre de la historiografía moderna, escribió bajo el título de Ricordi. Estas notas aforísticas, que fue reuniendo en distintos momentos de su vida y en diversos períodos de su actividad como diplomático, permanecieron inéditas hasta 1857. Vecino de Maquiavelo, catorce años mayor que él, en la República de Florencia, su pragmatismo sujeto a las circunstancias del momento lo oponían en cierto modo al autor de El príncipe.

If so, you are already somewhat familiar with the Renaissance, which saw a rebirth in the arts and science. Great strides were made in several fields, and many men made a name for themselves by creating masterpieces or developing new theories, even if some people found them controversial. This comprehensive guide digs into some of the most famous figures of the period and includes some who might not be as well known.

Simonetta Vespucci war die Geliebte Giuliano de Medicis und Muse Botticellis. Als Venus strahlte die Schönheit im Mittelpunkt seines Meisterwerkes "Primavera". Als Mäzene von Künstlern wie Botticelli oder Michelangelo erwerben sich die Medici ihren guten Ruf. Aber die Ästheten vom Arno sind zugleich Meister einer diskreten Staatspolitik. Ohne ein politisches Amt avanciert Cosimo der Alte zum heimlichen Herrscher von Florenz, der wie Don Corleone im Film "Der Pate" alle Fäden in seiner Hand hält. Im 16. Jahrhundert steigen die Medici zu Herzögen auf.

Discover Italy's captivating history, from the enigmatic Etruscans to the modern marvel of today. Together, we will unveil the secrets of ancient civilizations, experience the rise of Rome's grandeur, and immerse ourselves in the Renaissance's artistic brilliance. Witness Italy's unification and its transformative triumphs, leading to its modern role in the European Union. This book, enriched with vivid narratives, invites you to traverse the epochs and relish Italy's rich past.

In some portraits of Henry VIII there appears another figure—a gaunt and morose-looking man with a shaved head. This is William or "Will" Somer, the king's fool, a celebrated wit who reportedly could raise Henry's spirits and spent many hours with him. Was Somer an "artificial fool," a cunning comic who could speak freely in front of the king, or a "natural fool," someone with intellectual disabilities, like many other members of the profession? Fool is the first biography of Somer—and perhaps the first of a Renaissance fool.

In this book, you will learn all about the exciting period of European history known as the Renaissance. This period of history was marked by a tremendous surge in creativity and innovation, resulting in the birth of some of the world’s most iconic art, literature, and architecture.

In this short book, Gardiner describes the famous battles and the daring generals: Mansfeld and Wallenstein, Tilly and Gustavus Adolphus, Bernard and Turenne. Meanwhile, behind the scenes, working through secret subsidies and wily diplomacy, frail but indomitable Cardinal Richelieu gained control of crucial supply lines, crippling Austria and Spain, and setting the stage for the golden age of France.

Perhaps no country has had such a lasting impact on Western culture as Italy. Whether it’s the frescoes of the Renaissance, the politics of ancient Rome, or the formation of the Catholic Church, Italy holds a central place on the world’s stage. This audiobook gives a quick but detailed overview of Italy’s grand, sweeping history, from ancient city-state to modern cultural mecca. Whether you’re a student of Italian history looking for a refresher or a brand-new learner looking for an introduction, this audiobook is a concise, easy-to-follow overview.

Orphaned from infancy, Catherine de’ Medici endured a tumultuous childhood. Married to the French king, she was widowed by forty, only to become the power behind the French throne during a period of intense civil strife. In 1546, Catherine gave birth to a daughter, Elisabeth de Valois, who would become Queen of Spain. Two years later, Catherine welcomed to her nursery the beguiling young Mary Queen of Scots, who would later become her daughter-in-law. Together, Catherine, Elisabeth, and Mary lived through the sea changes that transformed sixteenth-century Europe.

Mark Pegg offers a synthesis of the most innovative scholarship on the Middle Ages of the last thirty years. Interweaving the history of Muslims with the histories of Christians and Jews, the scholarly history is propelled by a narrative of the relationship of the human and the divine within individuals and their societies between 950 and 1550. In displaying the history of the Middle Ages to be no less than a history of the formation of Western culture, Pegg offers a rethinking of what it means to talk about the medieval world that is at once vital, compelling, and necessary.

Professor Farah Karim-Cooper grew up loving the Bard, perhaps because Romeo and Juliet felt Pakistani to her. But why was being white as a ‘snowy dove’ essential to Juliet’s beauty? Combining piercing analysis of race, gender and otherness in beloved plays from Othello to The Tempest with a radical reappraisal of Elizabethan London, The Great White Bard entreats us neither to idealise nor to fossilise Shakespeare but instead to look him in the eye and reckon with the discomforts of his plays, playhouses and society.

Volume Three of 2,000 Years of Christ's Power, in showing the progression of the Reformation era and the daring bravery of its figures, presents a period of history from which there are many lessons to be learnt—not least of all, the vibrancy of people's lives and the courage with which they faced death.

Do you know the whole story of the House of Borgia—from their rise from obscurity to the highest echelons of European society? The family produced two popes and a saint, but they are more known for stories of murder, debauchery, and incest. What is accurate, and what is just slander? Were the Borgias worse than any other powerful family of the time? Was Rodrigo Borgia, who became Pope Alexander VI, a monster? Was his son Cesare a psychopath? Was his daughter Lucrezia a murderous temptress?