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The deep and enduring friendship between Vincent and Theo Van Gogh defined both brothers' lives. As a confidant, champion, sympathizer, and friend, Theo financially and emotionally supported his older brother as the artistic but troubled Vincent struggled to find his path in life as both a painter and a man. Throughout that struggle, the brothers shared everything - swapping stories of lovers and friends, successes and disappointments, dreams and ambitions.
Tere is perhaps no artist who produced more art than Picasso, whose enormous oeuvre (which spanned most of his 91-year life) contained a countless number of paintings and drawings. His constant experimentation with form makes him a useful case study through which to chart the growth of modernism as an artistic movement, and many of the artistic trends that would dominate the 20th century. Picasso's works within each medium are also vastly differed.
Each night, when the hours of painting and drawing were over, Vincent van Gogh put pen to paper and poured out his heart through letters to his beloved brother Theo, his confidant and companion. No thought was too small, no element of his craft too insignificant, no happening too trivial. It was all scrupulously recorded and shared. In these letters, Van Gogh reveals himself as artist and man. Even more than if he had purposely intended to tell his life story, Van Gogh’s letters lay bare his deepest feelings, as well as his everyday concerns and his views of the world of art.
Vincent van Gogh is best known for two things – his sunflowers and his ear-cutting. But there are many other ways of knowing this remarkable son of a Dutch pastor, who left his chill homeland for the sunshine of Arles in the South of France; and left us over a thousand frank letters of struggle and joy, to help us glimpse his inner world. Vincent came late to painting after spending time in London trying to be a Christian missionary.
To get a sense of the kind of prestige that Claude Monet's reputation has within the art world, one need only learn that his Le Bassin Aux Nympheás (1919) - from his series of paintings featuring water lilies - sold for the equivalent of more than $70 million. This is an incredibly staggering price, especially considering that early in his life, Monet had been so poor and debt-ridden that some of his paintings were taken from him by creditors.
Pierre-Auguste Renoir stands alongside Claude Monet at the very peak of Impressionist painting, and though neither of them can be credited with founding the movement (that honor likely goes to Edouard Manet or Edgar Degas), Renoir and Monet remain inextricably tied to the key characteristics of Impressionism: loose brushwork; outdoor painting; an emphasis on capturing natural light and shadow; and a focus on remaining in Paris and the surrounding countryside.
The deep and enduring friendship between Vincent and Theo Van Gogh defined both brothers' lives. As a confidant, champion, sympathizer, and friend, Theo financially and emotionally supported his older brother as the artistic but troubled Vincent struggled to find his path in life as both a painter and a man. Throughout that struggle, the brothers shared everything - swapping stories of lovers and friends, successes and disappointments, dreams and ambitions.
Tere is perhaps no artist who produced more art than Picasso, whose enormous oeuvre (which spanned most of his 91-year life) contained a countless number of paintings and drawings. His constant experimentation with form makes him a useful case study through which to chart the growth of modernism as an artistic movement, and many of the artistic trends that would dominate the 20th century. Picasso's works within each medium are also vastly differed.
Each night, when the hours of painting and drawing were over, Vincent van Gogh put pen to paper and poured out his heart through letters to his beloved brother Theo, his confidant and companion. No thought was too small, no element of his craft too insignificant, no happening too trivial. It was all scrupulously recorded and shared. In these letters, Van Gogh reveals himself as artist and man. Even more than if he had purposely intended to tell his life story, Van Gogh’s letters lay bare his deepest feelings, as well as his everyday concerns and his views of the world of art.
Vincent van Gogh is best known for two things – his sunflowers and his ear-cutting. But there are many other ways of knowing this remarkable son of a Dutch pastor, who left his chill homeland for the sunshine of Arles in the South of France; and left us over a thousand frank letters of struggle and joy, to help us glimpse his inner world. Vincent came late to painting after spending time in London trying to be a Christian missionary.
To get a sense of the kind of prestige that Claude Monet's reputation has within the art world, one need only learn that his Le Bassin Aux Nympheás (1919) - from his series of paintings featuring water lilies - sold for the equivalent of more than $70 million. This is an incredibly staggering price, especially considering that early in his life, Monet had been so poor and debt-ridden that some of his paintings were taken from him by creditors.
Pierre-Auguste Renoir stands alongside Claude Monet at the very peak of Impressionist painting, and though neither of them can be credited with founding the movement (that honor likely goes to Edouard Manet or Edgar Degas), Renoir and Monet remain inextricably tied to the key characteristics of Impressionism: loose brushwork; outdoor painting; an emphasis on capturing natural light and shadow; and a focus on remaining in Paris and the surrounding countryside.
What is art? Why do we value images of saints, kings, goddesses, battles, landscapes or cities from eras of history utterly remote from ourselves? This history of art shows how painters, sculptors and architects have expressed the belief systems of their age: religious, political and aesthetic. From the ancient civilisations of Egypt, Mesopotamia and Greece, to the revolutionary years of the nineteenth and twentieth centuries, the artist has acted as a mirror to the ideals and conflicts of the human mind.
The lives of many famous artists have been shrouded in mystery and conjecture, but none have been more controversial than the life of Vincent van Gogh. Remembered for his swirling brushstrokes and burning colors, Vincent van Gogh is today one of the best-known painters. Though his career as a painter spanned less than ten years, he produced a body of work that remains one of the most enduring in all of modern art. In his lifetime, however, he received little recognition. Today his paintings sell for countless millions, yet during his lifetime, van Gogh managed to sell just one painting.
At least one-third of the people we know are introverts. They are the ones who prefer listening to speaking, reading to partying; who innovate and create but dislike self-promotion; who favor working on their own over brainstorming in teams. Although they are often labeled "quiet", it is to introverts that we owe many of the great contributions to society - from van Gogh's sunflowers to the invention of the personal computer.
In his review of Salvador Dali's first autobiography, George Orwell declared that "One ought to be able to hold in one's head simultaneously the two facts that Dali is a good draughtsman and a disgusting human being." Whether or not one agrees with the famous author's assessment, Orwell captures the polarizing nature of Salvador Dali, and the extent to which his undeniable technical virtuosity often brushed against his penchant for provoking his audiences (not to mention provoking long-entrenched standards of "proper" taste).
This clear and concise new introduction examines all the major debates and issues using a wide range of well-known examples. It discusses the challenge of using verbal and written language to analyze a visual form. Dana Arnold also examines the many different ways of writing about art, and the changing boundaries of the subject of art history. Topics covered include the canon of Art History, the role of the gallery, 'blockbuster' exhibitions, and the emergence of social histories of art.
Leonardo da Vinci created the two most famous paintings in history, The Last Supper and the Mona Lisa. But in his own mind, he was just as much a man of science and engineering. With a passion that sometimes became obsessive, he pursued innovative studies of anatomy, fossils, birds, the heart, flying machines, botany, geology, and weaponry.
In Montmartre is a colorful history of the birth of modernist art as it arose from one of the most astonishing collections of artistic talent ever assembled. It begins in October 1900, as a teenage Pablo Picasso, eager for fame and fortune, first makes his way up the hillside of Paris' famous windmill-topped district.
In a series of beautifully paced narratives, Sarah Thornton investigates the drama of a Christie's auction, the workings in Takashi Murakami's studios, the elite at the Basel Art Fair, the eccentricities of Artforum magazine, the competition behind an important art prize, life in a notorious art-school seminar, and the wonderland of the Venice Biennale. She reveals the new dynamics of creativity, taste, status, money, and the search for meaning in life.
Van Gogh is a vivid portrait of the great Impressionist painter that traces his life from the Netherlands, where he was born into a family of art dealers, through his years in England, the Hague, and Paris, to his final home in Arles, where he discovered the luminous style of his late paintings before his suicide at the age of thirty-seven.
In this lecture series, art historian Gary Schwartz surveys the life, time and work of Rembrandt van Rijn. He reflects on both the 17th century historical context in which Rembrandt emerged as an artist, as well as on his superb techniques. Schwartz presents the listener with a unique re-introduction to the artist's biography in which he gives a vivid description of Rembrandt's life and his rich and varied drawings, etchings and paintings, such as the Nightwatch.
In April 1997, pretty, 22-year-old Jacine Gielinski stopped her car at a red light in Colorado Springs, Colorado. She had no idea that the two young men looking at her from the car next to hers would in that moment decide she would be their target for unspeakable horrors.
At last, for a generation that's materially ambitious yet financially clueless comes I Will Teach You To Be Rich, Ramit Sethi's 6-week personal finance program for 20-to-35-year-olds. A completely practical approach delivered with a nonjudgmental style that makes readers want to do what Sethi says, it is based around the four pillars of personal finance - banking, saving, budgeting, and investing - and the wealth-building ideas of personal entrepreneurship.
"A weaver who has to direct and to interweave a great many little threads has no time to philosophize about it, but rather he is so absorbed in his work that he doesn't think, but acts, and he feels how things must go more than he can explain it." (Vincent van Gogh, 1883)
Vincent van Gogh is undoubtedly one of the most famous artists of all time, and though the critical establishment may not consider him the greatest artist who ever lived, there may be no artist with whom the public has a greater familiarity. Unfortunately, a great deal of that familiarity comes from the circumstances leading up to his death, and the manner in which they have been linked to his painting career.
Of all the things that occurred in van Gogh's tumultuous life and career, the best known thing about him might be that he cut off the lower left lobe of his ear. Much of the general public is familiar with his painting Self Portrait with Bandaged Ear. In 1882, Vincent would hauntingly and somewhat prophetically write to his brother Theo, "What am I in the eyes of most people - a nonentity, an eccentric, or an unpleasant person - somebody who has no position in society and will never have; in short, the lowest of the low. All right, then - even if that were absolutely true, then I should one day like to show by my work what such an eccentric, such a nobody, has in his heart."