Our Editors Reveal: The Longest Audiobooks We've Ever Listened To

Editors Reveal: The longest audiobooks we've listened to

In this edition of "Editors Reveal," we open up about the longest audiobooks we've ever heard, from Steve Jobs to Stephen King.

The Audible Editors

August 1, 2024

Editors Reveal: The longest audiobooks we've listened to

We've all been there: If it's not the right fit, even the shortest listen can feel like it's taking eons to get through. But what does it take to get through a really long listen?

We asked our fellow editors to share their longest-ever listens, and their responses were as varied as the individuals behind them. For some, 12 hours was a long listen, while others soared past 50 hours. Some felt the hours melt away as they were swept up into an epic saga, while others felt their stamina really being tested. But one thing was universal—we've all found long (to us) listens that we've loved and never wanted to end.

Here are the longest audiobooks we’ve ever listened to. What are yours?

Longest Audiobook We Ever Listened To List

Editors Reveal: The longest audiobooks we've listened to

In this edition of "Editors Reveal," we open up about the longest audiobooks we've ever heard, from Steve Jobs to Stephen King.

The Audible Editors

August 1, 2024

We've all been there: If it's not the right fit, even the shortest listen can feel like it's taking eons to get through. But what does it take to get through a really long listen?

Here are the longest audiobooks we’ve ever listened to. What are yours?

Longest Audiobook We Ever Listened To List

Moby Dick

Herman Melville

Editor Rachel, Moby-Dick, 24 hrs 49 mins:

In thinking about my longest listen, I realized how much of a weirdo I am when it comes to my listening habits. Sometimes I lose steam in the middle of a long read or listen, and I love switching between the two formats to break it up and push me forward. (This doesn't have to be a luxury—I use an Audible credit to download the audio, and borrow the book from my local library.) This is how I've gotten through so many of my favorite big books: The Goldfinch by Donna Tartt, 1Q84 by Haruki Murakami, and Elena Ferrante's Neapolitan Novels. But another way I love doing long listens is to take something I read long ago and re-experience it as spoken word. A few years ago I did this with my favorite book of all time, Moby-Dick. With the contours of the story already mapped out in my mind, new details jumped out to surprise and delight me. Ishmael was funnier than I remembered! Starbuck more dramatic! Queequeg more charming! Ahab more eeeeevil! The entire experience gave me tingles. Rather than taking it down in one big gulp, I listened to a few chapters here and there between other listens, which was just right.

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Steve Jobs

Walter Isaacson

Editor Aaron, Steve Jobs, 25 hrs 18 mins:

I'm not really a long-listen kinda guy. I wouldn't say I have a short attention span, but if I've been listening to a title for a long time, I often realize that I stopped paying attention at some point and need to rewind a solid 40 minutes back. So I was a little hesitant to start a listen that had more hours to it than an entire day, but there's something so magical about this biography that I finished it over the course of just a few days. I can't tell whether it's the narration, the pacing, or just how fascinating Steve Jobs's life was—maybe it’s all three—but even if you’re like me and bristle at the idea of taking a chance on anything longer than eight hours, I think Walter Isaacson's Steve Jobs might help you realize that you’ve got a lot more listening stamina than you think.

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The Emperor of Ocean Park

Stephen L. Carter

Editor Margaret, The Emperor of Ocean Park, 26 hrs 5 mins:

Growing up, I spent many summers on Martha’s Vineyard, so it’s a special treat to find a book set in a place where I have so many fond childhood memories. When The Emperor of Ocean Park published in June 2002, I had just completed my junior year of college and my parents and I were heading to MV for what would be our last trip there together. I eagerly devoured Stephen L. Carter’s headline-making debut about an elite Black family haunted by deadly secrets, reading it on the car ride from New Jersey, on the ferry from Woods Hole, and throughout our entire stay in Oak Bluffs. Twenty years later, as I made plans to visit the Vineyard, this time with my own 9-year-old daughter in tow, it felt like the right time to listen to Emperor—because who has time to re-read a 600-plus page book? I was blown away by the audio. Richard Allen doesn’t just narrate this audiobook, he performs it—his deep, rich timbre adding incredible texture and vibrancy to this twisty thriller. Now that I’ve both read and listened, all that’s left to do is watch! I can’t wait to see how the story comes to life on the small screen in the 10-episode adaptation starring Academy Award winner Forest Whitaker streaming now on MGM+.

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The Covenant of Water

Abraham Verghese

Editor Tricia, The Covenant of Water, 31 hrs 16 mins:

Abraham Verghese is a phenomenon—how can such a seemingly mild-mannered physician also be a brilliant writer and storyteller? And he kind of broke all the rules with The Covenant of Water—some might say it had been too long since his last book was published (Cutting for Stone, 2009). Others might balk that, at 31+ hours, the novel is just too long, plus it’s narrated by the author, not a professional voice actor. Who would want to listen to that? Well, me and thousands of other listeners, that’s who. Plus, Oprah’s endorsement did not hurt, of course. I think Oprah and all of us were lucky to discover this absolute gem of an epic—it’s full of heart, history, characters that feel as real as the people you know and love. I’m eternally grateful to have Verghese’s voice so gently yet permanently etched into my imagination. Listening was an entertaining, edifying, and soul-quenching experience—a wonderful way to spend 31+ hours.

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The Goldfinch

Donna Tartt

Editor Sam, The Goldfinch, 32 hrs 24 mins:

Technically speaking, I think Stephen King's It is my actual longest listen ever. (I take my annual listening goal VERY seriously, as you can see. I’m also a blast at parties.) But The Goldfinch is by far my most memorable. I had just started my new gig as an Audible editor, and although I was already deep into listening by that point, the thought of anything over 12 hours still made me sweat. But my colleagues highly recommended this one, so I cautiously decided to give it a try. The last thing I expected was to feel like a 32-hour listen went by too fast, but that’s exactly what happened. That December, I listened on my way to work, at work (shh…), while gift shopping, and in those precious few moments I could find a little solitude and quiet that holiday season. I think that’s when it really clicked that there was nothing to fear about a longer runtime. If the story and the narrator are strong enough—and David Pittu, you are still my favorite—I’ll find as many reasons to listen as I can, making even the longest listen feel far too short.

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A Little Life

Hanya Yanagihara

Editor Emily, A Little Life, 32 hrs 51 mins:

It may be called A Little Life, but it’s a loooonnnnggggg listen, and not only is this the longest title I’ve listened to, it’s also the saddest. But don’t let this intimidate you; I would willingly sob and blubber my way through this all over again for the beautiful experience of listening to Yanigahara’s breathtaking portrait of friendship, love, trauma, and tragedy. The story of a group of friends from college, this is a four-lane bildungsroman. Each of the young men have their own demons and dreams, but it’s Jude whose life story draws you in and breaks your heart over and over again. You’ll miss them all when you come to the end, but you won’t be alone. If you listen carefully you’ll hear narrator Oliver Wyman—whose brave and stoic performance is truly one for the ages—trying to hold back tears.

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Dark Age

Pierce Brown

Editor Sean, Dark Age, 33 hrs 58 mins:

The latest in the Red Rising series speeds along despite the 33-hour runtime. While the scope is sprawling, the story isn’t; it remains tightly wound, and there’s just something spectacular about the main character, Darrow. Heroic but flawed, brave but impatient, altruistic but alienated, he serves as the focal point of the narrative with other characters orbiting him in varying distances like moons to a planet. Occasionally, the secondary characters and their excellent narrators steal the shine from Darrow in deeply resonant ways (I’m looking at you, Ephraim), but as the story moves further away from Darrow’s perspective, it also expands in terms of the impact—returning to him to align all the stars just before they might spiral out into the vacuum of space. Which, by the way, is exactly where the book’s Big Bad comes from—and he’s a monster fit to face a living legend like Darrow. I’m hoping for another 30+ hours with this cast of characters whenever the next title in the series graces our libraries. In the meantime, if you haven’t given Red Rising a try, you’re missing out on one of the most important sci-fi series ever—and with just over 114 hours of existing listening awaiting you, there’s no better time to dig in.

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Anna Karenina

Leo Tolstoy

Editor Haley, Anna Karenina, 35 hrs 35 mins:

Like many Russian classics, the enduring literary prestige and literal bulk of Anna Karenina can make approaching this story feel intimidating at first. But from its iconic opening line (“Happy families are all alike; every unhappy family is unhappy in its own way”), this novel cradles you in the universality of its themes and never lets you down. Not only does the plot revolve around an extramarital affair that speeds along with soap-opera pacing, Tolstoy’s unforgettable characters captivate as their expansive ways of thinking tragically collide with the confinement of their times. Plus, any prior notions you might have of Russian literature being as dry as it is dense are tossed out the window by Maggie Gyllenhaal’s stellar narration. She grounds listeners in the profound wisdom and pastoral ways of Levin, who serves as a conduit between the novel and Tolstoy’s own love of nature, while bringing Anna’s propulsive spirit to life with apparent ease. Ultimately, her performance makes all 35 hours and 35 minutes of this listen fly by like a moving train that is totally worth the journey.

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The Stand

Stephen King

Editor Kat, The Stand, 47 hrs 47 mins:

How to be pithy about something so epic? The Stand was the novel that made me love Stephen King, after years of being merely terrified by him, when I read it at 13. (It was, even in paperback, an absolute unit: a badge of adulthood I toted proudly all summer; longer than any other book I would read as an actual adult.) As I listened to the audio version this winter, I found myself helplessly sucked in yet again as King vividly depicts how the gnarly superflu Captain Trips spreads and shuts down society within weeks. Sure, it’s long, but here length is a luxury. King gives his band of survivors time to grow as characters, and to dawdle on harrowing scenes and unforgettable stray details: those who die, amid the chaos of superflu, of other causes; the banal artifacts, like Teenage Mutant Ninja Turtles comics, that survive. Grover Gardner’s performance is a luxury too, switching from straightforward to folksy, murderous, romantic, or gleefully gross—this being King, after all. Having spent more than 47 hours with his voice (by the way, I listened at x1.2 speed 💪), I can think of no one better to take the reins of this towering saga. M-O-O-N, that spells I forever stan The Stand.

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Oathbringer

Brandon Sanderson

Editor Melissa, Oathbringer, 55 hrs 5 mins:

I'm a simple lady: When I see a new Sanderson, I one-click that title into my Library, baby. But I'll admit that I didn't always feel this way about Brandon Sanderson. I fell in love with his books in high school, but years later, when I tried to pick up the first two installments of his Stormlight Archive series, they were daunting bricks to look at. I bought them in print and tried to start them multiple times before I stalled out. They felt like too much work, and I started to think I didn't love his books as much as I used to. But then. Then, my friends, I decided to give it one final go in audio, and that was when the magic kicked in. Kate Reading and Michael Kramer made the story melt away with their narration. Listening to something complicated and pronunciation-heavy makes all the difference because it takes the work off you, and you can become absorbed in the plot much faster without having to worry about keeping all the details in your head. I listened to all three books in a straight shot, so all-told it was 148 hours and 47 minutes of listening, but wow, it did not feel that long at all. Listening to this series made me realize that as long as the story is good, it's never too long. Next up: Rhythm of War, which is coming out in November!

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The Fellowship of the Ring

J. R. R. Tolkien

Editor Alanna, The Lord of the Rings, 55 hrs 28 mins:

I’ve always loved The Lord of the Rings, but that fondness snowballed into full-fledged fixation when I started dating my Tolkien-obsessed boyfriend five years back. Since then, the fantasy epic has become part of my daily life, from the replicas of Andúril and Hadhafang that adorn our living room wall to contentious discussions about our favorite characters (his: Aragorn, mine: Samwise). One thing isn’t up for debate, though: this listen is well-worth the long-haul. And while the story is segmented into three installments, The Lord of the Rings is not technically a trilogy: Tolkien advocated for the entire work to be published as a singular novel, only to be overruled by his publisher. As a Middle Earth-purist, I had to listen to the story as intended, clocking over two days of listening. Luckily, Tolkien's incomparable world-building and Rob Inglis's impeccable narration made the journey worth every minute. A tip for stamina? Don’t skip second breakfast.

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David Suchet Audio Bible—New International Version, NIV: Complete Bible

Biblica

Editor Yvonne, David Suchet Audio Bible, 83 hrs 14 mins:

Poirot narrating the Bible? Could it be? No, it can’t be and it isn’t. Instead, it’s the wonderfully talented David Suchet narrating the New International Version, all 83 hours and 14 minutes of it. Suchet, now 78 years old, became a Christian at the age of 40. His recording fulfills a dream—he had always wanted to make an audio recording of the complete Bible. And he does it with great care. His reading has a clarity and elegant simplicity that makes a listener want to listen for, well, hours. I never knew the significance of an audio Bible; it has different meaning for different people beyond its contents. A couple of years ago, I gifted a friend who’s more like a mother figure to me, James Earl Jones Reads The Bible: King James Version. ”When I want to read my Bible, now I can just listen to it,” she said. ”I’m happy.” What she really appreciated is that her failing eyesight would no longer impede her practice of studying Scripture daily. To that I say, “Praise the Lord.”

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