Mostrando resultados por narrador "Orson Welles" en Todas las categorías

This 1937 radio dramatization was written, produced, and performed by none other than the incomparable Orson Welles of War of the Worlds fame. The story of the book is faithfully retold (with questionable subjects carefully camouflaged) and is suitable for students aged 10 and older. This live recording, masterfully performed by an incredible professional cast, includes sound effects, music, and an unforgettable story.

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true life crime is retold. Mr Welles, we’re ready....

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true life crime is retold. Mr Welles, we’re ready....

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true life crime is retold. Mr Welles, we’re ready.

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true life crime is retold. Mr Welles, we’re ready....

In a surreal turn-of-the-century London, Gabriel Syme, a poet, is recruited to a secret anti-anarchist taskforce at Scotland Yard. Lucian Gregory, an anarchist poet, is the only poet in Saffron Park, until he loses his temper in an argument over the purpose of poetry with Gabriel Syme, who takes the opposite view. After some time, the frustrated Gregory finds Syme and leads him to a local anarchist meeting-place to prove that he is a true anarchist.

The Mercury Theatre on the Air, a radio series created by Orson Welles, presented adaptations of classic literary works. These were performed by actors from Welles' celebrated Mercury Theatre repertory company, with music composed or arranged by Bernard Herrmann.

Orson Welles both starred in and directed The Campbell Playhouse, a radio drama (1938-40) produced by Welles and John Houseman. The episodes include adaptions of classic novels and plays as well as radio versions of the era's popular films.

Orson Welles both starred in and directed The Campbell Playhouse, a radio drama (1938-40) produced by Welles and John Houseman. The episodes include adaptions of classic novels and plays, as well as radio versions of the era's popular films.

A short conversation between the famous author and the famous actor and director, who adapted The War of the Worlds for radio. The program was originally broadcast on KTSA, San Antonio, Texas.

Orson Welles both starred in and directed The Campbell Playhouse, a radio drama (1938-40) produced by Welles and John Houseman. The episodes include adaptions of classic novels and plays as well as radio versions of the era's popular films.

Orson Welles, host and narrator of Black Museum, welcomed listeners to Scotland Yard's "warehouse of homicide", containing everyday objects that either brought a killer to justice or were used to do a killer's dirty work. In each episode, Welles strolls through the "repository of death", selects one object, and tells its story.

Orson Welles, host and narrator of Black Museum, welcomed listeners to Scotland Yard's "warehouse of homicide", containing everyday objects that either brought a killer to justice or were used to do a killer's dirty work. In each episode, Welles strolls through the "repository of death", selects one object, and tells its story.

Orson Welles, host and narrator of Black Museum, welcomed listeners to Scotland Yard's "warehouse of homicide", containing everyday objects that either brought a killer to justice or were used to do a killer's dirty work. In each episode, Welles strolls through the "repository of death", selects one object, and tells its story.

This radio drama starring Orson Welles originally aired on December 7, 1941, the day of the Japanese attack on Pearl Harbor.

These classic Sherlock Holmes performances by Gielgud, Richardson and Welles were first broadcast in the 1950s.

Captain Bligh leaves London for Tahiti in charge of his crew on the Bounty. At sea he shows himself to be a brutal tyrant and cruel whilst enforcing discipline which includes flogging the men, cutting rations and over zealously working them too hard. On the return voyage, first mate Fletcher Christian, wonderfully played here by Orson Welles, leads the crew to mutiny and sets Bligh and his supporters adrift on a boat. What they did not count on is the Captain's return in this gripping tense drama.

Join Mr. Samuel Pickwick, the founder and chairman of the Pickwick Club, which consists of Tupman, Snodgrass, and Winkle, in amusing and ridiculous adventures within The Pickwick Papers, starring Orson Welles! This is one of the Classic Radio Theatre productions you will want to listen to over and over again!

The Mercury Theatre on the Air, a radio series created by Orson Welles, presented adaptations of classic literary works. These were performed by actors from Welles's celebrated Mercury Theatre repertory company, with music composed or arranged by Bernard Herrmann. The series ran from July to December 1938, after which the title was changed to The Campbell Playhouse.

Set in London and Paris before and during the French Revolution, A Tale of Two Cities depicts the plight of the French peasantry under the demoralization of the French aristocracy in the years leading up to the revolution, the corresponding brutality demonstrated by the revolutionaries toward the former aristocrats in the early years of the revolution, and a number of unflattering social parallels with life in London during the same time period.