Showing results by narrator "Bill Creasy" in All Categories

As Proverbs fits squarely into the genre of “advice to a son” literature, so the Song of Songs fits squarely into the genre of erotic love poetry. Traditionally read as an allegory of God’s love for Israel or of Christ’s love for the Church, Logos Bible Study’s Dr. Bill Creasy explores the Song of Songs as what it is, first and foremost: an erotic love poem written by Solomon in the final years of his life, a poem tinged with deep regret and longing.

Although the primary meaning of what a prophet says always emerges from the historical context in which he writes, what he says will sometimes foreshadow messianic or eschatological (“end time”) events. It is our responsibility as educated readers of Scripture to determine when such foreshadowing occurs and when it does not.

While Paul is in Corinth, A.D. 50 – 52, he writes three epistles, two to the church in Thessalonica and one to the churches in Galatia. Paul spends only “three Sabbath days” in Thessalonica (Acts 17: 2) and he encounters such opposition that “as soon as it was night, the brothers sent Paul and Silas away to Berea” (Acts 17: 16), lest they be stoned.

If Isaiah is the Thundering Prophet, Jeremiah is the Weeping Prophet. Called to be a prophet in the thirteenth year of King Josiah (626 B.C.), Jeremiah serves through the Babylonian conquest of Jerusalem (586 B.C.). Jeremiah is one of the few prophets who is both a priest and a prophet, an unenviable—and untenable—position, much like a lawyer representing both parties in a particularly nasty divorce! Jeremiah did not want to be a prophet; he tries to quit on several occasions; and he regularly weeps over the message God has given him.

Paul meets Timothy at the beginning of his second missionary journey. On the first missionary journey (A.D. 46 – 48), Paul visits Lystra, a city in central Asia Minor. It seems he had little success there, as in Lystra “they stoned Paul and dragged him outside the city, thinking he was dead” (Acts 14: 19). On his return to Lystra in A.D. 50, however, Paul meets Timothy, a young man whose grandmother Lois and mother Eunice had become believers, apparently during Paul’s first visit to Lystra.

As Paul writes his last will and testament in 2 Timothy, so Peter writes his in 2 Peter. It is A.D. 68, and Peter, like Paul, has been arrested during the persecutions under Nero, then tried, convicted, and sentenced to death. In his second epistle, Peter urges us to remember the foundational teachings of the Gospel and not to be led astray by false teachers and those who serve their own interests, rather than Christ’s. Join Logos Bible Study’s Dr. Bill Creasy as we bid farewell to Peter and listen to his last words of encouragement.

With the conflict of sin fully resolved and “the great and dreadful day of the Lord” a memory, our linear narrative doubles back on itself: Revelation 20-22 bring us back to a new beginning. In Revelation 21: 1-5 we read: “Then I saw a new heaven and a new earth, for the first heaven and the first earth had passed away, and there was no longer any sea. I saw the Holy City, the new Jerusalem, coming down out of heaven from God, prepared as a bride beautifully dressed for her husband."

Notice that from Genesis through Judges, our story moves across a linear timeline: We move in a straight line from Genesis through Judges, from creation through roughly 1,000 B.C. Ruth is a recapitulation; it turns around and goes back to “the days when the Judges ruled” (Ruth 1: 1). Back in those awful days, there was Ruth, Naomi, Boaz—and the greatest love story in the Bible.

After Jesus’ death, burial and resurrection he commissions his disciples to take the gospel “to the ends of the earth” (Acts 1: 8). And they do just that. Those who were eyewitnesses to Jesus’ life and works travel throughout the Roman Empire, telling stories about him: What he said, what he did, miracles he performed, conversations and debates he had. Over time, those oral stories take on shape and form—not changing from telling to telling, as many insist—but solidifying into a standardized form.

Jacob and his wives produce twelve sons, the founders of the twelve tribes of Israel. Jacob’s eleventh son, Joseph, is his favorite, yet none of the twelve tribes is named after him! This is Joseph’s story.

Revelation is the easiest book in the Bible to read and to teach—providing you have read all the books in the Bible that precede it! We noted at the very start of our study together that the Bible—in its final, finished form—is a unified literary work: The curtain rises in Genesis and it falls in Revelation. In between we have a linear narrative: God is the main character; sin is the conflict; redemption is the theme. Thus, reading Revelation is like reading the final chapter in a 2,000-page novel.

In Leviticus, God tells his people to “be holy because I, the Lord your God, am holy” (Leviticus 19: 2). Leviticus is a handbook of holiness. Here God prescribes the five great sacrifices that enable a sinful people to be brought into fellowship with a holy God: 1) the burnt offering; 2) the grain offering; 3) the peace offering; 4) the sin offering; and 5) the guilt offering. Four of these five are animal sacrifices.

If Isaiah is the Thundering Prophet and Jeremiah is the Weeping Prophet, Ezekiel is the Weird Prophet! Ezekiel is taken captive to Babylon after its second attack on Jerusalem, 597 B.C. Ezekiel’s book is set in Babylon and it consists of thirteen separate “visions” that span twenty years. And they are very strange visions, indeed!

Jonah is one of the great stories in the Bible. Join Logos Bible Study’s Dr. Bill Creasy as he tells this story as no one else can! When God commands Jonah to go to Nineveh, the capital of the Assyrian empire, and preach against it, Jonah heads in the exact opposite direction—to Tarshish, in Spain! Follow the adventure as a huge storm tosses Jonah’s ship, the sailors hurl Jonah overboard and a huge fish swallows him!

Seventy-three of the 150 psalms are traditionally ascribed to David. As we read the "Davidic Psalms," we see deeply into David's heart as he struggles with God, with others and with himself. These psalms are deeply moving and often, brutally honest.

Although not the first of Paul’s epistles, his Epistle to the Church in Rome (or simply, Romans) takes the place of first importance. Written from Ephesus in A.D. 57, Paul crafts a formal argument in Romans, employing the structure of a “scholastic diatribe,” stating and defending his theses that we are “saved by grace through faith.” Romans is a brilliant work, and it is foundational for understanding the all that Paul has written.

Habakkuk is the prophet with a question mark for a brain! “Why,” he asks, does a God of justice allow injustice to flourish; why does violence prevail? And God provides an answer: “Look at the nations and watch and be utterly amazed, for I am going to do something in your day that you would not believe even if you were told. I am raising up the Babylonians!” Through Habakkuk God takes credit for using the Babylonians as his instrument of judgment on Judah and Jerusalem.

As we move through the Bible, we encounter both oral and writing prophets. Elijah and Elisha, for example, are oral prophets, neither one writes anything that we know of. We simply have their stories in 1 & 2 Kings, stories about what they said and did. Writing prophets, on the other hand, write books. Prophets like Isaiah, Jeremiah, Ezekiel, Daniel and the twelve Minor Prophets commit what they have to say to writing, sometimes in long books like Isaiah (66 chapters), and other times in short books like Obadiah (1 chapter).

Forgiveness of sin does not cancel the consequences of sin. And in 2 Samuel 12 the consequences envelop David. David’s eldest son and heir to the throne, Amnon, rapes his half-sister, Tamar. Absalom, Tamar’s brother and David’s favorite son, murders Amnon in revenge, and then Absalom flees into exile.

In Revelation 1: 19 the risen and glorified Christ tells John to: “Write, therefore, what you have seen, what is now and what will take place later.” That is the basic architectural structure of Revelation: 1) what you have seen (past tense, “what was”: chapter 1); 2) what is now (present tense, “what is at the time John is writing”: chapters 2 & 3); and 3) what will take place later (future tense, “what will be”: chapters 4-22).