Showing results by narrator "Nicholas Boulton" in All Categories

For much of the 20th and 21st centuries, women’s sexuality was an uncharted territory in science, studied far less frequently - and far less seriously - than its male counterpart. That is, until Emily Nagoski’s Come As You Are, which used groundbreaking science and research to prove that the most important factor in creating and sustaining a sex life filled with confidence and joy is not what the parts are or how they’re organized but how you feel about them.

Trevelyan d'Augustin and Lady Callista Talliafaire were secret sweethearts, until the day her father dismissed him with a whip across the face. Ten years and three jiltings later, shy Callie is resigned to a quiet village life as the late earl's spinster daughter. But now Trev has returned from his estates in France, upending everything, dragging her into adventures, stealing Hubert the prize-winning bull, and flinging Callie's heart into mayhem again.

Gogol's great Russian classic is the Pickwick Papers of Russian literature. It takes a sharp but humorous look at life in all its strata but especially the devious complexities in Russia, with its landowners and serfs. We are introduced to Chichikov, a businessman who, in order to trick the tax authorities, buys up dead 'souls', or serfs, whose names still appear on the government census. Despite being a dealer in phantom crimes and paper ghosts, he is the most beguiling of Gogol's characters.

John Fowles’s The Magus was a literary landmark of the 1960s. Nicholas Urfe goes to a Greek island to teach at a private school and becomes enmeshed in curious happenings at the home of a mysterious Greek recluse, Maurice Conchis. Are these events, involving attractive young English sisters, just psychological games, or an elaborate joke, or more? Reality shifts as the story unfolds. The Magus reflected the issues of the 1960s perfectly, and it continues to create tension and concern today.

Ash Winters is barely holding on, near drowning in his own darkness and fear. He lives a gray shadow of a life, sullen and cynical, unable to remember hope or happiness - much less the distant, fading glitterball of love. It has to be a sick joke of the universe that he finds himself hooked up with good-humored Essex boy Darian Taylor, a wannabe model in a sparkly jacket and a fake tan. Darian may not be an intellectual giant, but he's hysterically funny, and he's got the courage to challenge Ash to live again.

The Diary of a Madman and Other Stories is a bizarre and colorful collection containing the finest short stories by the iconic Russian writer Nikolai Gogol. From the witty and Kafkaesque "The Nose", where a civil servant wakes up one day to find his nose missing, to the moving and evocative "The Overcoat", about a reclusive man whose only ambition is to replace his old, threadbare coat, Gogol gives us a unique take on the absurd. 

After the jealous tyrant Don Rodrigo foils their wedding, young Lombardian peasants Lucia and Lorenzo must separate and flee for their safety. Their difficult path to matrimony takes place against the turbulent backdrop of the Thirty Years War, where lawlessness and exploitation are at their height. Lucia takes refuge in a convent, where she is later abducted and taken on a nightmarish journey to a sinister castle, while Lorenzo goes to Milan, where he witnesses famine, riots, and plague - all evoked through meticulous description and with stunning immediacy.

He's a duke. He's a mathematical genius. He can't talk and he's locked in a lunatic asylum. Only a modest Quaker girl can reach him, but when she helps him to escape, she's swept into his glittering aristocratic world, her life torn apart by his desperate attempt to save himself.

He was once a legendary highwayman. Now he's a recluse in a ruined French castle, with only a half-wild wolf for a companion. When Lady Leigh Strachan comes looking for a man to aid in her revenge, she's disillusioned to find that the famed Prince of Midnight couldn't help even if he cared to - which he doesn't. S. T. Maitland wants nothing to do with his legend, or with this fierce, beautiful, broken woman... until the old thrill of living on the cutting edge of danger begins to rise in his blood again.

Father Ambrosio, the most pious and venerated monk in all of Madrid, is held as a paragon of virtue. But after 30 years of study and prayer, evil thoughts begin to permeate his mind. As two plots cleverly converge, torture, murder, incest, rape, poison, and magic prevail, sustained by an elegance in the writing of the 19-year-old Matthew Lewis.

In the twilight of the Austro-Hungarian Empire, a young cavalry officer is invited to a dance at the home of a rich landowner. There - with a small act of attempted charity - he commits a simple faux pas. But from this seemingly insignificant blunder comes a tale of catastrophe arising from kindness and of honour poisoned by self-regard. Beware of Pity has all the intensity and the formidable sense of torment and of character of the very best of Zweig's work. Definitive translation by the award-winning Anthea Bell.

The child of a reputable family and a faithful son of the Church, Robert of Locksley had no intention of becoming an outlaw. But the relentless cruelty and tyranny by the elite nobility of England demanded that someone rise up to give answer. And so Robert of Locksley became Robin Hood, a man thrown into a fierce struggle to balance his deep faith with a call to action in a violent age. Featuring over 60 actors, cinematic sound, and original music, The Legends of Robin Hood is an exciting 12-part audio drama from the award-winning Augustine Institute.

Grigori Aleksandrovich Pechorin is an enigma: arrogant, cocky, melancholic, brave, cynic, romantic, loner, socialite, soldier, free soul, and yet, victim of the world, he eludes definition and remains a mystery to those who know him. Just who is he? And what does he hope to achieve? Evolving from first person to third person, and then into a diary, A Hero of Our Time takes on a variety of forms to interrogate Pechorin's cryptic character and his unusual philosophy, providing breathtaking descriptions of the Caucasus along the way.

Investigating a crime seemingly unconnected to the Royal Family, Holmes & Watson uncover a conspiracy to kidnap Queen Victoria and destabilise the British Empire. With a ticking clock to her next public engagement, Holmes and Watson must discover who is behind the plot and locate her majesty, while Mycroft tries to keep the monarch’s disappearance a secret from the British people. At first, Holmes believes Moriarty is responsible for the abduction, but when the Napoleon of Crime is proved innocent, Holmes must work with his arch-nemesis to rescue the Queen.

Magdalen and Norah Vanstone have known only comfort and affluence for their entire lives. Orphaned suddenly following the unexpected deaths of their parents, the illegitimate sisters find themselves flung into the other extreme of living: their father had neglected to amend his will following their parents' recent marriage, leaving them with nothing, and their bitter, estranged uncle, the legal inheritor of the family fortune, mercilessly refuses them support. 

Wilkie Collins' follow-up to The Woman in White and No Name is an innovative take on mistaken identity, the nature of evil, and the dark underbelly of Victorian England. The story concerns two distant cousins, both named Allan Armadale, and the impact of a family tragedy, which makes one of them a target of the murderous Lydia Gwilt, a vicious and malevolent charmer determined to get her hands on the Armadale fortune. Will the real Allan Armadale be revealed, and will he survive the plot against his life? 

Upon returning to the city of Khelathra-Ven after five years fighting a war in another universe, Captain John Wyndham finds himself looking for somewhere to live, and expediency forces him to take lodgings at 221b Martyrs Walk. His new housemate is Miss Shaharazad Haas, a consulting sorceress of mercurial temperament and dark reputation.

In search of a legendary mare, Lord Winter enters the crucible of the red sands, forging unbreakable bonds of loyalty and trust with his young companion in the desert. But hidden beneath the ragged costume of a Bedouin boy is a remarkable young woman: Zenia Stanhope, daughter of the extraordinary Queen of the Desert. Zenia wants nothing of the danger that Lord Winter lives for. She wants only to reach England, far from the blood and sand of the desert.

Pursued by her enemies, flattered and courted for her lands, a powerful, devious princess is desperate to reach refuge. Haunted by the shadow of the young assassin set upon her, Princess Melanthe knows that an ice cold countenance is her only protection. To succumb to love is the greatest danger of all. She can trust only one man amid the lies, the mysterious Green Knight - a true knight who never wavers once he gives his heart; a man who cannot comprehend deceit.

Underneath the patina of civilized society lies the Sadean demimonde: a bundle of lustful appetites fueled by momentary impulse and a desire for unfettered indulgence. And the target of this savagery: Justine de Bertole, a pious and virginal heroine. Grotesque, inhumane, and compelling, Sade’s novel overturns Rousseau’s views of the social contract, and the common trope that punishment only visits sinners, to deliver a passionate treatise on good and evil, virtue and sin.