Showing results by narrator "Juliet Stevenson" in All Categories

Winner of such prestigious honors as the Booker Prize and Whitbread Award, Ian McEwan is justifiably regarded as a modern master. Set in 1972, Sweet Tooth follows Cambridge student Serena Frome, whose intelligence and beauty land her a job with England's intelligence agency, MI5. In an attempt to monitor writers' politics, MI5 tasks Serena with infiltrating the literary circle of author Tom Healy. But soon matters of trust and identity subvert the operation.

It is a June day in London in 1923, and the lovely Clarissa Dalloway is having a party. Whom will she see? Her friend Peter, back from India, who has never really stopped loving her? What about Sally, with whom Clarissa had her life’s happiest moment? Meanwhile, the shell-shocked Septimus Smith is struggling with his life on the same London day.

Mrs. Harris is a salt-of-the-earth London charlady who cheerfully cleans the houses of the rich. One day, when tidying Lady Dant's wardrobe, she comes across the most beautiful thing she has ever seen in her life—a Dior dress. In all the years of her drab and humble existence, she's never seen anything as magical as the dress before her and she's never wanted anything as much before. Determined to make her dream come true, Mrs. Harris scrimps, saves, and slaves away until one day, after three long, uncomplaining years, she finally has enough money to go to Paris.

Serena Frome, the beautiful daughter of an Anglican bishop, has a brief affair with an older man during her final year at Cambridge, and finds herself being groomed for the intelligence services. The year is 1972. Britain, confronting economic disaster, is being torn apart by industrial unrest and terrorism and faces its fifth state of emergency.

Meeting by chance at a gambling hall in Europe, the separate lives of Daniel Deronda and Gwendolen Harleth are immediately intertwined. Daniel, an Englishman of uncertain parentage, becomes Gwendolyn's redeemer as she finds herself drawn to his spiritual and altruistic nature after a loveless marriage. But Daniel's path was already set when he rescued a young Jewess from suicide.

Jacob’s Room is Virginia Woolf’s own modernist manifesto. Jacob Flanders is a mere point of contact between a crowd of people, appearing and disappearing in a tableau in which all is flux, without certainty and without a controlling viewpoint. But it seems that the author could not maintain this rigorous impersonality, and the radical technique breaks down, so that we finally see Jacob as a person, just as his world is blown apart.

Following a violent and messy divorce, young Maisie Farange floats back and forth between her parents, Beale and Ida, who use her as a weapon to torment each other in their ongoing, internecine war. Eventually the parents both remarry, and it becomes clear that the new spouses care more for Maisie than her own parents. Beale and Ida soon embark on a series of extramarital affairs, leaving Maisie in the care of the new step-parents, who begin their own affair with each other.

Yvonne Carmichael, renowned geneticist, public authority, happily married mother of two, sits in the accused box. The charge is murder. Across the courtroom, not meeting her eye, sits her alleged accomplice. He wears the beautiful pin-striped suit he wore on their first meeting in the Houses of Parliament, when he put his hand on her elbow, guided her to a deserted and ancient chapel, and began to undress her.

In a fantastic world that is and is not 17th-century England, a baby is found floating in the Thames. The child, Jordan, is rescued by Dog Woman and grows up to travel the world like Gulliver, though he finds that the world’s most curious oddities come from his own mind. Winterson leads the listener from discussions on the nature of time to Jordan’s fascination with journeys concealed within other journeys, all with a dizzying speed that shoots the listener from epiphany to shimmering epiphany.

The Nine follows the true story of the author’s great aunt Hélène Podliasky, who led a band of nine female resistance fighters as they escaped a German forced labor camp and made a 10-day journey across the front lines of World War II from Germany back to Paris. Drawing on incredible research, this powerful, heart-stopping narrative is a moving tribute to the power of humanity and friendship in the darkest of times.

In this exuberant collection, acclaimed historian Simon Sebag Montefiore takes us on a journey from ancient times to the 21st century. Some speeches are heroic and inspiring; some diabolical and atrocious. Some are exquisite and poignant; others cruel and chilling. The speakers themselves vary from empresses and conquerors to rock stars, novelists and sportsmen, dreamers and killers, from Churchill and Elizabeth I to Stalin and Genghis Khan, and from Michelle Obama and Cleopatra to Ronald Reagan, Nehru, and Muhammad Ali.

Four books...one groundbreaking author. This collection includes Mrs Dalloway (1925), To the Lighthouse (1927), A Room of One’s Own (1929), and The Waves (1931).

Written before she began her experiments in the writing of fiction, Virginia Woolf's second novel, Night and Day, is a story about a group of young people trying to discover what it means to fall in love. It asks all the big questions: What does it mean to fall in love? Does marriage grant happiness? What is happiness? Night and Day is a conventional novel; however, it maps out for us the world of Virginia Woolf in its wondrous prose: For her it was the beginning, leading on to a prolonged engagement with her search for the means to express the "inner life".

Young, wealthy Arabella is obsessed with French romances: brought up by a reclusive widowed father in an isolated castle, she has educated herself through their pages, and been led to believe that their dramas and absurdities are reality. She blindly adheres to their example and interprets her everyday life through their lens, thinking that life consists of uncontrollable passions and murderous violence, and that any man would die for her. Thus she embarks on a series of hilarious misadventures, insistent on the reality of her imaginary world, like Don Quixote before her.

When a fortuneteller’s tent appears in the market square of the city of Baltese, orphan Peter Augustus Duchene knows the questions that he needs to ask: Does his sister still live? And if so, how can he find her? The fortuneteller’s mysterious answer (An elephant! An elephant will lead him there!) sets off a chain of events so remarkable, so impossible, that Peter can hardly dare to believe it. But it is - all of it - true.

The remarkable double life of an American-turned-British spy, Virginia Hall, a 'bolshie' woman from Maryland who, determined to overcome a physical disability that threatened to define her life, successfully infiltrated Vichy France for England's SOE before America's entry into WWII and then, three years later, for the SOS, providing crucial intelligence and logistics for the mounting French Resistance and, later, Allied troops.

A body always tells a story - but this child’s was a blank page. Rita reached for the lantern. She trained its light on the child’s face. "Who are you?" she murmured, but the face said as little as the rest of her. It was impossible to tell whether, in life, these blunt and unfinished features had borne the imprint of prettiness, timid watchfulness, or sly mischief. If there had once been curiosity or placidity or impatience here, life had not had time to etch it into permanence. Only a very short time ago, the body and soul of this little girl had still been securely attached.

Things I Don't Want to Know is the first in Deborah Levy's essential three-part 'Living Autobiography' on writing and womanhood. Taking George Orwell's famous essay 'Why I Write' as a jumping-off point, Deborah Levy offers her own indispensable reflections of the writing life.

George Bernard Shaw - or Bernard Shaw, as he preferred to be known - was one of Ireland's foremost dramatists and thinkers. His plays range from contemporary satires to historical allegories, and are infused with ideas, insight, wit and wisdom. Included here are some of his best works, adapted for radio and brought together in reverse chronological order in one statement collection.

Man and Superman was the first drama to be broadcast on the BBC's Third Programme on October 1, 1946. To celebrate Radio 3's 50th anniversary, the play was directed by Sir Peter Hall, and preserved for all time in this lush audio dramatization. 'A comedy and a philosophy', Man and Superman is based on the Don Juan theme, and using all the elements from Mozart's Don Giovanni, Shaw reordered them so that Don Juan becomes the quarry instead of the huntsman.