Sweet Tooth

De: Ian McEwan

Narrado por: Juliet Stevenson

Serena Frome, the beautiful daughter of an Anglican bishop, has a brief affair with an older man during her final year at Cambridge and finds herself being groomed for the intelligence services. The year is 1972. Britain, confronting economic disaster, is being torn apart by industrial unrest and terrorism and faces its fifth state of emergency. The Cold War has entered a moribund phase, but the fight goes on, especially in the cultural sphere.

Serena, a compulsive reader of novels, is sent on a ‘secret mission’ that brings her into the literary world of Tom Haley, a promising young writer. First she loves his stories; then she begins to love the man. Can she maintain the fiction of her undercover life? And who is inventing whom? To answer these questions, Serena must abandon the first rule of espionage – trust no one.

McEwan’s mastery dazzles us in this superbly deft and witty story of betrayal and intrigue, love, and the invented self.

©2012 Ian McEwan (P)2012 Random House Audiobooks

Reseñas de la Crítica

"Ian McEwan’s SWEET TOOTH is a joy, beautifully written, moving between love and betrayal, reality and shadows with a wonderful ease, breathing vivid life into the characters." ( Kati Nicholl, Express.co.uk)

What a twist! Thought provoking!

Would you listen to Sweet Tooth again? Why?

Yes, absolutely! Beautiful read and well-wriiten, it drove me into an almost trance-like hazy. The world so realistically sculptured by both Ian and Juliet, I began to feel like I came home to the story at the end of the day.

What was one of the most memorable moments of Sweet Tooth?

The ending was one of those, "oh my word, did I hear that right?" moments. Rarely do plots surprise me, this one did and for that I am grateful

Have you listened to any of Juliet Stevenson’s other performances before? How does this one compare?

Yes, she is one voice that neither intrudes on the story nor fails to instil the necessary emotion - she is the perfect balance

Any additional comments?

Fabulous book from a great author, exquisitely read!

MI5 romance

It starts off as an interesting promise of a story of literature and espionage, just as the blurbs advertise. Halfway through you realize it's neither; it's really a story of relationships (one in particular) and the power games that go into them. Which might be interesting in itself, if it weren't, well, not very interesting. A character who's not particularly bright falls for a character who's utterly unlikable. Then half the book is spent waiting for something terrible to happen, some major disgrace that is mentioned at the beginning. Then the book ends.
I, for one, though I liked other books by McEwan, found it difficult to be interested in these characters and felt cheated in many promises, of plot or depth, that they can't fulfill. I did find it easy to read through (listen to, in fact) to the end. But it should advertise as an intelligent soapy story incidentally set within MI5.

Superb and surprising

If you could sum up Sweet Tooth in three words, what would they be?

Clever, empathetic and intriguing

What other book might you compare Sweet Tooth to and why?

The Sense of an Ending by Julian Barnes- they are both brilliantly observed memoirs that utterly capture the essence of youth and early love affairs. Sweet Tooth is, however, vastly superior in my opinion with a more interesting story.

Which scene was your favorite?

The ending is superb.

If you could rename Sweet Tooth, what would you call it?

I couldn't/ wouldn't.

Any additional comments?

Great narration and delivery and a thoroughly enjoying listen. Just the right length, tense, taught and interesting.

Great characterisation extremely well read

The setup and the flow of introductions carried me to the most natural ending. Mcewan and Stevenson are a great pairing

Rivetting

A cracker of a listen; I am still thinking about the final chapter. I’m not sure how I developed the opinion that McEwan was inconsistent — probably listening to too many critics and not listening to enough of his work — but this is consistently good writing.

Very Disappointing

I am a fan of Ian McEwan's works, but you wouldn't know that from the title to this review. I loved Amsterdam and Atonement, of course. However, I regret to write that title is unfortunately accurate.
I have been resisting the steadily increasing number of my friends who also liked Atonement, but who are now complaining about the quality of recent works (Saturday and Solar, for example). To them, I have staunchly defended McEwan's wit, intelligence and style. Alas, I can't manage that defence for Sweet Tooth.
Having said that, this is not a "bad" book; it's just not up to McEwan standard. The language is still good and his trademark character introspection is still there. However, the story is just plain bland. I disagree with those reviews that thought the "twist" was surprising. McEwan tried to give it away in the second Chapter and, by mid way through the book when he extemporises the evil of an unscrupulous ending, it is plain that is not what was going to happen here. By Chapter 19 (of 22) the "twist" was so obvious I could barely be bothered to listen to the last two Chapters. For all that, I won't give the ending away, except to say that the publishers' blurb is all you need to know about the plot. Those who care to listen can judge for themselves.
As for the lovely Juliet Stevenson, she gives a wasted, but accomplished performance, as one would expect. The truth is that I was reluctant to pick up this book because of the last few from McEwan, but the narrator's credentials convinced me otherwise. She at least, was not a disappointment.
A fair review would give this 2.5 stars overall, but because I can't do that, I've rounded it up, for old times sake.

Sweet Tooth.- Just fantastic!

Really well written. The story is exciting, vivid, you could actually fell like being there watching and feeling all character's actions.

Beautifully written, perfect reading.

Where does Sweet Tooth rank among all the audiobooks you’ve listened to so far?

First audiobook have listened to; I will now read another

What did you like best about this story?

McEwan is such a clever writer and has a marvellous way with words. I found the book intriguing while I listened to it, and felt very satisfied when I had heard the conclusion. I also my eyes where opened to the way MI5 probably works.

Which character – as performed by Juliet Stevenson – was your favorite?

Juliet Stevenson takes the part of the narrator and matches her perfectly with just the right accent, age, and expression.

Was this a book you wanted to listen to all in one sitting?

No, I listened to it in my car as I travelled to and from work (a 30 minute trip each way), which was perfect. I did however find myself sitting in the car for a few minutes after I had reached my destination, eager to hear more.

Any additional comments?

This was my first audiobook and I am sold! I downloaded another the moment this one was finished.

The Sting in the Tale

Would you listen to Sweet Tooth again? Why?

Definitely. The story is very good as one listens along, and then, in the final chapter, the entire premise is upended and the reader has to try to regain their perspective on the characters and the events.A 2nd or 3rd listening, having the surprise ending known will make the experience entirely different and, in a new way, just as remarkable.

What other book might you compare Sweet Tooth to and why?

Immediately prior to listening to Sweet Tooth, I listened to John Le Carre's 'A Perfect Spy'. This is another spy story involving MI5 and its machinations. It also sets the individual into the complexity of a highly regulated secret organisation. And it also has a sting in the tail....But from there the stories diverge. It is the way each one explores similar things and comes up with a variety of scenarios that give the reader an opportunity to think about their own secret lives.

Which character – as performed by Juliet Stevenson – was your favorite?

The narrator, as performed by JS, is the star of the book. But who is the narrator? Well. that is the Sting in the Tale.....

If you were to make a film of this book, what would be the tag line be?

Smoke and Mirrors

Any additional comments?

Once again JS excels in her reading of the book. She is a joy to listen to and characters come to vivid life with her deft touch.Ian McEwan is one of the finest writers in English. Every one of his books is different, yet the astute reader can sense the connections between them. His characters live and his descriptions bring the scene to the reader so well.

By the way - I have used both spellings of tale/tail quite deliberately.

Fabulous

Would you recommend this audiobook to a friend? If so, why?

Yes. Great story with fantastic characters and plot.

What did you like best about this story?

From start to finish it was enthralling

What about Juliet Stevenson’s performance did you like?

Everything...so incredibly well read

Any additional comments?

One of the best stories for 2012!