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Publisher's Summary

“We come in peace” is what we told the anoza when human explorers first encountered them, but you would have to ask the anoza how that worked for them. They would tell you fast and quick that humans were cast into the outer darkness because of the evil in our hearts.

It didn't take them long to figure that out when we left the blood of four innocents on their hands. In fact, we convinced them of it by trying to hide the evil that was done.

Union Fleet flew an unmarked ship into space docks after the Corporate War, intending to secretly scrap it out, intending to get rid of the evidence. A time-space distorted Tesseract had killed its crew of humans, or so they thought. Or, was that just a rationalization to hide their shame?

By the end of the Corporate War, Dallas Blake had lost everything: his wife, his daughter, his whole family. He was a man in need of far more than just a new beginning. What Dallas needed was a resurrection. Dallas went to the Union Fleet space docks to buy a war-surplus scout-class ship. Instead, he unknowingly buys the Tesseract. It does not take Dallas long to find out that its crew of artificials seems way more human than they should be and every bit as much in need of a resurrection as Dallas.

But, Dallas Blake is outworlder to the nines and ready for whatever life throws at him, except maybe for Mariah. And, oh, by the way, did I mention that Mariah is techno?

Mariah is but one of the mysteries of the ship once called Tesseract, now named the Five Moons. But no one was cutting Dallas any breaks. The ship's alien technology and artificial life forms are the mysteries that he must solve as the action-packed rescue of Emma from more than just the mercenaries that kidnapped her leads Dallas and the crew of the Five Moons into danger.

At this point, however, I must warn you - Five Moons: Resurrection is not your father's science fiction. It is science fiction with the full flavor and robust action of a guns-blazing western.

©2016 William P. Parker (P)2018 Bill Parker

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