Theater Performance

Putting It Together chronicles the two-year odyssey of creating the iconic Broadway musical Sunday in the Park with George. Through conversations between Lapine and Sondheim, as well as most of the production team, and with a treasure trove of personal photographs, sketches, script notes, and sheet music, the two Broadway icons lift the curtain on their beloved musical. Putting It Together is a deeply personal remembrance of their collaboration and friendship and the highs and lows of that journey, one that resulted in the beloved Pulitzer Prize-winning classic.

Since it first opened on Broadway in September 1964, Fiddler on the Roof has constantly been onstage somewhere, including five Broadway revivals, four productions on London's West End, and thousands of schools, army bases, and countries from Argentina to Japan. Barbara Isenberg interviewed the men and women behind the original production, the film, and significant revivals.

When Mexican-born novelist Lucia lands her first TV writing job, she immediately feels out of place in the White, male-dominated writers' room. Before long, she’s drawn to the only other Latino around, a janitor named Abel, and the two begin an unlikely friendship—one that’s tested when Abel’s confidences start showing up in Lucia’s scripts.

After matching online, two strangers—played by Heléne Yorke (The Other Two) and Michael Zegen (The Marvelous Mrs. Maisel)—meet in real life. The vibe is off, and the conversation is a mess. Yet something is keeping them in their seats. What begins as a typical date off the apps spirals into something unexpected.

When it comes to a career in musical theatre, forget the myth of an “it factor”—your success is in your hands. The path to excellence requires daily determination and savvy strategy to help you stand out from the rest. Acclaimed master teachers Lindsay Mendez and Ryan Scott Oliver are here to show you the way.

Actors! Engage your mind and your body in order to develop your characters fully. The Lucid Body technique breaks up stagnant movement patterns and expands your emotional and physical range. Through energy analysis, this program shows how to use physical training to create characters from all walks of life - however cruel, desolate, or neurotic those characters may be.

Divided into four sections - Status, Spontaneity, Narrative Skills, and Masks and Trance - and arranged more or less in the order a group might approach them, the audiobook sets out the specific techniques and exercises which Johnstone has himself found most useful and most stimulating. The result is both an audiobook of ideas and a fascinating exploration of the nature of spontaneous creativity.

Listen as stage and screen performer Jason Gotay (Gossip Girl, Evita) brings his breathtaking vocals and gift of storytelling to a musical narrative about his journey to self-acceptance. With soulful interpretations of musical theater selections and pop favorites, the Bring It On: The Musical actor walks us through transformational moments of his past while paying homage to the fierce women who have inspired him.

"There is something at work in my soul which I do not understand." Pushing the limits of science and morality in his search for acceptance and purpose, Victor Frankenstein unleashes on the world a creation that he cannot control. To celebrate the 200th anniversary of Mary Shelley's Gothic novel, A. S. Peterson (The Battle of Franklin) adapts the tale for the stage and creates an experience that will leave you pondering your own sense of belonging long after the curtain has fallen. Produced with a multi-voice cast in a radio theater style.

Tennessee Williams: Mad Pilgrimage of the Flesh gives intimate access to the mind of one of the most brilliant dramatists of his century, whose plays reshaped the American theater and the nation's sense of itself. This astute, deeply researched biography sheds a light on Tennessee Williams's warring family, his guilt, his creative triumphs and failures, his sexuality and numerous affairs, his misreported death, even the shenanigans surrounding his estate.

How do master storytellers compel us? There have been many attempts to understand what makes a good story, but few have used a scientific approach. In The Science of Storytelling, Will Storr applies dazzling psychological research and cutting-edge neuroscience to our myths and archetypes to show how we can tell better stories, revealing, among other things, how storytellers - and also our brains - create worlds by being attuned to moments of unexpected change.

On stage and screen, we know a great performance when we see it. But how do actors draw from their bodies and minds to turn their selves into art? What is the craft of being an authentic fake? More than a century ago, amid tsarist Russia’s crushing repression, one of the most talented actors ever, Konstantin Stanislavski, asked these very questions, reached deep into himself and emerged with an answer.

In 1992, Count Phillippe Pozzo di Borgo, on the heels of his wife's diagnosis with a terminal illness, suffered a paragliding accident that left him a quadriplegic. Forty-two years old, trapped inside his luxurious Paris town house, he was an outcast for the first time in his life. Abdel, an unemployed Algerian immigrant who had been an outcast for his entire existence, would become Phillipe's unlikely caretaker. Quick-thinking, unsentimental, and more than a little wild, Abdel surprises both himself and his employer.

Since its original publication in 1973, Uta Hagen's Respect for Acting has remained a durable classic for all students of acting. As an acting instructor at the Herbert Berghof Studio, Hagen helped to develop the talents of world-class actors like Robert DeNiro, Matthew Broderick, Gene Wilder, Amanda Peet, Austin Pendleton, Whoopi Goldberg, and more. This updated edition illuminates Hagen's original text with a new foreword written by Katie Finneran, retaining the David Hyde Pierce foreword, along with added background on HB Studio.

This guide to play reading for students and practitioners of both theater and literature complements, rather than contradicts or repeats, traditional methods of literary analysis of scripts. Ball developed his method during his work as Literary Director at the Guthrie Theater, building his guide on the crafts playwrights of every period and style use. The audiobook is full of tools for students and practitioners to use as they investigate plot, character, theme, and the other crucial parts of the superstructure of a play.

Step right up and welcome to Behind the Curtain, an enthralling new eBook that delves deep into the world of theater and explores its profound impact on society throughout history. Journey through the fascinating annals of dramatic arts - from its earliest origins to the latest advancements and emerging trends today. This magnificent tome masterfully reveals the intricate tapestry of theater as it weaves powerful narratives, immortal characters, and timeless themes, shaping our culture and imagination with each passing act. Behind the Curtain will transport you into the alluring realm of ...

The Lux Radio Theatre was a one-of-a-kind OTR show. Imagine the greatest Hollywood stars doing one-hour versions of their biggest motion pictures, complete with full orchestra, live onstage with a studio audience. The one and only Cecil B. DeMille was your host ('36-'45) for a lavish production of what was to become a veritable film checklist of many of Hollywood's best films from the mid-'30s right through the mid-'50s. The first Lux film adaptation was The Legionnaire and the Lady with Marlene Dietrich and Clark Gable, based on the film Morocco.

Award-winning author Stephen Greenblatt is one of the most influential literary thinkers in the world. An acclaimed interpreter of Shakespeare's works, his ideas have changed the way countless people approach the classics. Now Greenblatt's uniquely brilliant voice delivers a magnificent biography of the Bard himself.

Mr. Caine gives you a once-in-a-lifetime chance to rob him blind! The man who's hypnotized the camera lenses for a quarter of a century reveals the most closely guarded secrets on script preparation, working with the director, forming a character, voice, sound, and movement.

From its debut in 1962, Edward Albee’s Who’s Afraid of Virginia Woolf? was a wild success and a cultural lightning rod. The play transpires over one long, boozy night, laying bare the lies, compromises, and scalding love that have sustained a middle-aged couple through decades of marriage. It scandalized critics but magnetized audiences. Across 644 sold-out Broadway performances, the drama demolished the wall between what could and couldn’t be said on the American stage and marked a definitive end to the I Love Lucy 1950s.