English Theater

As the Colony continues to develop and thrive, there's too much to do! Territory to seize, nests to build, Champions to train! Anthony will have his mandibles full trying to teach his new protege Brilliant while trying to keep a war from breaking out with the ka'armodo. However, when the Mother Tree comes looking for his help against a particular breed of monster, there is no way he can refuse. After all, no ant can resist a fight against their ancient nemesis... the Termite!

If given the chance to be a genius, few people would say no. Outstanding talent is a key component of great success, after all. What form this ‘great success’ takes is largely up to the individual, but it is often associated with money, fame, and power. Selfish pursuits, yes, but it is only natural to look out for number one first and foremost. This is true even of the altruistic. For instance, if some wonder-child figures out a foolproof way to achieve lasting world peace they would still need an immense amount of influence and resources to turn that idea into reality.

Since it first opened on Broadway in September 1964, Fiddler on the Roof has constantly been onstage somewhere, including five Broadway revivals, four productions on London's West End, and thousands of schools, army bases, and countries from Argentina to Japan. Barbara Isenberg interviewed the men and women behind the original production, the film, and significant revivals.

Betrayed and left for dead by a group of slaving nobles, he thought there was nothing left but to bleed out as he counted the number of bricks on the ceiling. But fate had other plans.

Eldritch Blackwood Jr. never quite fit the mold of a proper necromancer. Instead of raising armies of the dead, he specializes in bringing beloved pets back to life. But when Eld’s prestigious family forces him to enroll at Bathurst Academy of Post-Mortem Studies, his unlife takes an unexpected turn. Between dodging his father’s ever-growing expectations and navigating the bizarre social landscape of underworld academia, Eld stumbles upon something far more terrifying than final exams—a buried girl in the academy’s graveyard.

John Ratey, best-selling author and clinical professor of psychiatry at Harvard Medical School, lucidly explains the human brain's workings, and paves the way for a better understanding of how the brain affects who we are. Ratey provides insight into the basic structure and chemistry of the brain, and demonstrates how its systems shape our perceptions, emotions, and behavior. By giving us a greater understanding of how the brain responds to the guidance of its user, he provides us with knowledge that can enable us to improve our lives.

As author Ethan Mordden looks back at Chicago's various moving parts - including the original 1926 play that started it all, a sexy silent film directed by Cecil B. DeMille, a talkie remake with Ginger Rogers, the musical itself, and at last the movie of the musical - we learn how the American theater serves as a kind of alternative news medium, a town crier warning the public about the racy, devious interior contradictions of American society. Opinionated, witty, and rich in backstage anecdotes, All That Jazz brings the American musical to life in all its artistry and excitement.

After matching online, two strangers—played by Heléne Yorke (The Other Two) and Michael Zegen (The Marvelous Mrs. Maisel)—meet in real life. The vibe is off, and the conversation is a mess. Yet something is keeping them in their seats. What begins as a typical date off the apps spirals into something unexpected.

No one comes out of a movie talking about structure. What audiences love and remember about a movie are great scenes. Marlon Brando in the back seat in On the Waterfront giving his "I could'a been a contender" speech. Meg Ryan's fake orgasm in Katz's Deli in When Harry Met Sally with the climactic punch line: "I'll have what she's having." In Superbad, Jonah Hill professing "I love you" to his friend Michael Cera by touching his nose with a "boop".

Before he was producing the musical hits of our generation, Jeffrey was just a kid coming to terms with his adoption, trying to understand his sexuality, and determined to escape his dysfunctional household in a poor neighborhood just outside Detroit. We see him find his voice through musical theater and move to New York, where he is determined to shed his past and make a name for himself on Broadway. But moving to the big city is never easy—especially not at the height of the HIV/AIDS crisis—and Jeffrey learns to survive and thrive in the colorful and cutthroat world of commercial theatre.

Screen Drive-In Theater hired a young Donald Davis to work his high school summers there. Employment at the Sulpher Springs Big-Screen Drive-In Theater consisted of working the concession stand, catching "slip-ins", and patrolling the back row to learn about love and life. The theater survives Davis and his friends' summer hijinks until Labor Day.

Divided into four sections - Status, Spontaneity, Narrative Skills, and Masks and Trance - and arranged more or less in the order a group might approach them, the audiobook sets out the specific techniques and exercises which Johnstone has himself found most useful and most stimulating. The result is both an audiobook of ideas and a fascinating exploration of the nature of spontaneous creativity.

In the glorious chronicles of the US Marine Corps, no name is more revered than that of Lt. Gen. Lewis B. "Chesty" Puller. The only fighting man to receive the Navy Cross five separate times - a military honor second only to the Congressional Medal of Honor - he was the epitome of a professional warrior.

The Dickens script did not include the dead body on the stage. When a student at Cold Creek College is arrested for the crime, Professor Sheridan Hendley is cast in the role of amateur sleuth. Only the student is Marty’s nephew and the detective on the case is Brett. Tensions run high, friendships are strained, and the college administration is beginning to panic.

Mike Mangini: Precision as Philosophy is the definitive deep dive into one of progressive metal’s most exacting and innovative drummers. From dismantling gadgets in a Massachusetts garage to engineering world-record speed, Mangini has built a career on the fusion of mechanics, musicality, and relentless refinement. This biography delivers an inside look at his evolution—spanning early practice grids, Berklee College of Music training, Boston club adaptability, technical metal with Extreme, chart-by-chart execution with Steve Vai, and the precision demands of Dream Theater. Drawing on ...

It’s Drop Night, the one night every decade when the gods hand out cards to a lucky few. If you get a deck, you’re a deckbearer capable of wondrous feats within the Great Game system. You can control powerful monsters and summon mantles that let you fight alongside your beasts. Ethan Wolfe, top enforcer for the Grimm family mob, has already been overlooked on two previous Drop Nights. People of his ilk seldom receive cards, as the gods tend to favor people who follow their divine mandates, but that doesn’t mean Wolfe can’t hope.

The Ants go marching and it sure isn't one by one! The Dungeon of Pangera is a dangerous place and for Anthony, there's only way to go: down! The third stratum beckons, a place of fire, ash and the monsters classed as demons. So, so, many demons. Join our Antrepid Antventurer as he blazes a trail into the third layer of the Dungeon, facing new foes, new challenges and new developments within his own, rapidly expanding family!

Sorry... Really? Thrust? Anyway, Danny Kendrick was a down-on-his luck performer who always struggled to find his place. He certainly never wanted to be a hero. He just hoped to earn a living doing what he loved. That all changes when he pisses off the wrong guy and gets sucked into a fantasy realm straight out of a Renaissance Fair. Getting used to a new world is tough. It's even tougher when you're surrounded by axe-wielding barbarians, super hot elf assassins, strange magic, and a jaded System that doesn't appear interested in being charged with yet another companion.

Anthony has been reborn! Placed into the remarkable game-like world of Pangera. But something seems a little off... What's with these skills? Bite? Dig? Wait.... He's been reborn as a WHAT?! Follow Anthony as he attempts to adjust to his new life as an ant in his new Dungeon home. He'll have to learn how to survive, level-up, and grow both himself and his bite-sized colony into a force to be reckoned with.

Become a Better Theatre Teacher and Director with the BEST Must-Have Resources for Every High School Theatre Educator! Stop wasting time and money blindly purchasing resources hoping to find what you need! This book provides a list of the absolute must-have books and online resources with detailed information about what you will get and how you can use it to better your instruction and your theatrical practice. Inside you will find the only resources you ever need for… Drama Games for the Classroom with Educational Insights Purposeful Drama Games for Rehearsals Acting Theory & Practice ...