Showing results by publisher "Magpie Audio" in All Categories

The Prince, Machiavelli's 'little book', was written in 1513 and is dedicated to Lorenzo de' Medici. It remains a compelling and controversial treatise on politics, dispensing often cynical, sometimes brutal advice on gaining power and retaining it. Essential listening for our masters perhaps, but most certainly for those of us who would not be mastered. The text used here is the unabridged and classic translation by W. K. Marriott.

A recurrent dream you have goes on for years and years. Well, actually, it’s not a dream, it is, most assuredly a nightmare. Every night in sleep, you encounter the same people, you hold the same conversations, you witness the same disturbing sights and invariably you wake up in a muck sweat, screaming, believing yourself to be in the room in the tower. But it’s just a nightmare, nothing to it, nothing remotely tangible, until… This is the premise of E. F. Benson’s celebrated ghost story, ‘

Poems was published in 1920. The poems of that work are included here and are as follows: Strange Meeting; Greater Love; Apologia pro Poemate Meo; The Show; Mental Cases; Parable of the Old Man and the Young; Arms and the Boy;

While staying at a friend’s house in an apparently humdrum London suburb, the sceptical Hugh Grainger sees and then converses with an unsettling stranger from his bedroom window in the very dead of night. But what could be the meaning of this curious visitation? ‘Hold very tight, please!’ E. F. Benson is well known for his Mapp and Lucia novels but his ghost and supernatural stories are marvellous jewels, combining elegant writing and moments of blood-curdling horror. Here Greg Wagland narrates one of the best of them, for Magpie Audio.

The Strange Case of Dr. Jekyll and Mr. Hyde is a chilling novella written by Robert Louis Stevenson and published in 1886. The subject matter may be partly that of a shilling shocker but the whole is executed with great panache and a fine Gothic sensibility. Lawyer Gabriel Utterson leads us apace through the rain-swept streets of Victorian London in pursuit of the diminutive but thoroughly monstrous Mr. Hyde.

In the beautiful Villa Cascana on the Italian Riviera, all is not as it seems. Why does the hostess leave a perfectly charming bedroom unoccupied? Why does Arthur Inglis present our hero with a caterpillar in a cardboard pill-box one lunchtime? And rather more bizarrely, why do luminous, bloated and gigantic versions of this creature haunt his dreams? Or could it possibly be that he is wide awake?

Paradise Lost Book IX by John Milton is read by Greg Wagland for Magpie Audio. Satan having come past the Earth, with meditated guile returns as a mist by Night into Paradise, enters into the Serpent sleeping. Adam and Eve in the Morning go forth to their labours, which Eve proposes to divide in several places, each labouring apart: Adam consents not, alleging the danger, lest that Enemy, of whom they were forewarned, should attempt her found alone....

Selected Poems by Edward Thomas (1878-1917) is read by Greg Wagland for Magpie Audio. The selection is as follows: 'March", "Old ManTears", "But These Things Also", "Melancholy", "The Glory", "Words", "Aspens", "This is No Case of Petty Right or Wrong", "Rain", "No One So Much As You", "The Sun Used to Shine", "As the Team’s Head-Brass", "Gone, Gone Again", and "Lights Out The Lane".

M. R. James wrote, arguably, the finest supernatural tales in English literature, and this collection contains the best of them, including ‘Canon Alberic’s Scrapbook’, ‘Oh, Whistle, and I’ll Come To You, My Lad’, ‘Lost Hearts’, ‘Casting the Runes’, and ‘Count Magnus’. James was something of an actor and gifted storyteller and read his tales aloud to select gatherings on many a Christmas Eve. His intention, he said, was to implant in his listener the idea that, ‘if I am not careful, something of this kind might happen to me!’

Taking a winter holiday in a splendid resort in the Swiss Alps our hero finds himself billeted in a surprisingly large room, furnished with two beds. He checks with the man at the bureau, but there’s no mistake: it’s all his, a veritable snip at 12 francs a night! What a stroke of luck! And what could possibly connect this alpine idyll with Boston, Massachusetts? E. F. Benson is well known for his Mapp and Lucia novels but his ghost and supernatural stories are marvellous jewels, combining elegant writing and moments of blood-curdling horror.

This audiobook comprises two works: Joseph Conrad's Heart of Darkness and his autobiographical A Personal Record. The opening of Heart of Darkness finds Charles Marlow in fading light on the Thames Estuary, as he and his companions relax on deck, waiting for the turn of the tide.

The Man Who Went Too Far: A Ghost Story by E. F. Benson opens one summer’s day in a beautiful, sequestered garden on the edge of the New Forest. A forty-something artist visits a friend to recuperate from a debilitating illness but is staggered to discover him looking remarkably young and oddly vibrant. He listens as this ‘boy’ explains his new found philosophy, expands on the delight he takes in the natural world all around him and describes the strangely haunting music he has begun to hear in the woods and among the reeds.

The Horror Horn is set in the Swiss Alps and opens in the cosy lounge of a resort hotel, where a string ensemble strikes up with the sugary strains of Puccini. Our hero is further entertained to an unlikely yarn of savage sub-humans living near the Ungeheuerhorn, or Horror Horn, a forbidding mountain peak nearby. Next day, a skiing trip to St. Luigi in the next valley to lunch with a friend marks the start of an unexpectedly terrifying adventure. The Horror Horn is not a ghost story as such: the creatures in it are most definitely flesh and blood and they are hungry!

H. G. Wells' novel of 1895 popularised the idea of vehicular time travel in this classic sci-fi tale. The eponymous hero finds himself in the land of the Eloi and the Morlocks. In some ways these encounters foreshadow another, less remote future which George Orwell conjures in Nineteen Eighty-Four: that of the nascent rift between the proles and the Party elite.