Mostrando resultados por narrador "Moira Quirk" en Todas las categorías

It has been an eventful morning for Agnes Sharp and the other inhabitants of Sunset Hall, a house share for the old and unruly in the sleepy English countryside. Although they have had some issues (misplaced reading glasses, conflicting culinary tastes, decreasing mobility, and unruly grandsons), nothing prepares them for an unexpected visit from a police officer with some shocking news. A body has been discovered next door. Everyone puts on a long face for show, but they are secretly relieved the body in question is not the one they’re currently hiding in the shed (sorry, Lillith).

It's the week before Christmas when a lone robber bursts into a busy Glasgow post office carrying an AK-47. An elderly man suddenly hands his young grandson to a stranger and wordlessly helps the gunman fill bags with cash, then carries them to the door. He opens the door and bows his head; the robber fires off the AK-47, tearing the grandfather in two. DS Alex Morrow arrives on the scene and finds that the alarm system had been disabled before the robbery. Yet upon investigation, none of the employees can be linked to the gunman.

Sophie, a dressmaker and charm caster, has lifted her family out of poverty with a hard-won reputation for beautiful ball gowns and discreetly embroidered spells. A commission from the royal family could secure her future - and thrust her into a dangerous new world. Revolution is brewing. As Sophie's brother, Kristos, rises to prominence in the growing anti-monarchist movement, it is only a matter of time before their fortunes collide. When the unrest erupts into violence, she and Kristos are drawn into a deadly magical plot. Sophie is torn - between her family and her future.

Seventeen-year-old Aderyn ("Ryn") only cares about two things: her family and her family's graveyard. And right now, both are in dire straits. Since the death of their parents, Ryn and her siblings have been scraping together a meager existence as gravediggers in the remote village of Colbren, which sits at the foot of a harsh and deadly mountain range that was once home to the fae. The problem with being a gravedigger in Colbren, though, is that the dead don't always stay dead.

Edinburgh, 1844. Beautiful Aileana Kameron only looks the part of an aristocratic young lady. In fact, she's spent the year since her mother died developing her ability to sense the presence of Sithichean, a faery race bent on slaughtering humans. She has a secret mission: to destroy the faery who murdered her mother. But when she learns she's a Falconer, the last in a line of female warriors and the sole hope of preventing a powerful faery population from massacring all of humanity, her quest for revenge gets a whole lot more complicated.

Meet Caltro Basalt. He's a master locksmith, a selfish bastard, and as of his first night in Araxes, stone-cold dead. They call it the City of Countless Souls, the colossal jewel of the Arctian Empire, and all it takes to be its ruler is to own more ghosts than any other. For in Araxes, the dead do not rest in peace in the afterlife, but live on as slaves for the rich. While Caltro struggles to survive, those around him strive for the emperor's throne in Araxes' cutthroat game of power.

Wealthy Lady Georgina Maitland doesn't want a husband, though she could use a good steward to run her estates. One look at Harry Pye, and Georgina knows she's not just dealing with a servant, but a man. Harry has known many aristocrats - including one particular nobleman who is his sworn enemy. But Harry has never met a beautiful lady so independent, uninhibited, and eager to be in his arms.

When Stella North is chosen to represent Britain in Europe’s first air race for young people, she knows all too well how high the stakes are. As the only participating female pilot, it’ll be a constant challenge to prove she’s a worthy competitor. But promoting peace in Europe, the goal of the race, feels empty to Stella when civil war is raging in Spain and the Nazis are gaining power—and when, right from the start, someone resorts to cutthroat sabotage to get ahead of the competition.

Mare just wants to settle down with the girl she loves, which would be easier if Denna weren’t gifted with forbidden and volatile fire magic. Denna must learn to control her powers, which means traveling in secret to the kingdom of Zumorda, where she can seek training without fear of persecution. Determined to help, Mare has agreed to serve as an ambassador as a cover for their journey. But just as Mare and Denna arrive in Zumorda, an attack on a border town in Mynaria changes everything.

Samuel and Mary are thriving as privateers on the Winter Seas. As they navigate the complexities of their growing bond, in a world that would see Mary as chattel to be traded, the pair are forging a better way to live, under the sails of Hart. But when their latest prize brings tales of Benedict’s capture by Mereish forces, they must make an impossible choice: to serve their nation or save Samuel’s brother. Thrust into a mission of intrigue and infiltration, they seek to break into the most secure prison on the Mereish Coast.

Once upon a time, the kingdoms of Wales were rife with magic and conflict, and eighteen-year-old Mererid “Mer” is well-acquainted with both. She is the last living water diviner and has spent years running from the prince who bound her into his service. Under the prince’s orders, she located the wells of his enemies, and he poisoned them without her knowledge, causing hundreds of deaths. After discovering what he had done, Mer went to great lengths to disappear from his reach. Then Mer’s old handler returns with a proposition: use her powers to bring down the very prince that abused them both.

When the witch built the 40-flight tower, she made very sure to do the whole thing properly. Each flight contains a dreadful monster, ranging from a diamond-scaled dragon to a pack of slavering goblins. Should a prince battle his way to the top, he will be rewarded with a golden sword - and the lovely Princess Floralinda. But no prince has managed to conquer the first flight yet, let alone get to the 40th. In fact, the supply of fresh princes seems to have quite dried up.

Kembral Thorne has a few hours away from her newborn, and she’s determined to enjoy herself at the year-turning ball. But when guests start dropping dead, she can’t help sniffing out trouble—she’s a Hound, after all. Especially when her professional and personal nemesis, notorious burglar Rika Nonesuch, is also on the prowl. Everyone knows you shouldn’t get involved with Echo games. Let alone one involving ancient Echo lords who can turn layers of reality into a gameboard with human lives for pieces. But as the ballroom grows stranger and more otherworldly, it’s clearly too late.

Some fear the darkness. It’s the place where horror hides, concealing its rank, sharp teeth and insatiable hunger. But there is no darkness more feared than that of the mist that’s overtaken the kingdom … and its brave—and ultimately doomed—soldiers. Except for Kiara Frey. She has nothing to fear from the night. Not anymore. Driven by the fury of her splintered heart, Kiara knows that the answers—and the only possible way to a future with Jude Maddox—begin with the realm’s most notorious thief, the Fox.

When the death of Iron Queen Sarelin Brey fractures the realm of Elira, Lysande Prior, the palace scholar and the queen’s closest friend, is appointed Councillor. Publically, Lysande must choose the next monarch from amongst the city-rulers vying for the throne. Privately, she seeks to discover which ruler murdered the queen, suspecting the use of magic. Resourceful, analytical, and quiet, Lysande appears to embody the motto everything in its place. Yet while she hides her drug addiction from her new associates, she cannot hide her growing interest in power.

Eskara has lost everything. The War Eternal has cost her everything she loves, and the Iron Legion has taken the rest. Yet there is something that is still hers, something that kept her warm during her time in the Pit: anger and a lust for vengeance. First on the list of those who must pay: the Emperor of Terrelan. Her friends counsel peace, but her inner demons push for war. Will she find a way to reap her vengeance? Or will the enemies of her past catch up to her first? One thing is certain. The world will soon know fear when the Corpse Queen ascends her throne.

It's 1985, and at Oxford University, Pimm's, punting, and ball gowns are de rigeur. Ursula Flowerbutton, a studious country girl, arrives for her first term anticipating nothing more sinister than days spent poring over history books in gilded libraries - and, if she's lucky, an invitation to a ball. But when she discovers a glamorous classmate on a chaise longue with her throat cut, Ursula is catapulted into a murder investigation.

At just 15, Eskara Helsene fought in the greatest war mankind has ever known - and lost. There is only one place her enemies would send a Sourcerer as powerful as her: the Pit, a prison sunk so deep into the earth the sun is a distant memory. Now, she finds herself stripped of her magic; a young girl surrounded by thieves, murderers, and worse. In order to survive she will need to make new allies, play the inmates against each other, and find a way out. Her enemies will soon find out that Eskara is not so easily broken.

For generations, every Frankenstein has found their true love and equal, unlocking lifetimes of blissful wedded adventure. Clever, pretty (and odd) Angelika Frankenstein has run out of suitors and fears she may become the exception to this family rule. When assisting in her brother Victor’s ground-breaking experiment to bring a reassembled man back to life, she realizes that having an agreeable gentleman convalescing in the guest suite might be a chance to let a man get to know the real her. For the first time, Angelika embarks upon a project that is all her own.

Coming of age, the impact of class, and familial and romantic love are the prevalent motifs, along with the instinct toward escape and subsequent nostalgia for home. Some of the stories are linked, and some carry O'Brien's distinct sense of the comical. In "A Rose in the Heart of New York", the single-mindedness of love dramatically derails the relationship between a girl and her mother while in "Sister Imelda" and "The Creature", the strong ties between teacher and student and mother and son are ultimately broken.