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Spenser is waiting out the latest Boston snow storm when he gets word that Rita Fiore's been shot. Rita's always been a tricky one: nudging Spenser for years, she's an ever-present figure that transcends friendship in Spenser's circle. Like many of them, at the end of the day, Rita is family. And family will always be protected. Both a pit bull in the courtroom and provocateur outside it, though, Rita is no stranger to controversy. But as one of the city's toughest lawyers, Spenser knows that there's no short list of suspects who might want to enact revenge.

Spenser earned his degree in the school of hard knocks, so he is ready when a Boston university hires him to recover a rare, stolen manuscript. He is hardly surprised that his only clue is a radical student with four bullets in his chest. The cops are ready to throw the book at the pretty blond coed whose prints are all over the murder weapon but Spenser knows there are no easy answers. He tackles some very heavy homework and knows that if he doesn't finish his assignment soon, he could end up dead.

Burt Reynolds reads three of Robert B. Parker's finest Spenser novels: Chance, Hush Money, and Small Vices.

Andrew Crain has it all: a brilliant scientist and astute businessman, his groundbreaking work with lithium has made him one of the world’s richest men. He is universally adored and admired; that is, until Crain’s beautiful wife, Laura, comes to Spenser hoping that he can find out what skeletons lurk in her husband’s closet. Though Crain is a generous philanthropist and loving family man, she is concerned—he has recently become secretive, bordering on paranoid, and prone to violent outbursts.

Caught in a snowstorm of drugs, passion, and hate, Spenser investigates a cocaine-related murder.

In 1974, a revolutionary group calling itself the Dread Scott Brigade held up the old Shawmut Bank in Boston's Audubon Circle. Money was stolen. And a woman named Emily Gordon, a visitor in town cashing traveler's checks, was shot and killed. No one saw who shot her. Despite security camera photos and a letter from the group claiming responsibility, the perpetrators have remained at large for nearly three decades. Now it's up to Spenser to solve her murder.

Spenser is good at finding things. But this time he has a client out on Cape Cod who is in over his head. Harvey Shepard has lost his pretty wife - and a very pretty quarter million bucks in real estate. Now a loan shark is putting on the bite.

Lily Ellsworth, erect, firm, white-haired, and stylish, is the grand dame of Dowling, Massachusetts, and possesses an iron will and a bottomless purse. When she hires Spenser to investigate her grandson Jared Clark's alleged involvement in a school shooting, Spenser is led into an inquiry that grows more harrowing at every turn. Though seven people were killed in cold blood, and despite Jared's being named as a co-conspirator by the other shooter, Mrs. Ellsworth is convinced of her grandson's innocence.

Ellis Alves is no angel. But his lawyer says he was framed for the murder of college student Melissa Henderson...and asks Spenser for help.

Spenser knows something's amiss the moment Dennis Doherty walks into his office. The guy's aggressive yet wary, in the way men frightened for their marriages always are. So when Doherty asks Spenser to investigate his wife Jordan's abnormal behavior, Spenser agrees. A job's a job, after all.

Boston P.I. Spenser is back! He's traveled west to investigate a murder in Potshot, Arizona, a former mining town reborn as a hangout for Los Angeles millionaires. A motley band of thieves, lead by The Preacher, is wreaking havoc, and Spenser must find a way to beat the gang at their own dangerous game.

Hired by Loudon Tripp, an aggrieved Boston aristocrat who believes his late wife Olivia's brutal street slaying to be something other than random violence, Spencer immediately senses that his client's picture-perfect portrayal of his family life is false. For starters, the victim's reputation is too saintly, her house is as lived-in as a stage set, and her troubled children don't appear to be the product of a happy home.

Big-time Boston hoodlum Julius Ventura wants to find his only daughter's missing husband - at least that's how he puts it to Spenser and Hawk, even though its pretty clear that Julius isn't telling the whole truth. Or maybe not any part of the truth. Something about the case appeals to Spenser's passion for justice, and he launches an odyssey that takes the tough-but-tender duo with their penchant for literary allusions into the netherworld of organized crime.

Appie Knoll is the kind of suburb where kids grow up right. But something is wrong. Fourteen-year-old Kevin Bartlett disappears. Everyone thinks he's run away -- until the comic strip ransom note arrives. It doesn't take Spenser long to get the picture -- an affluent family seething with rage, a desperate boy making strange friends...friends like Vic Harroway, body builder. Mr. Muscle is Spenser's only lead and he isn't talking...except with his fists

Once upon a time, though not so long ago, there was a girl named April Kyle, a beautiful teenage runaway who turned to prostitution to escape her terrible family life. Now, April Kyle's return in Hundred-Dollar Baby is nothing short of shocking.

When 14-year-old Mattie Sullivan asks Spenser to look into her mother’s murder, he’s not completely convinced by her claim that the police investigation four years ago was botched. Mattie is gruff, street-smart, and wise beyond her years, left to care for her younger siblings and an alcoholic grandmother in a dilapidated apartment in South Boston. But her need for closure and her determination to make things right hit Spenser where he lives - they’re the very characteristics he abides by.

The most dangerous man to cross is one who isn't afraid to die. But the most deadly is one who doesn't want to live. And Spenser has just lost the woman who made life his number-one priority. So when a religious sect kidnaps a pretty young dancer, no death threat can make Spenser cut and run. Now a hit man's bullet is wearing Spenser's name. But Boston's big boys don't know Spenser's ready and willing to meet death more than halfway.

Spenser's girlfriend Susan goes away with another man, Jerry Costigan, the son of a very rich and dangerous criminal. Spenser and his friend, Hawk, go to find Susan. Soon they are in the world of the CIA, guns and murder.

Spenser's out to make war, not love, as he goes after Boston's entire X-rated industry. Pretty teenager April Kyle has disappeared into the city's darkest underworld, and to rescue her, Spencer pits muscle and wit against bullets and bullies.

When Robin Nevins, the son of Hawk's boyhood mentor, is denied at an exclusive university, Hawk asks Spenser to investigate. It seems the denial is tied to the suicide of a young gay activist, and as Spenser digs deeper, he is nearly drowned in a multicultural swamp of politics: black, gay, academic, and feminist. At the same time, Spenser's inamorata, Susan, asks him to come to the aid of an old college friend, K.C. Roth, the victim of a stalker. Spenser solves the problem a bit too effectively when K.C. turns the tables and begins to stalk him.