Showing results by narrator "Brian Nishii" in All Categories

Half-Korean, half-Japanese, Masaji Ishikawa has spent his whole life feeling like a man without a country. This feeling only deepened when his family moved from Japan to North Korea when Ishikawa was just thirteen years old, and unwittingly became members of the lowest social caste. His father, himself a Korean national, was lured to the new Communist country by promises of abundant work, education for his children, and a higher station in society. But the reality of their new life was far from utopian.

It’s been a year since Yuki Hirano left home - or more precisely, was booted from it—to study forestry in the remote mountain village of Kamusari. Being a woodsman is not the future he imagined, but his name means “courage,” and Yuki hopes to live up to it. He’s adapting to his job and learning constantly. In between, he records local legends—tales pulsing with life, passion, and wondrous gods. Kamusari has other charms as well. One of them is Nao.

Archaeologist Nicole Berman is the first woman to be awarded a permit to lead a dig in Saudi Arabia. Nicole believes what she hopes to discover has the power to to rewrite world history. She assembles a team that will ultimately surprise—and in some cases—betray her. In a parallel storyline, listeners are launched back to ancient Ur where young Abram is sent to learn from his forebears, who tell him firsthand stories of being on the ark during the Great Flood.

Newly minted an Elder of the Verdant Green Waters sect, sword prodigy Elder Cheng Zhao Wan—the Sundering Blade—is forced to leave the sect to fulfill an old obligation. A benefactor from the past is injured and has demanded Elder Cheng locate his assailant. Forced to listen to the ramblings of a dying old man, amidst a small and unfamiliar sect, who Elder Cheng can trust is unknown. Was the injury nothing more than happenstance, or is something more dire afoot?

From Haifa, Israel, to Cape Town, South Africa, Chinese entrepreneurs and restaurateurs have brought delicious Chinese food across the globe. Unraveling a complex history of cultural migration and world politics, Cheuk Kwan describes a fascinating story of culture and place, ultimately revealing how an excellent meal always tells an even better story.

His Holiness the Dalai Lama provides intimate details on an advanced meditation practice called Dzogchen using a visionary poem by the 19th-century saint Patrul Rinpoche, author of the Buddhist classic Words of My Perfect Teacher. The Dalai Lama deftly connects how training the mind in compassion for other beings is directly related to - and in fact a prerequisite for - the very pinnacle of Buddhist meditation.

The study of budo, or the Japanese martial arts for self-cultivation, is a lifelong path toward perfection of character. Here, Dave Lowry, a sword master who has practiced and taught budo for over 40 years, addresses the myriad issues, vagaries, and inconsistencies that arise for students of karate-do, judo, kendo, kenjutsu, aikido, and iaido as their training develops.

Shunryu Suzuki’s extraordinary gift for presenting traditional Zen teachings using ordinary language is well known to the countless readers of Zen Mind, Beginner’s Mind. In Zen Is Right Here, his teachings are brought to life through stories told by his students. These living encounters with Zen are poignant, direct, humorous, paradoxical, and enlightening - and their setting in real-life contexts makes them wonderfully accessible.

Murasaki Shikibu, born into the middle ranks of the aristocracy during the Heian period (794-1185 CE), wrote The Tale of Genji, widely considered the world's first novel, during the early years of the 11th century. Expansive, compelling, and sophisticated in its representation of ethical concerns and aesthetic ideals, Murasaki's tale came to occupy a central place in Japan's remarkable history of artistic achievement and is now recognized as a masterpiece of world literature.

This collection of 15 traditional Japanese folktales transports listeners to a time of adventure and enchantment. Drawn from the works of folklorists Lafcadio Hearn and Yei Theodora Ozaki, these tales are by turns terrifying, exhilarating, and poetic.

Lacking health insurance when he was diagnosed with cancer, Shawn Speakman asked friends in the science fiction and fantasy writing community to donate short stories he could use to counter mounting medical debt. The result was Unfettered, an anthology offering tales from some of the best authors working today. Now, in Unfettered III, Speakman continues to pay forward the aid he received, raising money to combat medical debt for SF&F artists and authors.

A VIEW FROM THE STARS features a range of short works from the past three decades of New York Times bestselling author Cixin Liu's prolific career, putting his nonfiction essays and short stories side-by-side for the first time. This collection includes essays and interviews that shed light on Liu's experiences as a reader, writer, and lover of science fiction throughout his life, as well as short fiction that gives glimpses into the evolution of his imaginative voice over the years.

Trevor Corson takes us behind the scenes at America's first sushi-chef training academy, as eager novices strive to master the elusive art of cooking without cooking. He delves into the biology and natural history of the edible creatures of the sea, and tells the fascinating story of an Indo-Chinese meal reinvented in 19th-century Tokyo as a cheap fast food.

Just yesterday, Ian Raven was a champion in Vale Tudo. His fighting spirit and the desire to win led him to the top of the fighting Olympus. Having met death in battle, Ian made a deal with a mysterious entity wearing the mask of a demon and found himself in a new body and a new world. A world that lives by old traditions. A world in which the law is the will of ruthless clans. A world with disturbed balance. A world hurtling toward the abyss.

From the moment university student Nishikawa spots the gun next to the dead man he's stumbled across on a nighttime walk, the world around him blurs. The gun - loaded with four bullets - brings an intoxicating sense of excitement to his life. But soon merely possessing the gun is not enough. He must shoot it.

There are two types of anger. One type arises out of compassion and is useful and must be encouraged. The other type arises out of jealousy and envy and results in hatred, ill will, and harm. Here, you will learn the Buddhist path to compassionate anger - a motivating force that can transform the negative into the positive and change the world.

When Toru Narazaki's girlfriend, Ryoko, disappears, he tries to track her down, despite the warnings of a private detective he's hired to find her. Ryoko's past is shrouded in mystery, but the one concrete clue leads him to a compound in the heart of Tokyo, with a group that seems to be a cult led by a charismatic guru. Narazaki plunges into the secretive world of the cult, ready to expose himself to any of the guru's brainwashing tactics if it means he can learn the truth about Ryoko. But the cult isn't what he expected, and he has no idea of the bubbling violence beneath its surface.

Who are we? Where did we come from? Where are we going? How do we get there? Many have asked these questions, and many have attempted to answer them. But there is another question Good Life, Good Death asks us to contemplate: How does the idea of life after death affect how we live our lives? Gelek Rimpoche tells stories of the mystical Tibet he lived in, as well as the contemporary America he became a citizen of, and shares the wisdom of the great masters. He asks us to open our minds and see if we can entertain a bigger picture of life after life, even for a moment.

I discover a "lost" aunt, separated from our family due to racism and discrimination against the disabled. She had a mental disability due to childhood meningitis. She was taken away in 1942 when all Japanese Americans were considered the enemy and imprisoned. She then became a "ward" of the state. We believed she had died but 70 years later found her alive and living a few miles from our family farm. How did she survive? Why was she kept hidden? How did both shame and resilience empower my family to forge forward in a land that did not want them?

Wang Er, a twenty-one-year-old ox herder, is shamed by the local authorities and forced to write a confession of his crimes, but he instead takes it upon himself to write a modernist literary tract. Later, as a lecturer at a chaotic, newly built university, Wang Er navigates the bureaucratic maze of 1980’s China, boldly writing about the Cultural Revolution’s impact on his life and those around him. Finally, alone and humbled, Wang Er must come to terms with the banality of his own existence.