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We are behind, and below, the scenes of JFK's presidential election, the Bay of Pigs, the assassination - in the underworld that connects Miami, Los Angeles, Chicago, DC....
On January 15, 1947, the tortured body of a beautiful young woman was found in a vacant lot in Hollywood. Elizabeth Short, the Black Dahlia, a young Hollywood hopeful, had been brutally murdered. Her murder sparked one of the greatest manhunts in California history.
All Denny Malone wants is to be a good cop. He is the "King of Manhattan North", a highly decorated NYPD detective sergeant and the real leader of "Da Force". Malone and his crew are the smartest, the toughest, the quickest, the bravest, and the baddest - an elite special unit given carte blanche to fight gangs, drugs, and guns. Every day and every night for the 18 years he's spent on the job, Malone has served on the front lines, witnessing the hurt, the dead, the victims, the perps.
When Admiral William Halsey selected Destroyer Squadron 21 to lead his victorious ships into Tokyo Bay to accept the Japanese surrender, it was the most battle-hardened US naval squadron of the war. But it was not the squadron of ships that had accumulated such an inspiring résumé; it was the people serving aboard them. Through diaries, personal interviews with survivors, and letters written to and by the crews during the war, preeminent historian of the Pacific theater John Wukovits brings to life the human story of the squadron and its men.
The Given Day explores the crippling violence and irrepressible exuberance of a country at war with, and in the thrall of, itself. As Danny, Luther, and those around them struggle to define themselves in increasingly turbulent times, they gradually find family in one another and, together, ride a rising storm of hardship, deprivation, and hope that will change all their lives.
Los Angeles PI Philip Marlowe is working for the Sternwood family. Old man Sternwood, crippled and wheelchair-bound, is being given the squeeze by a blackmailer and he wants Marlowe to make the problem go away. But with Sternwood's two wild, devil-may-care daughters prowling LA's seedy backstreets, Marlowe's got his work cut out - and that's before he stumbles over the first corpse.
We are behind, and below, the scenes of JFK's presidential election, the Bay of Pigs, the assassination - in the underworld that connects Miami, Los Angeles, Chicago, DC....
On January 15, 1947, the tortured body of a beautiful young woman was found in a vacant lot in Hollywood. Elizabeth Short, the Black Dahlia, a young Hollywood hopeful, had been brutally murdered. Her murder sparked one of the greatest manhunts in California history.
All Denny Malone wants is to be a good cop. He is the "King of Manhattan North", a highly decorated NYPD detective sergeant and the real leader of "Da Force". Malone and his crew are the smartest, the toughest, the quickest, the bravest, and the baddest - an elite special unit given carte blanche to fight gangs, drugs, and guns. Every day and every night for the 18 years he's spent on the job, Malone has served on the front lines, witnessing the hurt, the dead, the victims, the perps.
When Admiral William Halsey selected Destroyer Squadron 21 to lead his victorious ships into Tokyo Bay to accept the Japanese surrender, it was the most battle-hardened US naval squadron of the war. But it was not the squadron of ships that had accumulated such an inspiring résumé; it was the people serving aboard them. Through diaries, personal interviews with survivors, and letters written to and by the crews during the war, preeminent historian of the Pacific theater John Wukovits brings to life the human story of the squadron and its men.
The Given Day explores the crippling violence and irrepressible exuberance of a country at war with, and in the thrall of, itself. As Danny, Luther, and those around them struggle to define themselves in increasingly turbulent times, they gradually find family in one another and, together, ride a rising storm of hardship, deprivation, and hope that will change all their lives.
Los Angeles PI Philip Marlowe is working for the Sternwood family. Old man Sternwood, crippled and wheelchair-bound, is being given the squeeze by a blackmailer and he wants Marlowe to make the problem go away. But with Sternwood's two wild, devil-may-care daughters prowling LA's seedy backstreets, Marlowe's got his work cut out - and that's before he stumbles over the first corpse.
Nobody plays accordion like Dick Contino. His skilled fingers can find beauty in even the schmaltziest Borscht Belt favorites, and with his matinee-idol looks he could be a real star. Right now, though, he’s slumming it as the headliner in a Grade Z teenybopper picture called Daddy-O. He’s too good for this movie, and finishing it is going to take him to a very dark place. Daddy-O and Dick Contino are both real, their stories dredged out of the past by James Ellroy, a master of historical crime fiction. In Dick Contino's Blues he takes us to B-List Hollywood in 1957 - a time when movies were cheerful and dirty secrets lurked just off camera.
Jeffrey Lockhart's father, Ross, is a billionaire in his 60s with a younger wife, Artis Martineau, whose health is failing. Ross is the primary investor in a remote and secret compound where death is exquisitely controlled and bodies are preserved until a future time when biomedical advances and new technologies can return them to lives of transcendent promise. Jeff joins Ross and Artis at the compound to say "an uncertain farewell" to her as she surrenders her body.
Responding to pressure from on high, the Atlanta Police Department is forced to hire its first black officers. It's a victory of sorts, though the newly minted policemen are met with deep hostility by their white peers, and their authority is limited: They can't arrest a suspect unless a white officer is present; they can't drive squad cars; they can't even enter the station through the front door.
"I believe there is another man inside every man, a stranger...." writes Wilfred Leland James in the early pages of the riveting confession that makes up "1922", the first in this pitch-black quartet of mesmerizing tales from Stephen King. For James, that stranger is awakened when his wife, Arlette, proposes selling off the family homestead and moving to Omaha, setting in motion a gruesome train of murder and madness.
Herman Wouk's sweeping epic of World War II stands as the crowning achievement of one of America's most celebrated storytellers. Like no other books about the war, Wouk's spellbinding narrative captures the tide of global events - and all the drama, romance, heroism, and tragedy of World War II - as it immerses us in the lives of a single American family drawn into the very center of the war's maelstrom.
This is the story of William "Skip" Sands, CIA, engaged in Psychological Operations against the Vietcong, and the disasters that befall him. This is also the story of the Houston brothers, Bill and James, young men who drift out of the Arizona desert and into a war in which the line between disinformation and delusion has blurred away. In its vision of human folly, this is a story like nothing in our literature.
In this powerful, eerily convincing fictional speculation on the assassination of John F. Kennedy, Don DeLillo chronicles Lee Harvey Oswald's odyssey from troubled teenager to a man of precarious stability who imagines himself an agent of history. When "history" presents itself in the form of two disgruntled CIA operatives who decide that an unsuccessful attempt on the life of the president will galvanize the nation against communism, the scales are irrevocably tipped.
For LAPD homicide cop Harry Bosch - hero, maverick, nighthawk - the body in the drainpipe at Mulholland Dam is more than another anonymous statistic. This one is personal. The dead man, Billy Meadows, was a fellow Vietnam "tunnel rat" who fought side by side with him in a nightmare underground war that brought them to the depths of hell.
With dramatic flair, Jeff Guinn delivers the definitive portrait of Bonnie and Clyde. These media-savvy outlaws appealed to America's Depression-era hunger for swashbuckling characters. Glowing radio and newspaper reports transformed these "public enemies" into celebrities - much like the cinema gangsters of the time.
Fred Underhill is a young cop on the rise in Los Angeles in the early 1950s - a town blinded to its own grime by Hollywood glitter; a society nourished by newspaper lies that wants its heroes all-American and squeaky clean. A chance to lead on a possible serial killing is all it takes to fuel Underhill's reckless ambition - and it propels him into a dangerous alliance with certain mad and unstable elements of the law enforcement hierarchy. When the case implodes with disastrous consequences, it is Fred Underhill who takes the fall. His life is in ruins, his promising future suddenly a dream of the past.
It's 1939, in New York City. Joe Kavalier, a young artist who has also been trained in the art of Houdiniesque escape, has just pulled off his greatest feat: smuggling himself out of Hitler's Prague. He's looking to make big money, fast, so that he can bring his family to freedom. His cousin, Brooklyn's own Sammy Clay, is looking for a partner in creating the heroes, stories, and art for the latest novelty to hit the American dreamscape: the comic book. Inspired by their own fantasies, fears, and dreams, they create the Escapist.
Composed in the last years of Roberto Bolaño's life, 2666 was greeted across Europe and Latin America as his highest achievement, surpassing even his previous work in its strangeness, beauty, and scope. Its throng of unforgettable characters includes academics and convicts, an American sportswriter, an elusive German novelist, and a teenage student and her widowed, mentally unstable father. Their lives intersect in the urban sprawl of Santa Teresa - a fictional Juárez - on the U.S.-Mexico border.
It is December 6, 1941. America stands at the brink of World War II. Last hopes for peace are shattered when Japanese squadrons bomb Pearl Harbor. Los Angeles has been a haven for loyal Japanese-Americans - but now war fever grips the city, and the Japanese internment begins. The hellish murder of a Japanese family summons three men and one woman.
William H. Parker is a captain on the Los Angeles Police. He’s superbly gifted but consumed by dubious ideology. He is bitterly at odds with Sergeant Dudley Smith – ex-IRA killer, fledgling war profiteer.
Kay Lake is a 21-year-old dilettante looking for adventure. Hideo Ashida is a police chemist and the only Japanese on the payroll. The investigation throws them together and rips them apart.
Like many of Ellroys books the prose style is strange and takes a lot of time getting used to. There is little in the way of normal descriptive narrative, so the reader has to glean what he can from disjointed conversations and peculiar, almost surreal data dumps. Sometimes these are diary extracts, sometimes news broadcast and sometimes newspaper extracts. All that having been said, I really enjoyed this ( slightly overlong ) book. The setting in the anti-Jap hysteria of post Pearl Harbour Los Angeles is fascinating and the corruption of police and local officials truly horrifying. The plot is extremely convoluted and, together with the Ellroy style means that a listener really has to concentrate,. However, the reader (Jeff Harding) is amazing, using many different voices and accents. Truly brilliant, especially the women. Bottom line, I strongly recommend this book.
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