Underworld Audiolibro Por Don DeLillo arte de portada

Underworld

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Underworld

De: Don DeLillo
Narrado por: Richard Poe
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Finalist for the Pulitzer Prize
Finalist for the National Book Award
Finalist for the National Book Critics Circle Award
Winner of the Howell’s Medal of the American Academy of Arts and Letters

“A great American novel” (San Francisco Chronicle) that spans five decades of American history, following the intimate lives of the men and women who lived through them.

It begins with a moment of legend: the 1951 baseball game between the New York Giants and the Brooklyn Dodgers in which the winning homerun known as the Shot Heard Round the World coincides with news of the Soviet Union’s first hydrogen bomb test.

The baseball itself, scuffed and passed from hand to hand, becomes the thread that weaves an astonishing tapestry that spans the Cold War, the Civil Rights Movement, Vietnam protests, and beyond, telling the story of Nick Shay, Klara Sax, and the hidden histories of a nation both haunted and illuminated by its past.

Sweeping yet intimate, Underworld is an astonishing story of men and women brought together and torn apart against the backdrop of half a century of American history.
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Brilliant Writing • Complex Interconnected Characters • Vivid Descriptions • Intricate Themes • Captivating Opening

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Would you recommend this audiobook to a friend? If so, why?

Yes. There are many different characters in this long novel and Delillo interweaves their stories brillianly. They keep popping up at unexpected and yet absolutely correct spots in the novel.

I don't know of another writer who writes better dialog than Don Delillo.

What was one of the most memorable moments of Underworld?

As another reviewer noted, the long opening set piece in the Polo Grounds during the final 1951 national league playoff game between the Giants and the Dodgers is truely great writing. Delillo's imagined banter among Frank Sinatra, Jackie Gleason and Toots Shor, who in reality did attend the playoff game together, is very, very funny.

What does Richard Poe bring to the story that you wouldn’t experience if you just read the book?

There is a great deal of sparkling dialog in the novel and Richard Poe does an excellent job in giving each character his or her own voice. I especially enjoyed his rendering of Marv Lundy, the retired sports memorabilia collector. Almost everying that Marv says sounds off the wall, yet hilarious. You don't get the full effect without Richard Poe's voice inflections.

If you could rename Underworld, what would you call it?

I wouldn't rename it. I like Delillo's metaphor. No matter how deeply you bury nuclear or other toxic waste, eventually some of it is bound to rise to the surface. So too, no matter how far under the surface emotional pain and trauma is buried, it still has a great deal to do with what we do and who we are.

Any additional comments?

This is a great novel with snappy, yet absolutely authentic-sounding dialog.

Great storytelling, fluid prose, snappy dialog

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I found this novel to be a complex marathon of stories set in the second part of XX Century America. While the tread of the story seems to follow a set of characters, the truth is that there is no single story been narrated but a collection of them. Characters come and go as the book matures and then are lost in the maze of the timeline. I liked the book but I failed to grasp its greatness.

Complex

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One of the peaks of contemporary literature, rendered perfectly by master narrator Richard Poe, who will always be the voice of Delillo for me. Thank you for bringing this beautiful work of art to life.

Thank You

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Reminded me of King's The Stand. Found an article comparing Delillo's White Noise to King's Roadwork. As well an interview where Delillo lists King as a major influence.

Delillo and King

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Thing together disparate events and people over many decades. Philosophical approach to life’s joys and tragedies.

Interconnection

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