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In 1940, David Sparsholt arrives at Oxford to study engineering, though his sights are set on joining the Royal Air Force. Handsome, athletic, charismatic, he is unaware of his effect on others - especially on Evert Dax, the lonely son of a celebrated novelist who is destined to become a writer himself. With the world at war, and the Blitz raging in London, Oxford nevertheless exists at a strange remove: a place of fleeting beauty - and secret liaisons. A friendship develops between these two young men that will have unexpected consequences as the novel unfolds.
In his final days, beloved and ailing patriarch Miguel Angel de La Cruz, affectionately called Big Angel, has summoned his entire clan for one last legendary birthday party. But as the party approaches, his mother, nearly 100, dies herself, leading to a farewell doubleheader in a single weekend. Among the guests is Big Angel's half-brother, known as Little Angel, who must reckon with the truth that although he shares a father with his siblings, he has not, as a half gringo, shared a life. Across two bittersweet days in their San Diego neighborhood, the revelers mingle.
The Overstory unfolds in concentric rings of interlocking fable that range from antebellum New York to the late 20th-century Timber Wars of the Pacific Northwest and beyond. An air force loadmaster in the Vietnam War is shot out of the sky, then saved by falling into a banyan. An artist inherits 100 years of photographic portraits, all of the same doomed American chestnut. A hard-partying undergraduate in the late 1980s electrocutes herself, dies, and is sent back into life by creatures of air and light. A hearing- and speech-impaired scientist discovers that trees are communicating with one another.
Jules Epstein, a man whose drive, avidity, and outsized personality have, for 68 years, been a force to be reckoned with, is undergoing a metamorphosis. In the wake of his parents' deaths, his divorce from his wife of more than 30 years, and his retirement from the New York legal firm where he was a partner, he's felt an irresistible need to give away his possessions, alarming his children and perplexing the executor of his estate. With the last of his wealth, he travels to Israel with a nebulous plan to do something to honor his parents.
You are a failed novelist about to turn 50. A wedding invitation arrives in the mail: Your boyfriend of the past nine years is engaged to someone else. You can't say yes - it would be too awkward - and you can't say no - it would look like defeat. On your desk are a series of invitations to half-baked literary events around the world. Question: How do you arrange to skip town? Answer: You accept them all.
In The Gap of Time, Jeanette Winterson's cover version of The Winter's Tale, we move from London, a city reeling after the 2008 financial crisis, to a storm-ravaged American city called New Bohemia. Her story is one of childhood friendship, money, status, technology, and the elliptical nature of time. Written with energy and wit, this is a story of the consuming power of jealousy on the one hand and redemption and the enduring love of a lost child on the other.
In 1940, David Sparsholt arrives at Oxford to study engineering, though his sights are set on joining the Royal Air Force. Handsome, athletic, charismatic, he is unaware of his effect on others - especially on Evert Dax, the lonely son of a celebrated novelist who is destined to become a writer himself. With the world at war, and the Blitz raging in London, Oxford nevertheless exists at a strange remove: a place of fleeting beauty - and secret liaisons. A friendship develops between these two young men that will have unexpected consequences as the novel unfolds.
In his final days, beloved and ailing patriarch Miguel Angel de La Cruz, affectionately called Big Angel, has summoned his entire clan for one last legendary birthday party. But as the party approaches, his mother, nearly 100, dies herself, leading to a farewell doubleheader in a single weekend. Among the guests is Big Angel's half-brother, known as Little Angel, who must reckon with the truth that although he shares a father with his siblings, he has not, as a half gringo, shared a life. Across two bittersweet days in their San Diego neighborhood, the revelers mingle.
The Overstory unfolds in concentric rings of interlocking fable that range from antebellum New York to the late 20th-century Timber Wars of the Pacific Northwest and beyond. An air force loadmaster in the Vietnam War is shot out of the sky, then saved by falling into a banyan. An artist inherits 100 years of photographic portraits, all of the same doomed American chestnut. A hard-partying undergraduate in the late 1980s electrocutes herself, dies, and is sent back into life by creatures of air and light. A hearing- and speech-impaired scientist discovers that trees are communicating with one another.
Jules Epstein, a man whose drive, avidity, and outsized personality have, for 68 years, been a force to be reckoned with, is undergoing a metamorphosis. In the wake of his parents' deaths, his divorce from his wife of more than 30 years, and his retirement from the New York legal firm where he was a partner, he's felt an irresistible need to give away his possessions, alarming his children and perplexing the executor of his estate. With the last of his wealth, he travels to Israel with a nebulous plan to do something to honor his parents.
You are a failed novelist about to turn 50. A wedding invitation arrives in the mail: Your boyfriend of the past nine years is engaged to someone else. You can't say yes - it would be too awkward - and you can't say no - it would look like defeat. On your desk are a series of invitations to half-baked literary events around the world. Question: How do you arrange to skip town? Answer: You accept them all.
In The Gap of Time, Jeanette Winterson's cover version of The Winter's Tale, we move from London, a city reeling after the 2008 financial crisis, to a storm-ravaged American city called New Bohemia. Her story is one of childhood friendship, money, status, technology, and the elliptical nature of time. Written with energy and wit, this is a story of the consuming power of jealousy on the one hand and redemption and the enduring love of a lost child on the other.
Call Me by Your Name first swept across the world in 2007. It is the story of a sudden and powerful romance that blossoms between an adolescent boy and a summer guest at his parents' cliffside mansion on the Italian Riviera. During the restless summer weeks, unrelenting but buried currents of obsession, fascination, and desire intensify their passion as they test the charged ground between them and verge toward the one thing both already fear they may never truly find again: total intimacy.
She knows her name is Amelia, but after waking up in a hospital battered and bruised with just the clothes on her back, it's all she knows. Unable to piece together her shattered memory, she's haunted by a vision: menacing faces and voices implying her nightmare is far from over. Relying only on her wits and her will to live, Amelia becomes a fugitive from a mysterious man, and a life she can't even remember.
'Ah for darkness...not the darkness of a house which coops up a man among furniture, but the darkness where he can be free!' Maurice Hall knows he must choose between living life in the shadows or denying himself a chance at love and fulfilment. Aware of his attraction to the same sex, in a time where it was considered unlawful and immoral to have homosexual desires, Maurice must decide whether to battle or submit to a prejudiced 20th-century English society.
The spectacular first novel from acclaimed nonfiction author Francis Spufford follows the adventures of a mysterious young man in mid-18th century Manhattan, 30 years before the American Revolution.
Would you live a lie to hold onto the one you love? Dean and Jason are best friends, like brothers since boyhood, now architecture students and college roommates. They've always had each other's back, but when one walks in on the other with another man, everything changes. How do you explain to your best friend that he's the one you've always wanted, that until now your life has been a lie?
Set in the 1950’s Paris of American expatriates, liaisons, and violence, a young man finds himself caught between desire and conventional morality. With a sharp, probing imagination, James Baldwin’s now-classic narrative delves into the mystery of loving and creates a moving, highly controversial story of death and passion that reveals the unspoken complexities of the human heart.
In The Master, his brilliant and profoundly moving fifth novel, Colm Toibin tells the story of Henry James, a famous novelist born into one of America's intellectual first families two decades before the Civil War. James left his country to live in Paris, Rome, Venice, and London among privileged artists and writers.
Anna Kerrigan, nearly 12 years old, accompanies her father to the house of a man who, she gleans, is crucial to the survival of her father and her family. Anna observes the uniformed servants, the lavishing of toys on the children, and some secret pact between her father and Dexter Styles. Years later her father has disappeared, and the country is at war. Anna works at the Brooklyn Navy Yard, where women are allowed to hold jobs that had always belonged to men.
Rafe is a normal teenager from Colorado. He's been out since 8th grade, accepted by his peers & championed by his progressive parents. And while that's important, all Rafe really wants is to be a regular guy. To have his sexuality be a part of who he is, but not the headline, every single time. So when Rafe transfers to an all-boys' boarding school in New England, he decides to keep his sexuality a secret - not so much going back in the closet as starting over with a clean slate.
Oscar Hopkins is a high-strung preacher's kid with hydrophobia and noisy knees. Lucinda Leplastrier is a frizzy-haired heiress who impulsively buys a glass factory with the inheritance forced on her by a well-intentioned adviser. In the early parts of this lushly written audiobook, author Peter Carey renders the seminal turning points in his protagonists' childhoods as exquisite 19th-century set pieces.
Gripped by the tale of a Messiah whose blood we drink and body we eat, the genre-defying author Emmanuel Carrère revisits the story of the early Church in his latest work. With an idiosyncratic and at times iconoclastic take on the charms and foibles of the Church fathers, Carrère ferries listeners through his "doors" into the biblical narrative. Once inside, he follows the ragtag group of early Christians through the tumultuous days of the faith's founding.
As a young girl in 14th-century Norway, Kristin is deeply devoted to her father, Lavrans, a kind and courageous man. But when as a student in a convent school she meets the charming and impetuous Erlend Nikulaussøn, she defies her parents in pursuit of her own desires. Her saga continues through her marriage to Erlend, their tumultuous life together raising seven sons as Erlend seeks to strengthen his political influence, and finally their estrangement as the world around them tumbles into uncertainty.
From the Man Booker Prize-winning author of The Line of Beauty: a magnificent, century-spanning saga about a love triangle that spawns a myth, and a family mystery, across generations.
In the late summer of 1913, George Sawle brings his Cambridge schoolmate—a handsome, aristocratic young poet named Cecil Valance—to his family’s modest home outside London for the weekend. George is enthralled by Cecil, and soon his sixteen-year-old sister, Daphne, is equally besotted by him and the stories he tells about Corley Court, the country estate he is heir to. But what Cecil writes in Daphne’s autograph album will change their and their families’ lives forever: a poem that, after Cecil is killed in the Great War and his reputation burnished, will become a touchstone for a generation, a work recited by every schoolchild in England. Over time, a tragic love story is spun, even as other secrets lie buried—until, decades later, an ambitious biographer threatens to unearth them.
Rich with Hollinghurst's signature gifts—haunting sensuality, delicious wit and exquisite lyricism—The Stranger’s Child is a tour de force: a masterly novel about the lingering power of desire, how the heart creates its own history, and how legends are made.
What did you love best about The Stranger's Child?
I loved both its characters and the way the writer explores how and what is remembered.
What other book might you compare The Stranger's Child to and why?
I could loosely compare it to A.S. Byatt's Possession or Tennysons' "In Memoriam" (where the story got its title from.) Like Possession, we see biographers trying to unravel the mystery of what a famous poet was really like and who he was romantically involved with. Unlike Possession, the story isn't centered on "who dun' it" (although there are some surprising twists at the end), but rather who is remembered, how they are remembered, and who is forgotten. It's very poignant to see who and what is lost.
Which scene was your favorite?
The ending left me with chills. I also listened to the first part of the story over and over again because it is so well crafted.
If you could take any character from The Stranger's Child out to dinner, who would it be and why?
I adored Daphne, but would probably take Cecil out to dinner just to see what kind of mischief he would get himself into.
Any additional comments?
This is a beautifully written book. The author really knows his craft. The pace is set on slow burn. The book isn't about exposing one shocking revelation after another, but rather about how things are revealed and chosen to be remembered. You know that feeling when you finish a story and wish there was more? When you can't start anything else because what you just read was so good? When the story's over, but it still hangs like a veil over your daily life? That's where I am right now, after completing The Stranger's Child. It's definitely something I will listen to again.
5 of 5 people found this review helpful
Any additional comments?
I really enjoyed two other Allan Hollinghurst books, but I could not get into this story enough to finish it. To be fair to Mr. Hollinghurst, I don't think think it's his fault. This audiobook's performer was quite bad. He made it sound like a children's book. The performance was so distracting that I found myself focusing on it instead of the story. I gave up trying to finish it once I realized it had become a chore. I think I'll return it under Audible's new Great Listen Guarantee.
1 of 1 people found this review helpful
Having read Hollinghurst' "The Line of Beauty", I was prepared for the homosexual themes of this book. If that bothers you, then I would stay away from this audible listen.
I was not however prepared for the sketchiness of the novel. It is done by a master writer, but do not expect a story that reveals itself in any sort of traditional way. What emerges is the broken bits of a life and of the lives that are touched by the poet character.
Much like life itself, expect a mash up of events, desultory memories and skeletons best left in closets. A masterful work and reading.
1 of 1 people found this review helpful
I’m not a sophisticated reader, not educated in the liberal arts, and not "well read", so one should take this review with a grain of salt.
The humor referred to in "what the critics say" was completely missed by me; which; I suppose, attests to my limitations as a reader. But I do agree that it was beautifully written; and beautifully read, however it verged on the tedious. But never quite so much that I gave in to the urge to stop reading. In general it felt like very long roller coaster ride with long hauls and anticlimactic drops.
There is no "plot" just the story about a very handsome young aristocrat with "raven hair", "big hands" and "a huge..." who's family, poetry and, mostly homosexual escapades are the subject of the many family biographers, most, or all, of whom have their own homosexual escapades; with the main character or one another.
But the homosexual undercurrent of this; (Gothic novel?) is rather trite and cavalier. I mean, no one ever gets upset by being hit on, and everyone seems rather indifferent about the many "queer" characters in the book. None of whom seem a bit disturbed by how the many male characters go after one another. Very "romantic" but a bit difficult to believe, given the nature of "the crime that dares not speak it's name", and the period in which they was being committed.
Aside from that this book was a bit of a slog with a plethora of characters, coming and going; in and out, Jumping from one generation to the next and then, abruptly, without warning, ending.
It was all a bit of a tease for me, just when you got interested in a character the storyline shifted to another character entirely, often in another family or another generation.
It left me feeling rather sad and disappointed.
8 of 12 people found this review helpful
What made the experience of listening to The Stranger's Child the most enjoyable?
Alan Hollinghurst is slowly easing his way into my list of favorite authors. This is a slow but moving examination of the historical covering and uncovering of a young love between two young men right before WWI. I found everything enjoyable - the character studies, the references to literary history, the narrator's different voices and Brit accents, the descriptions of landscapes and people. You get the feeling that both the author and narrator love and intimately know England.
What was one of the most memorable moments of The Stranger's Child?
Two characters in particular made this memorable: horrible, jealous, overbearing Dudley and the banker-turned-biographer, Peter, who is socially inept and a bit self-absorbed but likeable too in a weird way
Have you listened to any of James Daniel Wilson’s other performances before? How does this one compare?
I haven't listened to him but I really enjoyed his narration here - his different British accents are fabulous. He did a South Country (farmer) accent especially well - my husband has that accent, and I made him listen to it. He laughed in pleasure of hearing himself! :D
If you were to make a film of this book, what would the tag line be?
Finding love in old pages (sorry - I am not very clever sometimes)
Any additional comments?
I just want to request more Hollinghurst novels if you can get them! Very nice evening listening.
What would have made The Stranger's Child better?
I was 12 chapters into this tome and was still trying to find a reason to care or continue! Between the readers droning oration and the authors gun shy approach to this subject, ugh, I gave up and started skipping chapters just to finish it - i gave up during Daphne's insipid interviews at the end - I DIDN'T CARE anymore.
What could Alan Hollinghurst have done to make this a more enjoyable book for you?
I wasn't expecting a torrid beach burner of a book, but his guys approach to writing about gay love was irritating to say the least. It was never written but every way implied to the point of madness.
What didn’t you like about James Daniel Wilson’s performance?
This man had the flat monotoned voice of a Penn station train announcer.
You didn’t love this book... but did it have any redeeming qualities?
Listening to this book took my mind off the current election news - if only briefly.
What disappointed you about The Stranger's Child?
The author goes on and on without sharing any sense of his destination.
Has The Stranger's Child turned you off from other books in this genre?
Yes, the book
What does James Daniel Wilson bring to the story that you wouldn’t experience if you just read the book?
Well read.
You didn’t love this book... but did it have any redeeming qualities?
If you are a militant gay, convinced that every other male is secretly gay, you might enjoy the book. If, however, you see the world as a mix of gay and straight -- you'll be frustrated by the lack of straight characters...and by the inclusion of those from the British upper class that would certainly have been part of the story if a more balanced author had been at the keyboard.
Any additional comments?
Hollinghurst's earlier work - particularly The Swimming Pool Diaries - is much more compelling. This book felt like Downton Abbey without with, pathos, or characters you cared about. (Don't even get me going about the ending...)
3 of 7 people found this review helpful
What would have made The Stranger's Child better?
A meandering story that was very difficult to follow.
Would you be willing to try another one of James Daniel Wilson’s performances?
The fact that no one in my book club enjoyed this book had everything to do with the author and nothing to do with the performance of the narrator, So yes.
You didn’t love this book... but did it have any redeeming qualities?
A few people in my book club thought The author had a gift of painting visual images of characters and scenery.
Any additional comments?
Out of six people in our book club only one person finished this entire book. This has never happened before. The other five people, including me, found the books so on unengaging and difficult to follow that we gave up and quit reading. One of the worst books I've ever read.
0 of 1 people found this review helpful