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Whether you want to write your own scripts or simply gain a deeper appreciation for the great stories you see unfold on the screen, Professor Angus Fletcher is here to show you the way in Screenwriting 101: Mastering the Art of Story. Professor Fletcher, Professor of English and Film at The Ohio State University, brings both a personal and scholarly perspective to this craft. As a screenwriter himself, he has experienced the ins and outs of the process first-hand.
For five decades, no American filmmaker has been as prolific or as paradoxical as Woody Allen. From Play It Again, Sam (1972) to Midnight in Paris (2011) and Blue Jasmine (2013), Allen has produced an average of one film a year; yet in many of these movies Allen reveals a progressively skeptical attitude toward both the value of art and the cultural contributions of artists.
One of the greatest directors of all time, Sidney Lumet has made movies that have been nominated for more than 50 Academy Awards. Making Movies is an honest and unflinching look at the business and craft of movie making. Lumet's book reveals the ingredients for the potion that brings movie magic to life and assures one thing: you will never look at movies the same way again.
Stanley Kubrick, the director of a string of timeless movies from Lolita and Dr. Strangelove to A Clockwork Orange, 2001: A Space Odyssey, Full Metal Jacket, and others, has always been depicted by the media as the Howard Hughes of filmmakers, a weird artist obsessed with his work and privacy to the point of madness. But who was he really?
Featuring interviews with many of today's most talented writers, producers, and directors, as well as revealing stories (e.g., what to do when the skinhead crack addict next door begins screaming obscenities as soon as you call "action") from the sets of her own short films, Roberta walks you through the minefield of mistakes that an aspiring filmmaker can make - so that you don't have to make them yourself.
In Dialogue, Robert McKee offers in-depth analysis for how characters speak on the screen, on the stage, and on the page in believable and engaging ways. From Macbeth to Breaking Bad, McKee deconstructs key scenes to illustrate the strategies and techniques of dialogue. Dialogue applies a framework of incisive thinking to instruct the prospective writer on how to craft artful, impactful speech.
Whether you want to write your own scripts or simply gain a deeper appreciation for the great stories you see unfold on the screen, Professor Angus Fletcher is here to show you the way in Screenwriting 101: Mastering the Art of Story. Professor Fletcher, Professor of English and Film at The Ohio State University, brings both a personal and scholarly perspective to this craft. As a screenwriter himself, he has experienced the ins and outs of the process first-hand.
For five decades, no American filmmaker has been as prolific or as paradoxical as Woody Allen. From Play It Again, Sam (1972) to Midnight in Paris (2011) and Blue Jasmine (2013), Allen has produced an average of one film a year; yet in many of these movies Allen reveals a progressively skeptical attitude toward both the value of art and the cultural contributions of artists.
One of the greatest directors of all time, Sidney Lumet has made movies that have been nominated for more than 50 Academy Awards. Making Movies is an honest and unflinching look at the business and craft of movie making. Lumet's book reveals the ingredients for the potion that brings movie magic to life and assures one thing: you will never look at movies the same way again.
Stanley Kubrick, the director of a string of timeless movies from Lolita and Dr. Strangelove to A Clockwork Orange, 2001: A Space Odyssey, Full Metal Jacket, and others, has always been depicted by the media as the Howard Hughes of filmmakers, a weird artist obsessed with his work and privacy to the point of madness. But who was he really?
Featuring interviews with many of today's most talented writers, producers, and directors, as well as revealing stories (e.g., what to do when the skinhead crack addict next door begins screaming obscenities as soon as you call "action") from the sets of her own short films, Roberta walks you through the minefield of mistakes that an aspiring filmmaker can make - so that you don't have to make them yourself.
In Dialogue, Robert McKee offers in-depth analysis for how characters speak on the screen, on the stage, and on the page in believable and engaging ways. From Macbeth to Breaking Bad, McKee deconstructs key scenes to illustrate the strategies and techniques of dialogue. Dialogue applies a framework of incisive thinking to instruct the prospective writer on how to craft artful, impactful speech.
Lennon. Dylan. Jagger. Belushi. Leibovitz. The story of Jann Wenner, Rolling Stone's founder, editor, and publisher, is an insider's trip through the backstages of storied concert venues, rock-star hotel rooms, and the political ups and downs of the latter half of the 20th century, right up through the digital age: connecting the counterculture of Haight Ashbury to the "straight world".
We'll Always Have Casablanca is celebrated film historian Noah Isenberg's rich account of this most beloved movie's origins. Through extensive research and interviews with filmmakers, film critics, family members of the cast and crew, and diehard fans, Isenberg reveals the myths and realities behind Casablanca's production, exploring the transformation of the unproduced stage play into the classic screenplay, the controversial casting decisions, and the effect of the war's progress on the movie's reception.
"Everything about me is in my films," Steven Spielberg has said. Taking this as a key to understanding the hugely successful moviemaker, Molly Haskell explores the full range of Spielberg's works for the light they shine upon the man himself. Through such powerhouse hits as E.T., Jurassic Park, and Indiana Jones, to less-appreciated movies like the haunting Schindler's List, Haskell shows how Spielberg's uniquely evocative filmmaking and story-telling reveal the many ways in which his life, work, and times are entwined.
For James Bond and the British Secret Service, the stakes couldn't be higher. 007's mission is to neutralize the Russian operative Le Chiffre by ruining him at the baccarat table, forcing his Soviet masters to "retire" him. When Le Chiffre hits a losing streak, Bond discovers his luck is in - that is, until he meets Vesper Lynd, a glamorous agent who might yet prove to be his downfall. This audiobook includes an exclusive bonus interview with Dan Stevens.
Re-experience the mystery of Twin Peaks. The Cooper Tapes. The private world of Special Agent Dale Cooper, previously reserved for one woman...Diane, including notes and stories never revealed on television. From the man in the black suit, Twin Peaks in his own words.
A razor-sharp thinker offers a new understanding of our post-truth world and explains the American instinct to believe in make-believe, from the Pilgrims to P. T. Barnum to Disneyland to zealots of every stripe...to Donald Trump. In this sweeping, eloquent history of America, Kurt Andersen demonstrates that what's happening in our country today - this strange, post-factual, "fake news" moment we're all living through - is not something entirely new, but rather the ultimate expression of our national character and path.
On May 25, 1977, a problem-plagued, budget-straining, independent science-fiction film opened in a mere 32 American movie theatres. Conceived, written, and directed by a little-known filmmaker named George Lucas, Star Wars reinvented the cinematic landscape, ushering in a new way for movies to be made, marketed, and merchandised. Simply put, George Lucas is one of the most influential filmmakers of the past 50 years.
One of the most accomplished and outspoken actors today chronicles the highs and lows of his life in this beautifully written, candid memoir.
1936 was a great year for the movie industry - the financial setbacks of the Great Depression were subsiding, so theater attendance was up. Americans everywhere were watching the stars, and few stars shined as brightly as one of America's most enduring screen favorites, Mary Astor. But Astor's personal story wasn't a happy one. Born poor and widowed at 24, Mary Astor had spent years looking for stability when she met and wed Dr. Franklyn Thorpe.
Gene Wilder is one of the great comic actors who defined the 1970s and 1980s in movies. From his work with Woody Allen, to the rich group of movies he made with Mel Brooks, to his partnership on screen with Richard Pryor, Wilder's performances are still discussed and celebrated today.
A young woman is in love with a successful surgeon, a man torn between his love for her and his incorrigible womanizing. His mistress, a free-spirited artist, lives her life as a series of betrayals—while her other lover, earnest, faithful, and good, stands to lose everything because of his noble qualities. In a world where lives are shaped by irrevocable choices and fortuitous events, and everything occurs but once, existence seems to lose its substance, its weight. Hence we feel “the unbearable lightness of being."
Bryan Cranston landed his first role at seven, when his father, a struggling actor and director, cast him in a United Way commercial. Soon Bryan was haunting the local movie theater, memorizing and reenacting favorite scenes with his older brother. Acting was clearly the boy's destiny - until one day his father disappeared. Suddenly destiny took a backseat to survival. Seeking something more stable, perhaps subconsciously trying to distance himself from his absent father, Cranston decided on a career in law enforcement.
A cinephile's dream: the chance to follow legendary director Woody Allen throughout the creation of a film - from inception to premiere - and to enjoy his reflections on some of the finest artists in the history of cinema.
Eric Lax has been with Woody Allen almost every step of the way. He chronicled Allen's transformation from stand-up comedian to filmmaker in On Being Funny (1975). His international best seller, Woody Allen: A Biography (1991), was a portrait of a director hitting his stride. Conversations with Woody Allen comprised interviews that illustrated Allen's evolution from 1971 to 2008. Now, Lax invites us onto the set - and even further behind the scenes - of Allen's Irrational Man, which was released in 2015, and starred Joaquin Phoenix and Emma Stone. Revealing the intimate details of Allen's filmmaking process, Lax shows us the screenplay being shaped, the scenes being prepared, the actors, cinematographers, other crew members, the editors, all engaged in their work. We hear Allen's colleagues speak candidly about working with him, and Allen speaking with equal openness about his lifetime's work. An unprecedented revelation of one of the foremost filmmakers of our time, Start to Finish is sure to delight not only movie buffs and Allen fans, but everyone who has marveled at the seeming magic of the artistic process.
The idea of this book was very appealing. Hearing about Woody Allen's process promised to be a very insightful story. And it is, in bits and pieces. Unfortunately, it's stuck inside extended passages about the filming of a few recent films, in particular, Irrational Man. There are ponderously long excerpts of dialogue, read by the narrator, which at times only tangentially touch on the theme of the chapter.
I watched the film later, and thought it was a quite good, fitting somewhere in the middle of Allen's work, better than small comedies of the early 00's, but not quite as entertaining as the likes of Manhattan Murder Mystery. Certainly not to the level of the classics however. Which is kind of the point. A blow by blow account of Annie Hall, or Hannah and Her Sisters, or Crimes and Misdemeanors, or even Bananas, (that is, one of the classics in their respective genres) would have been a treasure trove. (A running account of Husbands and Wives certainly would have been interesting, but way too cringeworthy, I fear).
Without any deep connection to this particular film, those extended parts seemed a bit laborious. (I would highly recommend the film memoirs for High Noon and The Princess Bride, neither of them one my all-time favorites, but good stories nonetheless).
Which brings me to what I think the underlying purpose of the book really was. There is a section about 15 to 20 minutes long, somewhere in the middle of the book (can't really be bothered to check exactly), which purports to explain the genesis in Allen's mind for the motivation of the main character in Irrational Man and his murder of an unethical judge. It seems a bit tenuous, but there is, for once, a defense of Allen regarding some domestic allegations, which anyone reading this is most certainly aware. It's actually refreshing, as I am not aware of any such public defense by Allen, or of him by representatives, and certainly not at this length. It's clear and concise and lays out the rational case, in a world where such stories tend to take on a sensational life of their own. It's virtually impossible to have a civil debate on issues like these, and perhaps this is the only way Allen's side could be presented. At least that's what I thought as I heard it.
There are good spots, and if you loved the film of Irrational Man, you may enjoy this even more. But for me, I just wished there had been a more iconic film as a touchstone for the story of Woody Allen's moviemaking.
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