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Anthologie de la poésie de langue française
- Narrated by: Yves Gasc, Catherine Ferran, Sylvia Bergé, Eric Ruf, Eric Génovèse, Denis Podalydès, Christian Gonon
- Length: 5 hrs and 41 mins
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Publisher's summary
Les critères qui ont présidé à mes choix sont les suivants : Tout d'abord l'idée qu'il y a plus de grands poèmes que de grands poètes. Aussi n'ai-je pas voulu réduire cette anthologie au seul choix des meilleurs auteurs mais ai-je inclus des poèmes de grande qualité de poètes de second ordre. La compréhension auditive des textes retenus impliquait que l'écriture soit suffisamment proche de notre langue, ce qui m'a conduit à éliminer avec regret de nombreux textes du XIIIème au XVIème siècle. Mon goût, bien sûr, qui m'a amené à montrer mes préférences sans pour autant exclure ceux qui me plaisant moins sont néanmoins considérés par la majorité des critiques comme des valeurs sûres. Le rejet de l'éloquence appuyée ainsi que de la poésie dramatique de scène quelle qu'en soit sa valeur. Enfin la durée d'écoute fatalement limitée m'a imposé de proposer parfois des extraits de poèmes. L'honnêteté m'oblige à préciser que ces coupures doivent autant à mon désir de n'offrir que le meilleur qu'à la contrainte du temps d'écoute. Les poèmes ont été classés par thème. [...] II y a bien sûr une part d'arbitraire dans ce classement car de nombreux poèmes traitent de plusieurs thèmes à la fois. C'est le thème qui m'est apparu prédominant autant que l'enchaînement des textes qui ont prévalu pour cette classification.
Alain Frémeaux
(P)2002 Frémeaux & Associés
Critic reviews
Le projet de lire ou dire la poésie peut paraître des plus périlleux. Quelle option de diction ou d'interprétation privilégier pour rendre justice à la diversité de couleurs et de sens qui fait l'essence même de l'écriture poétique ? Si quelques textes possèdent parfois l'évidence de la plainte, du discours ou du portrait, la majorité des œuvres présentées dans cette anthologie se refusent évidemment à toute lecture univoque... La force d'une lecture tient peut-être à ce qui constitue l'essence même d'une interprétation. Si le comédien ne peut totalement rendre compte de la complexité de l'œuvre poétique, il peut en dévoiler certaines des résonances les plus précieuses. Se faisant l'écho d'une émotion ou d'une pensée, il suit ses cheminements intimes et parvient à faire entendre la voix du poète. La rigueur et la virtuosité technique des sept comédiens du Français présents dans cet enregistrement rendent possible ce petit miracle... au prix d'une longue pratique, ils s'attachent à pénétrer la matière même du texte, laissant leur sensibilité accompagner chacun des mouvements du texte ou choisissent de se faire discrets "passeurs" et nous donnent l'impression de réinventer le texte à nos oreilles.
Olivier Cohen, Directeur artistique chez Frémeaux & Associés, Directeur du théâtre Le Proscenium.
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