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“A faithful translation is rare; a translation which preserves intact the original text is very rare; a perfect translation of Montaigne appears impossible. Yet Donald Frame has realized this feat. One does not seem to be reading a translation, so smooth and easy is the style; at each moment, one seems to be listening to Montaigne himself - the freshness of his ideas, the unexpected choice of words. Frame has kept everything.” (Andre Maurois, The New York Times Book Review)

To overcome a crisis of melancholy after the death of his father, Montaigne withdrew to his country estates and began to write, and in the highly original essays that resulted he discussed themes such as fathers and children, conscience and cowardice, coaches and cannibals, and, above all, himself.

In 1572, Montaigne - nobleman, humanist, and thoroughly Renaissance man - retired to the seclusion of his estate in the Dordogne and started to write. From his pen poured a stream of "essays" - attempts to capture the observations that came to him on an idiosyncratic range of subjects, from ancient customs, cannibals, and books to thumbs, war-horses, and the wearing of clothes. He made the study of himself the starting point for investigations into how to live, and wrote with a startlingly modern candor about love, grief, friendship, sex, and death.

Michel de Montaigne was a contemporary of Shakespeare who, after having played his part in France's terrible wars of religion, retired to his estates and decided to write about what he knew best--himself. And so in his likes and dislikes, his reflections on history, his loves and his travels, he brought to life, not just one man, but all human experience. "What do I know?" he asked. If not himself and his own soul, then nothing else.

Familiarícese con los más importantes filósofos del Renacimiento, Michel de Montaigne, Francis Bacon y Maquiavelo, el autor de El Príncipe. Estas figuras han dado forma a la filosofía occidental; profundiza en sus obras y pensamientos con una selección de las citas esenciales que introducen sus principales ideas y delinean la estructura de su trabajo con claridad.

Over the past few years, Brianna Wiest has gained renown for her deeply moving, philosophical writing. This new compilation of her published work features pieces on why you should pursue purpose over passion, embrace negative thinking, see the wisdom in daily routine, and become aware of the cognitive biases that are creating the way you see your life. Some of these pieces have never been seen; others have been read by millions of people around the world. Regardless, each will leave you thinking: This idea changed my life.

This question obsessed Renaissance writers, none more than Michel Eyquem de Montaigne, perhaps the first recognizably modern individual. A nobleman, public official, and winegrower, he wrote free-roaming explorations of his thought and experience, unlike anything written before. He called them essays, meaning “attempts” or “tries.” He put whatever was in his head into them: his tastes in wine and food, his childhood memories, the way his dog’s ears twitched when it was dreaming, as well as the religious wars....

Michel de Montaigne was a contemporary of Shakespeare who, after having played his part in France's terrible wars of religion, retired to his estates and decided to write about what he knew best--himself. And so in his likes and dislikes, his reflections on history, his loves and his travels, he brought to life, not just one man, but all human experience. "What do I know?" he asked. If not himself and his own soul, then nothing else. (Summary by Pamela Nagami, M.D.)

Here, in this unusual collection, are some of the greatest essays in Western literature. Witty, informative and imaginative, the topics vary from starvation in Ireland, fine China, the extension of railways in the Lake District, and the tombs in Westminster Abbey. A little like after-dinner monologues, they are passing thoughts expressed as journalism. Neville Jason reads with urbane clarity.

En 1571, tras sufrir un accidente montando a caballo, Michel de Montaigne abandona su posición como magistrado de Burdeos para retirarse a su castillo y empezar a escribir. Ese es el inicio, casi novelesco, de una de las obras más importantes de la cultura occidental. «No enseño ni adoctrino, lo que hago es relatar», afirma Montaigne. Y entretanto dialoga con los pensadores clásicos sobre todo tipo de cuestiones relativas a la condición humana.

In 1508, despite strong advice to the contrary, the powerful Pope Julius II commissioned Michelangelo Buonarroti to paint the ceiling of the newly restored Sistine Chapel in Rome. During the four extraordinary years that Michelangelo spent laboring over the ceiling, power politics and personal rivalries swirled around him. He battled ill health, financial and family difficulties, inadequate knowledge of the art of fresco, and the Pope's impatience - a history that is more compelling than most novels.

One of the most remarkable figures of the Renaissance, Michel de Montaigne was a brilliant French philosopher and statesman whose work directly influenced René Descartes, Friedrich Nietzsche, Isaac Asimov and Jean-Jacques Rousseau. He was a humanist and a sceptic, with an insatiable and wide-ranging curiosity. In 1571, on his 38th birthday, he withdrew from public life and retired to the library in his castle tower, where he assembled a body of work that is still highly relevant today.

Michel de Montaigne, one of the foremost writers of the French Renaissance and the originator of the genre of the essay, wrote on subjects ranging from friendship to imagination, from language to conscience. This collection includes 22 of Montaigne's essays, including "Of Prognostications," "Of the Custom of Wearing Clothes," "Of Pedantry," and "Of Friendship."

One of the 20th century's enduring works, One Hundred Years of Solitude is a widely beloved and acclaimed novel known throughout the world and the ultimate achievement in a Nobel Prize-winning career. The novel tells the story of the rise and fall of the mythical town of Macondo through the history of the Buendía family. Rich and brilliant, it is a chronicle of life, death, and the tragicomedy of humankind. In the beautiful, ridiculous, and tawdry story of the Buendía family, one sees all of humanity, just as in the history, myths, growth, and decay of Macondo, one sees all of Latin America.

Montaigne might well be one of the most sympathetic writers ever known. He is known for popularizing the essay as a literary genre; his style merges casual anecdotes and autobiography with deep intellectual insights. His "Essays" are among the most influential ever written; one can recognize Montaigne's direct influence on great literary figures all over the world, from René Descartes to Nietzsche, Isaac Asimov, and possibly William Shakespeare.

The saga of a land from the time when the volcanic islands rose out of the sea to the decade in which they become the 50th state. Michener uses individuals' experiences to symbolize the struggle of the various races to establish themselves in the islands.

Les essais de Montaigne de la présente édition sonore sont une sélection d'écrits dont les thèmes trouvent écho aux questions contemporaines. Texte fondateur de la pensée intellectuelle française, ces essais ont fait l'objet d'un travail de réécriture pour l'oralité par Olivier Cohen et devaient être interprétés par un grand comédien français. Michel Piccoli a accepté le défi de cette performance sonore.

Mit seinem Hauptwerk, den "Essais", begründete der Jurist, Politiker und Philosoph Michel de Montaigne im letzten Drittel des 16. Jahrhunderts die Kunst der Essayistik. In seinen Abhandlungen zu so unterschiedlichen Themen wie Eitelkeit, Kindererziehung und Kannibalismus setzte er sich kritisch, assoziativ und stets auf persönliche Erfahrungen zurückgreifend mit dem zwischenmenschlichen Zusammenleben seiner Zeit auseinander.

Material technology, without spiritual knowledge, is leading us to a global catastrophe on Earth. Technology should assist in the spiritual development and not be used (as it is used now) to confine and enslave people within a monetary system and materialistic world, which are both temporary anyway.

Les livres II et III des Essais de Montaigne de la présente édition sonore sont une sélection d'écrits dont les thèmes trouvent écho aux questions contemporaines.