Mostrando resultados por narrador "David Bradley" en Todas las categorías

Jon Hamm leads an all-star cast that includes Kate Mara, Ana de la Reguera, John Slattery, and Bradley Whitford in the riveting true story behind the making of the one American movie the FBI never wanted you to see.

The only life Tress has known on her island home in an emerald-green ocean has been a simple one, with the simple pleasures of collecting cups brought by sailors from faraway lands and listening to stories told by her friend Charlie. But when his father takes him on a voyage to find a bride and disaster strikes, Tress must stow away on a ship and seek the Sorceress of the deadly Midnight Sea. Amid the spore oceans where pirates abound, can Tress leave her simple life behind and make her own place sailing a sea where a single drop of water can mean instant death?

There is no ancient evil to defeat, no orphan destined for greatness, just two guys in the wrong place at the wrong time. Royce Melborn, a skilled thief, and his mercenary partner, Hadrian Blackwater, make a profitable living carrying out dangerous assignments for conspiring nobles until they become the unwitting scapegoats in a plot to murder the king. Sentenced to death, they have only one way out...and so begins this tale of treachery and adventure, sword fighting and magic, myth and legend. Avempartha is the second of a six book series entitled the Riyria Revelations.

In a corporate-dominated spacefaring future, planetary missions must be approved and supplied by the Company. Exploratory teams are accompanied by Company-supplied security androids, for their own safety. But in a society where contracts are awarded to the lowest bidder, safety isn’t a primary concern. On a distant planet, a team of scientists are conducting surface tests, shadowed by their Company-supplied ‘droid—a self-aware SecUnit that has hacked its own governor module, and refers to itself (though never out loud) as “Murderbot.”

Sci-fi’s favorite antisocial A.I. is back on a mission. The case against the too-big-to-fail GrayCris Corporation is floundering, and more importantly, authorities are beginning to ask more questions about where Dr. Mensah's SecUnit is. And Murderbot would rather those questions went away. For good.

Following the events in Network Effect, the Barish-Estranza corporation has sent rescue ships to a newly-colonized planet in peril, as well as additional SecUnits. But if there’s an ethical corporation out there, Murderbot has yet to find it, and if Barish-Estranza can’t have the planet, they’re sure as hell not leaving without something. If that something just happens to be an entire colony of humans, well, a free workforce is a decent runner-up prize. But there’s something wrong with Murderbot; it isn’t running within normal operational parameters.

They ride after sundown. Black robed figures with skulls for faces, terrorizing the town of Recoil like the horsemen of the Apocalypse. If the sheriff hopes to defeat this hellish band of outlaws, he'll need back-up. Enter Colonel Shamus O'Brien. The seasoned ranch hand and patriarch has fought off more than his share of horse thieves and marauders. But he's never seen anything like these ornery devils.

When Smoke Jensen sees a gang of outlaws holding up a stagecoach, his gunfighter instincts take over and he storms in with guns blazing. He kills one of the gunmen, the rest scatter like the rats they are. Another notch on the sharpshooter's weathered grip. But the dead man is the brother of the notorious outlaw Gabe Briggs, and Briggs will want revenge....

What started as a routine hunt and grab - putting outlaw Thorp McCluskey on a train to Cheyenne and prison - has just gone straight to hell for bounty hunter Luke Jensen. First came the beautiful prostitute who pointed her alluring attentions in Luke’s direction. Then came a man who fought by Luke’s side in the war - but the war is over and friendships can turn deadly. Luke gets bushwacked, his prisoner is gone, and so is a fortune in gold. Now Luke is riding back into the Wyoming wilderness to hunt down McCluskey and his woman to finish what he started.

The companions' journey across Lake Huron is interrupted by a pirate attack during a furious storm, and Krysty is pulled overboard during the fray. The companions seek refuge on a submerged freighter occupied by ex-pirate “Mean Pete" Kellogg and his crew. They tell stories of "He Who Shouts in the Lake", a creature under the control of Heidecker labs. The stories say the director of Heidecker labs is brutal and unforgiving, burning local villages to the ground and infecting them with disease. Forget the stories. Ryan knows only one truth. He must get Krysty back.

Prometheus returned to his solar system, and de Finita’s forces prepare to defend what’s theirs. The AllSeer’s return threatens to conquer both militaries in one genius move. He’ll obliterate Mars and force Prometheus to make an impossible choice: Save his friend or save his insurrection. Will de Finita bend the knee or watch billions burn alive beneath the AllSeer’s magnificent power? Will Prometheus let his friend die? Or will he abandon everything that what he’s built and risk his own life for someone he once loved?

Murderbot wasn’t programmed to care. So, its decision to help the only human who ever showed it respect must be a system glitch, right? Having traveled the width of the galaxy to unearth details of its own murderous transgressions, as well as those of the GrayCris Corporation, Murderbot is heading home to help Dr. Mensah—its former owner (protector? friend?)—submit evidence that could prevent GrayCris from destroying more colonists in its never-ending quest for profit. But who’s going to believe a SecUnit gone rogue? And what will become of it when it’s caught?

When Louise finds out her parents have died, she dreads going home. She doesn’t want to leave her daughter with her ex and fly to Charleston. She doesn’t want to deal with her family home, stuffed to the rafters with the remnants of her father’s academic career and her mother’s lifelong obsession with puppets and dolls. She doesn’t want to learn how to live without the two people who knew and loved her best in the world.

Abandoned by her allies, the Republic of Venice holds out as the last beacon of resistance against the hobgoblin armies. Armed with new weapons the Southern Horde drives upon the floating city by land and sea. The Northern Horde drives deep into the heart of Europa and all fall before it. The Horde is vast beyond measure. Assassin daggers lurk in every shadow. Necrotic evil seeps and infects.

A man awakens in a clearing in what appears to be medieval England with no memory of who he is, where he came from, or why he is there. Chased by a group from his own time, his sole hope for survival lies in regaining his missing memories, making allies among the locals, and perhaps even trusting in their superstitious boasts. His only help from the “real world” should have been a guidebook entitled The Frugal Wizard’s Handbook for Surviving Medieval England, except his copy exploded during transit.

Carving out a living in the Deathlands is no easy feat. To most, the only thing that matters is one more day spent above ground. To the man known as Trader, the only thing that matters is the bottom line. After Trader and crew offload their last haul, they set their sites on the next score. An underground military installation.

With Apaches on the prod, ex-cavalry sergeant Sean Keegan, bounty hunter Jed Breen, and ex-Texas Ranger Matt McCulloch take shelter in a West Texas way station — along with a hot-as-a-pistol female bound for the gallows, a spiteful newspaper editor, and a coward with $50,000 who promises them five grand if they’ll deliver his blood-soaked stash to his wife.

No, I didn't kill the dead human. If I had, I wouldn't dump the body in the station mall. When Murderbot discovers a dead body on Preservation Station, it knows it is going to have to assist station security to determine who the body is (was), how they were killed (that should be relatively straightforward, at least), and why (because apparently that matters to a lot of people—who knew?) Yes, the unthinkable is about to happen: Murderbot must voluntarily speak to humans! Again!

The Spear of Lugh, one of the four Kingly Hallows of Ireland is in Chicago. And everyone, everyone wants it, for it is said that he who carries the spear into battle cannot be defeated. Among those who seek it are an agent of the infamous Wild Hunt; a mobster who knows far more about these things than he should; and of course both the Seelie and Unseelie Courts - the last people PI Mick Oberon would want getting hold of the spear....

It has a dark past—one in which a number of humans were killed. A past that caused it to christen itself “Murderbot”. But it has only vague memories of the massacre that spawned that title, and it wants to know more. Teaming up with a Research Transport vessel named ART (you don’t want to know what the “A” stands for), Murderbot heads to the mining facility where it went rogue. What it discovers will forever change the way it thinks.