Mostrando resultados por narrador "Julienne Irons" en Todas las categorías

When Lilith lyapo wakes from a centuries-long sleep, she finds herself aboard the vast spaceship of the Oankali. She discovers that the Oankali—a seemingly benevolent alien race—intervened in the fate of the humanity hundreds of years ago, saving everyone who survived a nuclear war from a dying, ruined Earth and then putting them into a deep sleep. After learning all they could about Earth and its beings, the Oankali healed the planet, cured cancer, increased human strength, and they now want Lilith to lead her people back to Earth—but salvation comes at a price.

My whole world changed when I stepped inside the academy. Nothing is right about this place or the other students in it. Here I am, a mere mortal among gods...or monsters. I still can't decide which of these warring factions I belong to, if I belong at all. I only know the one thing that unites them is their hatred of me. Then there's Jaxon Vega. A vampire with deadly secrets who hasn't felt anything for a hundred years. But there's something about him that calls to me, something broken in him that somehow fits with what's broken in me. Which could spell death for us all.

Sci-fi’s favorite antisocial A.I. is back on a mission. The case against the too-big-to-fail GrayCris Corporation is floundering, and more importantly, authorities are beginning to ask more questions about where Dr. Mensah's SecUnit is. And Murderbot would rather those questions went away. For good.

No, I didn't kill the dead human. If I had, I wouldn't dump the body in the station mall. When Murderbot discovers a dead body on Preservation Station, it knows it is going to have to assist station security to determine who the body is (was), how they were killed (that should be relatively straightforward, at least), and why (because apparently that matters to a lot of people—who knew?) Yes, the unthinkable is about to happen: Murderbot must voluntarily speak to humans! Again!

Imogen is on the brink of getting everything she ever wanted: love, safety, answers. Her father. Mortality. And just like that, a stranger comes to town and rips everything apart. Turns out, the darkest thing Imogen's ever had to face isn't a blood witch, or a vampire, or even a demon. It's a mundane, petty human woman.

My whole world changed when I stepped inside the academy. Nothing is right about this place or the other students in it. Here I am, a mere mortal among gods...or monsters. I still can't decide which of these warring factions I belong to, if I belong at all. I only know the one thing that unites them is their hatred of me. Then there's Jaxon Vega. A vampire with deadly secrets who hasn't felt anything for a hundred years. But there's something about him that calls to me, something broken in him that somehow fits with what's broken in me. Which could spell death for us all.

In these stories, dear student, retribution visits a lothario lecturer; the sinister truth is revealed about a missing professor; a forsaken lover uses a séance for revenge; an obsession blooms about a possible illicit affair; two graduates exhume the secrets of a reclusive scholar; horrors are uncovered in an obscure academic department; five hopeful initiates must complete a murderous task and much more!

Imogen's on the verge of getting everything she ever wanted. The man of her dreams, a talented, smart kid who loves her, some amazing friends, she's finally safe from the ancient creature who keeps ripping her to pieces every time she tries to access her deeper powers—and she's only one step away from finding the reincarnation of her dad. Mortality is in her grasp.

Supernatural Bounty Hunter isn’t the sort of thing you see on LinkedIn. But with a rare type of magic like mine, I don’t have many options. So dangerous or not, the job is mine. And it was going fine, until an old as sin vampire stole my mark, and with it, my pay day.

True to Our Native Land is a pioneering commentary on the New Testament that sets biblical interpretation firmly in the context of African American experience and concern. In this second edition, the scholarship is cutting-edge, updated, and expanded to be in tune with African American culture, education, and churches.

From King Kong to Candyman, the boundary-pushing genre of horror film has always been a site for provocative explorations of race in American popular culture. This book offers a comprehensive chronological survey of Black horror from the 1890s to present day. In this second edition, Robin R. Means Coleman expands upon the history of notable characterizations of Blackness in horror cinema, with new chapters spanning the 1960s, 2000s, and 2010s to the present, and examines key levels of Black participation on screen and behind the camera. The book addresses a full range of Black horror films.

Reproductive Justice is a first-of-its-kind primer that provides a comprehensive yet succinct description of the field. Written by two legendary scholar-activists, Reproductive Justice introduces students to an intersectional analysis of race, class, and gender politics. Loretta J. Ross and Rickie Solinger put the lives and lived experience of women of color at the center of the book and use a human rights analysis to show how the discussion around reproductive justice differs significantly from the pro-choice/anti-abortion debates that have long dominated the headlines.

A much-needed guide to this increasingly popular divination system written by a Lenormand master and teacher.

Seven years ago, Austin Dash's dangerously jealous wife, Naomi, nearly stabbed him to death, an act that landed her in prison. Freed from her influence, Austin filed for divorce and took their young son to Atlanta for a fresh start. He established his own business and met the loving, gentle-hearted Brooke. Swept up in a charmed romance, they marry and prepare to welcome a new baby into their lives. But memories of Naomi haunt Austin's nightmares . . . And now, she's back.

Today, women are ascendant in stand-up comedy, even preeminent. They make headlines, fill arenas, spawn blockbuster movies. But before Amy Schumer slayed, Tiffany Haddish killed, and Ali Wong drew roars, the very idea of a female comedian seemed, to most of America, like a punch line. And it took a special sort of woman—indeed, a parade of them—to break and remake the mold. In on the Joke is the story of a group of unforgettable women who knocked down the doors of stand-up comedy so other women could get a shot

Immortality sucks. Just ask Imogen Gray: Over two-hundred thousand years old and teetering on the edge of total insanity. Strong as a shifter, faster than a vampire, Imogen's walked the earth forever, always alone, never growing, never changing. Never learning, either. Her smart mouth and quick temper get her into trouble far too often. When that happens, she gets hurt—and it can take a long time to heal from severed limbs and disembowelment. She's so tired of it all.

Immortality sucks. Just ask Imogen Gray—over two hundred thousand years old and teetering on the edge of total insanity. All throughout history, she's been hunted by an ancient creature who finds her and rips her to pieces every time she dares to access her deepest powers. But Imogen always regenerates. Slowly. Painfully.

Joyce thought her prayers were finally answered when her client killed her. Yes, she knows, it's morbid. But, so is being a lawyer. Now dead, Joyce thought it was blue skies, angel wings, mimosas, and Jesus. Well, she was embarrassingly wrong. The insufferable, but good-looking Grim Reaper needs a favor. He needs her to represent him in the newly formed Reaper's Court. That is, of course, if she wants to go to heaven rather than to hell, which is exactly where she was heading.

In this book Tiya Miles explores the popular yet troubling phenomenon of "ghost tours," frequently promoted and experienced at plantations, urban manor homes, and cemeteries throughout the South. As a staple of the tours, guides entertain paying customers by routinely relying on stories of enslaved black specters. But who are these ghosts? Examining popular sites and stories from these tours, Miles shows that haunted tales routinely appropriate and skew African American history to produce representations of slavery for commercial gain.

High school is supposed to be about studying, socializing, and marching-band practice. Not fighting vampires. Then one night flipped my world inside out-now, my life sucks. But it isn't all bad. I'm at a slayer academy, learning things like the real origin of vamps and how to make serious weapons out of thin air. Every last one of them will pay for what they did. I'm doing great. Until I come face-to-face with the actual vampire prince.