Showing results by author "Lindsey Davis" in All Categories

I was the new boy, so they saddled me with the worst jobs.' Rome, AD 71. Against his better judgement, Falco secretly disposes of a decayed corpse for the Emperor Vespasian, then heads for the beautiful Bay of Naples with his best friend Petronius. He conveniently forgets to mention to his companion that this will be no holiday. They have been sent to investigate the murderous members of a failed coup, now sunning themselves in luxurious villas and on fancy yachts.

"The first concern of an author is to do down his colleagues." In the long, hot Roman summer of AD 74, Falco, private informer and spare-time poet, gives a reading for his family and friends. Things get out of hand, as usual. The event is taken over by Aurelius Chrysippus, a wealthy Greek banker and patron to a group of struggling writers, who offers to publish Falco's work.

Your brother seemed to know what he was doing.' Rome, AD 72. Falco returns home from a six-month mission to the German legions. But trouble is in store for him: his apartment has been wrecked by squatters and an ex-legionary friend of his colourfully heroic brother Festus is demanding money, allegedly owed him as the result of one of Festus's wild schemes. Worse still, the only client Falco can get is his mother - who wants him to clear the family name.

It is 73 AD in Ancient Rome and inimitable sleuth Marcus Didius Falco is back with a vengeance. In one night, a man is killed and Rome's Chief of Spies left for dead. Naturally there is no one except Falco to conduct the investigation. Soon he is plunged into the fiercely competitive world of olive oil production. Political intrigue, an exotic Spanish dancer and impending fatherhood, all add to Falco's troubles.

Emperor Domitian is hosting a banquet for the senators in honour of fallen soldiers, and it's an invitation Aelianus and Justinus Camillus dare not refuse. On arrival, they enter a black-painted room furnished with couches resembling those found in mausoleums, complete with a tombstone bearing each of the senators' names. As the evening progresses the brothers conclude that Domitian has finally turned against them for their uncle's part in a plot to oust his father and start to wonder if they'll ever see the light of day again.... 

One fine day, A.D. 70, Sosia Camillina quite literally runs into Marcus Didius Falco on the steps of the Forum. It seems Sosia is on the run from a couple of street toughs, and after a quick and dirty rescue, P.I. Falco wants to know why.

"All the problems I know about are family ones." A frightened child approaches Roman informer Falco, pleading for help. Nobody believes Gaia's story that a relation wants to kill her--and neither does he. Beset by his own family troubles, by his new responsibilities as procurator of the sacred poultry, and by the continuing search for a new partner, Falco turns her away. Immediately he regrets it. Gaia has been selected as the new Vestal Virgin, and when she disappears Falco is officially asked to investigate.

Lindsey Davis’ Master and God is a vastly entertaining historical novel set in the reign of the Emperor Domitian in first-century Rome. It is on the one hand a love story between Gaius Vinius Clodianus, a valiant but reluctant member of the Praetorian Guard, whose military career is as successful as his marital history is disastrous, and Flavia Lucilla, daughter of a freed slave and hairdresser to the ladies of the imperial household. A devastating fire in Rome brings them together....

"I’ve always wanted to see something of the Empire outside Rome." AD 71. Germania Libera: dark, dripping forests inhabited by bloodthirsty barbarians and legendary wild beasts, a furious prophetess who terrorises Rome, and the ghostly spirits of slaughtered Roman legionaries. Enter Falco, an Imperial agent on a special mission: to find the absconding commander of a legion whose loyalty is suspect.

Marcus Didius Falco discovers that rank brings problems, the most gruesome of which is a corpse buried under the tiles of his new bath house. The contractors have fled to Britain where, as the Fates have it, Falco is ordered. A local chief and ally of the Romans is having a Palace built by the Emperor Vespasian. However, the project is running late, and fatal accidents keep happening. Falco, troubleshooting for the Emperor, is without an ally and now next on the list for assassination.

In the high summer of AD 77, Marcus Didius Falco is beset by personal problems. Newly bereaved and facing unexpected upheavals, it is a relief for him to consider someone else’s misfortunes. A middle-aged couple who supplied statues to his father, Geminus, have disappeared. They had a feud with a bunch of notorious freedmen, the Claudii, who live rough in the pestilential Pontine Marshes, terrorising the neighbourhood.

It is the Roman holiday of Saturnalia. The days are short, the nights are for wild parties. A general has captured a famous enemy of Rome, and brings her home to adorn his Triumph as a ritual sacrifice. But the logistics go wrong.

Fresh from his trip to Britain, Falco needs to re-establish his presence in Rome. A minor role in the trial of a senator entangles him in the machinations of Silius Italicus and Paccius Africanus, two real-life lawyers at the top of their trade. These notorious ex-consuls play a dangerous game, where success brings rich pickings but a mistrial or a wrong verdict entails huge financial penalties.

Falco: the new generation - Introducing Flavia Albia.Flavia Albia is the adopted daughter of a famous investigating family. In defiance of tradition, she lives alone on the colourful Aventine Hill, and battles out a solo career in a male-dominated world. As a woman and an outsider, Albia has special insight into the best, and worst, of life in ancient Rome.A female client dies in mysterious circumstances. Albia investigates and discovers there have been many other strange deaths all over the city, yet she is warned off by the authorities.

Marcus was hoping for a relaxed visit to Britannia. But things turn serious at the scene of a murder. King Togidubnus has been stuffed down a bar-room well - leading to a diplomatic situation which Marcus must resolve.

The Aventine is full of fracturing families. Wives plot to leave their husbands, husbands plot to spend more time with their mistresses. Masters must endure slaves taking obscene liberties, while aggressive slaves are learning to ape dangerous masters. But no one wants to hire an investigator during the holiday. Albia is lumped with her own domestic stress: overexcited children and bilious guests, too many practical jokes and her magistrate husband Tiberius preoccupied with local strife.

Marcus Didius Falco and his friend Petronius find their local fountain has been blocked - by a severed human hand. Soon other body parts are being found in the aqueducts & sewers.

In Roman times, the Seven Ancient Wonders of the World held a deep fascination. Two of them were in Egypt: the Great Pyramid of Giza and the Lighthouse at Alexandria. Marcus Didius Falco's wife Helena Justina is determined to see them before her next confinement. Conveniently, he has an uncle with a house in Alexandria. For this innocent reason (he says) they sail to Egypt. As soon as they arrive in Alexandria, a suspicious death occurs at the famous Great Library.

From the creator of Falco comes Falco: the new generation, featuring her unforgettable heroine Flavia Albia in her fourth novel. Life is sweet for Flavia Albia and her soon-to-be husband Faustus. But his new job as a building contractor runs into a problem: At the Garden of the Hesperides a barmaid went missing years before; now the workmen start unearthing her bones. Albia takes on the task of finding out what happened.

Rome, the very end of December. The Field of Mars is packed with monuments, none more beautiful than Domitian's new Odeon and Stadium. But the area has been overtaken by ugly events: elaborately staged murders. Someone bears a spectacular grudge against the theatrical community and intends to get revenge in the most spectacular way possible. The killer's method is to re-enact bloody scenes from the gruesome side of popular theatre, where characters in plays really die on stage.