Mostrando títulos en Historia y Crítica

A brief history of gospel music ministry in America from pre-slavery to the beginning of the 21st century and the impact of the Gospel Music Workshop of America on the genre. Interviews with gospel griots who share the rich heritage and legacy of music within the African American religious experience.

Award-winning music journalist and author Stuart Nicholson takes the listener on an entertaining journey from jazz's early stirrings in America’s south through to the present day, when almost every country in the world has its own vibrant jazz scene. En route we meet a host of jazz heroes past and present, from Louis Armstrong, Benny Goodman and Miles Davis, to Keith Jarrett and Kamasi Washington. Each chapter is accompanied by a playlist designed to provide a stimulating and enjoyable entry point to what has been described as the most exciting art form of all.

When Bruce Springsteen went back on the road in 1984, he opened every show by shouting out, "one, two, one, two, three, four," followed by the droning synth chords of "Born in the U.S.A." Max Weinberg hit his drums with a two-fisted physicality that cut through the swelling chords. With a rolled-up red kerchief around his head and heavy black boots under his faded jeans, Springsteen looked like the character of the song, and from the very first line ("Born down in a dead man's town") he sang with the throat-scraping desperation of a man with his back against the wall.

Joe Bonomo strikes a three-chord essay on the power of adolescence, the durability of rock & roll fandom, and the transformative properties of memory. Why does Highway To Hell matter to anyone beyond non-ironic teenagers? Blending interviews, analysis, and memoir with a fan's perspective, Highway To Hell dramatizes and celebrates a timeless album that one critic said makes "disaster sound like the best fun in the world."

In this of-the-moment essay collection, celebrated music journalist Andrea Warner explores the ways in which Céline Dion, Shania Twain, Alanis Morissette, and Sarah McLachlan became bona fide global superstars while revolutionizing ’90s music. In an era when male-fronted musical acts dominated radio and were given serious critical consideration, these four women were reduced, mocked, and disparaged by the media and became pop culture jokes, even as their albums were topping the charts and demolishing sales records.

Have you ever had a dream? Something you wanted so bad you just couldn’t let it go? For a group of kids in Harlem in the Eighties, their dreams would change pop music forever. Teddy Riley, Timmy Gatling, and Aaron Hall form a group called Guy that would fuse hip-hop and R&B and launch a new sound.

It is belived that, in his lifetime, Michael Jackson sold around 750 million records, making him one of the most successful entertainers ever. This in-depth and affectionate biography traces the rise of the man, from child prodigy to tortured megastar. It is the definitive portrait of a pop legend whose strange and brilliant life will never be forgotten.

In this major BBC Radio 4 series, James Naughtie uncovers the roots of our music and reveals the soundtrack to our own history. The history of classical music is inextricably linked with the places it was written, its purpose and its patrons as well as with politics, war and social change. From the earliest music of the monasteries to the court and church music of the Renaissance and Reformation and beyond, composers have always changed with the times.

Before The Beatles landed on American shores in February 1964, only two British acts had topped the Billboard singles chart. In the first quarter of 1964, however, the Beatles alone accounted for 60% of all recorded music sold in the United States; in 1964 and 1965 British acts occupied the number one position for 52 of the 104 weeks; and from 1964 through to 1970, the Rolling Stones, Herman's Hermits, the Dave Clark Five, the Animals, and more placed more than 130 songs on the American Top Forty.

The spiritual journey of the Beatles is the story of an entire generation of visionaries in the sixties who transformed the world. The Inner Light illumines hidden meanings of the Beatles' India-influenced lyrics and sounds, decoded by Susan Shumsky—a rare insider who spent two decades in the ashrams and six years on the personal staff of the Beatles' mentor, Maharishi Mahesh Yogi.

From anonymous 10th-century troubadours to world-renowned 20th-century composers, this comprehensive commentary explores the roots of the most influential music genres of our time. Essential listening for students and lovers of great music, A History of Music in Western Civilization features music performed by world-renowned orchestras and enlightening discussions by 15 prominent music authorities, including Christopher Hogwood, Dr. Wilfrid Mellers, and others.

Johann Sebastian Bach dejó una biblioteca de poco más de ochenta libros entre los que se contaban títulos de teología y espiritualidad—o al menos así lo certifica el inventario efectuado a su muerte—, y que constituyeron, cabe imaginar que junto a otros textos, un espacio de intimidad cotidiana y de reflexión. Contemporáneo de Newton y Leibniz, su música fue creada en un momento crucial del ideario de Occidente, y así lo refleja su inaudita capacidad de absorber las propuestas procedentes de la Razón y el espíritu y transformarlas en un arte de insólita penetración intelectual y humana.

It was a time when music fans copied and traded recordings without permission. An outraged music industry pushed Congress to pass anti-piracy legislation. Yes, that time is now; it was also the era of Napster in the 1990s, of cassette tapes in the 1970s, of reel-to-reel tapes in the 1950s, even the phonograph epoch of the 1930s. Piracy, it turns out, is as old as recorded music itself. In Democracy of Sound, Alex Sayf Cummings uncovers the little-known history of music piracy and its sweeping effects on the definition of copyright in the United States.

David Hajdu begins Love for Sale, his personal history of recorded pop music, in an unexpected place - not with nostalgic reminiscences of the 45s of his youth but with the sheet music era at the end of the 19th century. It was not so much the beginning of popular music - many songs were already popular - as it was the beginning of the popular music industry. And if he's going to understand what his 45s meant to him, this is the place to start.

The British Invasion of the Hot 100 in 1964 really was an invasion of the American pop chart by British acts that no one could have foreseen. In 1963, only one British act reached #1 on the American singles chart. It was The Tornados with their instrumental hit, ‘Telstar’. It was released in 1962 and spent a single week in 1963 at #1. Many #1 records in 1963 don’t even seem like pop records, at least not the kind you would find on the Hot 100 a scant few months into 1964. You were more likely to find a lot of these records in the parents’ record collections than with America’s ...

Amidst the political turmoil in America in 1968, the music you heard on the radio was as eclectic a concoction as anyone could imagine. It’s sappy ballads, bubblegum records, psychedelic hits, instrumental hits, country tunes, hard rock, power pop, soul, Motown classics, protest songs, novelty records and, as always, or at least since 1964 in America, the genius of The Beatles. Even among just the #1 songs of the year, the variety is mind-blowing, from ‘Hey Jude’, ‘Honey’, ‘Green Tambourine’, ‘Love Is Blue’, ‘Grazing In The Grass’ and ‘Harper Valley P.T.A.’ to ‘...

Drawing on interviews with family members, managers, promoters, and the jazz musicians who worked with her, as well as contemporary newspaper articles and reviews, Late Life Jazz tells the unsung story of one of America's finest singers, Rosemary Clooney. Ken Crossland and Malcolm Macfarlane trace Rosemary's life from her hardscrabble beginnings in Maysville Kentucky, through her first performances singing with the Barney Rapp Band in Cincinnati, through her rise to pop stardom in the early 1950s.

In Nazi Germany, the cult of celebrity was the embodiment of Hitler's style of cultural governance. Hitler's rise to power owed much to the creation of his own celebrity, and the country's greatest stars, whether they were actors, writers, or musicians, could be one of only two things. If they were compliant, they were lauded and awarded status symbols for the regime; but if they resisted - or were simply Jewish - they were traitors to be interned and murdered.

Music composed for television had, until recently, never been taken seriously by scholars or critics. Catchy TV themes, often for popular weekly series, were fondly remembered but not considered much more culturally significant than commercial jingles. Yet noted composers like John Williams, Henry Mancini, and Jerry Goldsmith learned and/or honed their craft in television before going on to major success in feature films.

In this volume, you will learn all the secrets and details regarding the conception, recording, and release of the legendary "1984" album by Van Halen. The author tells all about the origins of the work, how it was conceived by the band, and also explains its historical context. He makes a meticulous analysis of each track on the album, mentioning its sources of inspiration, revealing details about the recording sessions, and much more. He explains the legacy left by the album and its influence over other artists and also in the world of music. In the end, there a bibliography about the ...