Showing titles in Latino American

Havana, 1958. The daughter of a sugar baron, 19-year-old Elisa Perez is part of Cuba's high society, where she is largely sheltered from the country's growing political unrest - until she embarks on a clandestine affair with a passionate revolutionary...Miami, 2017. Freelance writer Marisol Ferrera grew up hearing romantic stories of Cuba from her late grandmother Elisa, who was forced to flee during the revolution. Arriving in Havana, Marisol comes face-to-face with the contrast of Cuba's tropical, timeless beauty and its perilous political climate.

1985. Anita de Monte, a rising star in the art world, is found dead in New York City; her tragic death is the talk of the town. Until it isn’t. By 1998 Anita’s name has been all but forgotten—certainly by the time Raquel, a third-year art history student is preparing her final thesis. On College Hill, surrounded by privileged students whose futures are already paved out for them, Raquel feels like an outsider. Students of color, like her, are the minority there, and the pressure to work twice as hard for the same opportunities is no secret.

JARED - If I had a dollar for every time Banner Morales made my heart skip a beat...The heart everyone assumes is frozen over. Her anger is...arousing. Every glare from those fire-spitting eyes, every time she grits her teeth, gets me...well, you know. If I had a dollar for every time she's put me in my place, I'd be an even richer man. I'm a successful sports agent because I assume "no" means you'll think about it. I'm sure what you meant to say is, "Coming right up." They say even rich men don't always get what they want, but those men don't know how to play the game.

Montserrat has always been overlooked. She’s a talented sound editor, but she’s left out of the boys’ club running the film industry in ’90s Mexico City. And she’s all but invisible to her best friend, Tristán, a charming if faded soap opera star, though she’s been in love with him since childhood. Then Tristán discovers his new neighbor is the cult horror director Abel Urueta, and the legendary auteur claims he can change their lives—even if his tale of a Nazi occultist imbuing magic into highly volatile silver nitrate stock sounds like sheer fantasy.

Lydia Quixano Pérez lives in the Mexican city of Acapulco. She runs a bookstore. She has a son, Luca, the love of her life, and a wonderful husband who is a journalist. And while there are cracks beginning to show in Acapulco because of the drug cartels, her life is, by and large, fairly comfortable. When Lydia’s husband’s tell-all profile of Javier, the jefe of the newest drug cartel that has gruesomely taken over the city, is published, none of their lives will ever be the same.

Vienna, 1938. Samuel Adler is five years old when his father disappears during Kristallnacht—the night his family loses everything. As her child’s safety becomes ever harder to guarantee, Samuel’s mother secures a spot for him on a Kindertransport train out of Nazi-occupied Austria to England. He boards alone, carrying nothing but a change of clothes and his violin.

Cada mes de agosto Ana Magdalena Bach toma el transbordador hasta la isla donde está enterrada su madre para visitar la tumba en la que yace. Esas visitas acaban suponiendo una irresistible invitación a convertirse en una persona distinta durante una noche al año.

Alma Cruz, the celebrated writer at the heart of The Cemetery of Untold Stories, doesn’t want to end up like her friend, a novelist who fought so long and hard to finish a book that it threatened her sanity. So when Alma inherits a small plot of land in the Dominican Republic, her homeland, she has the beautiful idea of turning it into a place to bury her untold stories—literally. She creates a graveyard for the manuscript drafts and revisions, and the characters whose lives she tried and failed to bring to life and who still haunt her.

Working at the local processing plant, Marcos is in the business of slaughtering humans - though no one calls them that anymore. His wife has left him, his father is sinking into dementia, and Marcos tries not to think too hard about how he makes a living. After all, it happened so quickly. First, it was reported that an infectious virus has made all animal meat poisonous to humans. Then governments initiated the "Transition". Now, eating human meat - "special meat" - is legal. Marcos tries to stick to numbers, consignments, processing.

As the fact checker for a popular magazine, Gabby DiMarco believes in absolute, verifiable Truths—until they throw the facts of her own life into question. The genealogy test she took as research for an article has yielded a baffling result: Gabby has a sister—one who’s been desperately trying to find her. Except, as Gabby’s beloved parents would confirm if they were still alive, that’s impossible.

The House of the Spirits brings to life the triumphs and tragedies of three generations of the Trueba family. The patriarch Esteban is a volatile, proud man whose voracious pursuit of political power is tempered only by his love for his delicate wife, Clara, a woman with a mystical connection to the spirit world. When their daughter, Blanca, embarks on a forbidden love affair in defiance of her implacable father, the result is an unexpected gift to Esteban.

It is said that the canal will be the greatest feat of engineering in history. But first, it must be built. For Francisco, a local fisherman who resents the foreign powers clamoring for a slice of his country, nothing is more upsetting than the decision of his son, Omar, to work as a digger in the excavation zone. But for Omar, whose upbringing was quiet and lonely, this job offers a chance to finally find connection.

El 8 de noviembre de 1519 Hernán Cortés entró por primera vez a la ciudad isla de México Tenochtitlan en compañía de 450 europeos y aproximadamente 6,000 soldados tlaxcaltecas, cholultecas, huexotzincas y totonacas.

Let the Wild Grasses Grow chronicles the lives of Della Chavez and John Cordova, childhood friends separated by a tragic accident, who find each other again during World War II after leading lives of struggle through the Great Depression, the Dust Bowl, and, for John, abuse at the hands of his grandfather. This sweeping American love story celebrates the power of home landscapes, family heritage, and first love.

After a childhood filled with heartbreak, Irene, a talented artist, finds herself in a small Central American village where she checks into a beautiful but decaying lakefront hotel called La Llorona at the base of a volcano.

With a singular voice in the narrative-bending tradition of Kafka, Cortázar, and Bulgakov, Lima speaks to Brazilian-American immigrant experiences—of ambition, fear, heartbreak, and home—with equal parts warmth and agitation. Strange, intimate, haunted, and hungry, Craft: Stories I Wrote for the Devil is a powerful experience: once listened to, you’re as much a part of the stories as they’re a part of you.

Sebastián lived a childhood of privilege in Mexico City. Now in his twenties, he has a degree from Yale, an American girlfriend, and a slot in the University of Iowa's MFA program. But Sebastián's life is shaken by the Trump administration's restrictions on immigrants, his mother's terminal cancer, the cracks in his relationship, and his father's forced resignation at the hands of Mexico's new president. As he struggles through the Trump and Lopez Obrador years, Sebastián must confront his father's role in the Mexican drug war and navigate his whiteness in Mexican contexts.

September 11, 1973: Eleven-year-old Alejandro Penda watches from his apartment window as Santiago, Chile falls to a military coup, destroying his family and his childhood. Arriving alone in America, he’s taken in by the Larks: a prominent family in the town of Guelisten. Though burdened by unresolved grief for his disappeared parents, he becomes fiercely loyal to the Larks, eventually marrying one of their daughters, Valerie.

Sometimes heartbreaking, sometimes deeply joyous, The House on Mango Street tells the story of Esperanza Cordero, whose neighborhood is one of harsh realities and harsh beauty. Esperanza doesn't want to belong, not to her rundown neighborhood, and not to the low expectations the world has for her. Esperanza's story is that of a young girl coming into her power, and inventing for herself what she will become.

Luciana is the baby of her large Colombian American family. And despite usually being relegated to the sidelines, she now finds herself the voice of reason in the middle of their unexpected crisis. Her older sister, Mari, is away at college and reduced to a mere listening ear on the other end of their many phone calls, so when South Florida residents are ordered to evacuate before a hurricane, it’s up to Luciana to deal with her eccentric grandmother, Abue, who’s refusing to leave. But the storm isn’t the only danger.