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In 2007, the Center for Automation in Nanobiotech (CAN) outlined the hardware and software platform that would one day allow robots smaller than human cells to make medical diagnoses, conduct repairs, and even self-propagate. In the same year, a simple pill, it had been discovered, could wipe out the memory of any traumatic event. At almost the same moment in humanity's broad history, mankind had discovered the means for bringing about its utter downfall - and the ability to forget it ever happened.

Wool introduced the silo and its inhabitants. Shift told the story of their making. Dust will chronicle their undoing. Welcome to the underground.

This is the story of mankind clawing for survival, of mankind on the edge. The world outside has grown unkind, the view of it limited, talk of it forbidden. But there are always those who hope, who dream. These are the dangerous people, the residents who infect others with their optimism. Their punishment is simple. They are given the very thing they profess to want: They are allowed outside.

Famine. Death. War. Pestilence. These are the harbingers of the biblical apocalypse, of the End of the World. In science fiction, the end is triggered by less figurative means: nuclear holocaust, biological warfare/pandemic, ecological disaster, or cosmological cataclysm. But before any catastrophe, there are people who see it coming. During, there are heroes who fight against it. And after, there are the survivors who persevere and try to rebuild. THE APOCALYPSE TRIPTYCH will tell their stories. Edited by acclaimed anthologist John Joseph Adams and bestselling author Hugh Howey, THE APOCALYPSE TRIPTYCH is a series of three anthologies of apocalyptic fiction. THE END IS NIGH focuses on life before the apocalypse. THE END IS NOW turns its attention to life during the apocalypse. And THE END HAS COME focuses on life after the apocalypse.

In a ruined and toxic landscape, a community exists in a giant silo underground, hundreds of stories deep. There, men and women live in a society full of regulations they believe are meant to protect them. Sheriff Holston, who has unwaveringly upheld the silo’s rules for years, unexpectedly breaks the greatest taboo of all: He asks to go outside.

Hugh Howey is known for crafting riveting and immersive tales of boundless imagination. Now comes Machine Learning, an impressive collection of Howey's science fiction and fantasy short fiction, including three stories set in the world of Wool, two never-before-published tales written exclusively for this volume, and 15 additional stories collected here for the first time. These stories explore everything from artificial intelligence to parallel universes to video games, and each story is accompanied by an author's note.

We live across the thousand dunes with grit in our teeth and sand in our homes. No one will come for us. No one will save us. This is our life, diving for remnants of the old world so that we may build what the wind destroys. No one is looking down on us. Those constellations in the night sky? Those are the backs of gods we see.

For centuries, men and women have manned lighthouses to ensure the safe passage of ships. It's a lonely job, and a thankless one for the most part - until something goes wrong, until a ship is in distress. In the 23rd century, this job has moved into outer space. A network of beacons allows ships to travel across the Milky Way at many times the speed of light. These beacons are built to be robust. They never break down. They never fail. At least, they aren't supposed to.

This book contains foul language and fouler descriptions of life as a zombie. It will offend most anyone, so proceed with caution or not at all. And be forewarned: This is not a zombie book. This is a different sort of tale. It is a story about the unfortunate, about those who did not get away. It is a human story at its rotten heart. It is the reason we can't stop obsessing about these creatures, in whom we see all too much of ourselves.

Wastelands 2: More Stories of the Apocalypse is a new anthology of postapocalyptic literature from some of the most renowned authors in the science fiction, fantasy, and horror genres today, including George R. R. Martin, Hugh Howey, Junot Díaz, David Brin, and many more. This eclectic mix of tales explores famine, death, war, pestilence, and harbingers of the biblical apocalypse.

Less than 60 kids awaken on a distant planet. The colony ship they arrived on is aflame. The rest of their contingent is dead. They've only received half their training, and they are being asked to conquer an entire planet. Before they can, however, they must first survive each other.

It wasn't easy for Molly being the only girl in Flight Academy, but getting expelled was even worse. Abandoned by her family when she was young and now tossed from the only home she's ever known, her future looks bleak.

But then Molly hears that her father's old starship has turned up halfway across the galaxy. Setting off to retrieve the old craft, she hopes it will hold clues to his disappearance. Accompanying her as a chaperone is Cole, her old flight partner from the Academy.

Famine. Death. War. Pestilence. These are the harbingers of the biblical apocalypse, of the end of the world. In science fiction the end is triggered by less figurative means: nuclear holocaust, biological warfare/pandemic, ecological disaster, or cosmological cataclysm.

The ocean is dying. The sea is growing warmer and is gradually rising. Seashells have become so rare that collecting them is now a national obsession. Flawless specimens sell like priceless works of art. Families hunt the tideline in the dark of night with flashlights. Crowds gather on beaches at the lowest of tides, hoping to get lucky.

In part five of this series, we take a step back from examples of the struggles we face and solutions for conquering those struggles and delve deeper into the two levels of thought that are often in conflict. We look at the consciousness and subconsciousness and how the two are in dialog with one another. More importantly, we examine how the consciousness likely formed, and how its adaptation may have been for a different purpose entirely.

In part 6 of this series, I tackle depression, its origins, and techniques for dealing with both it and anxiety.

Adam Griffey is living two lives. By day, he teaches literature. At night, he steals it. Adam is a plagiarist, an expert reader with an eye for great works. He prowls simulated worlds perusing virtual texts, looking for the next big thing. And when he finds it, he memorizes it page by page, line by line, word for word. And then he brings it back to his world, the real world, and he sells it. But what happens when these virtual worlds begin to seem more real than his own? What happens when the people within them mean more to him than flesh and blood?

When a robot defies his programming, is he broken? Or is he something else?

Famine. Death. War. Pestilence. These are the harbingers of the biblical apocalypse, of the End of the World. In science fiction, the end is triggered by less figurative means: nuclear holocaust, biological warfare/pandemic, ecological disaster, or cosmological cataclysm. But before any catastrophe, there are people who see it coming. During, there are heroes who fight against it. And after, there are the survivors who persevere and try to rebuild. "The Apocalypse Triptych" will tell their stories.

Can artificial intelligence write a novel? In 2174, authors are obsolete. With the exception of a few human "author" titles printed in the small basement and back room libraries, all stories are created by the Artificial Intelligence of the Archive. Most believe the "authors" are only brands to lure people into spending their credits on print. One woman believes that one of them, author Hugh Howey, is real and still alive.