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Joe King Oliver was one of the NYPD's finest investigators, until, dispatched to arrest a well-heeled car thief, he is framed for assault by his enemies within the NYPD, a charge which lands him in solitary at Rikers Island. A decade later, King is a private detective, running his agency with the help of his teenage daughter, Aja-Denise. Broken by the brutality he suffered and committed in equal measure while behind bars, his work and his daughter are the only light in his solitary life. When he receives a card in the mail from the woman who admits she was paid to frame him those years ago, King realizes that he has no choice.
In this scorching, mournful, often explicit, and never less than moving literary novel by the famed creator of the Easy Rawlins series, Debbie Dare, a black porn queen, has to come to terms with her sordid life in the adult entertainment industry after her tomcatting husband dies in a hot tub. Electrocuted. With another woman in there with him. Debbie decides she just isn't going to "do it anymore". But executing her exit strategy from the porn world is a wrenching and far from simple process.
Los Angeles, 1948: Easy Rawlins is a black war veteran just fired from his job at a defense plant. Easy is drinking in a friend's bar, wondering how he'll meet his mortgage, when a white man in a linen suit walks in, offering good money if Easy will simply locate Miss Daphne Money, a blonde beauty known to frequent black jazz clubs.
In the beginning, Ezekiel "Easy" Rawlins and Raymond "Mouse" Alexander were merely two young men hitting the road. In a "borrowed" 1936 Ford, they head for Pariah, Texas on a mission to retrieve money from Mouse's stepfather so he can marry his EttaMae. But on their steamy bayou excursion, Mouse chooses murder as a way out, while Easy's past liaison with EttaMae floats precariously in his memory. Easy and Mouse are coming of age - and everything they ever knew about friendship and about themselves is coming apart at the seams.
Walter Mosley's talent knows no bounds. Inside a Silver Box continues to explore the cosmic questions entertainingly discussed in his Crosstown to Oblivion. From life's meaning to the nature of good and evil, Mosley takes listeners on a speculative journey beyond reality. In Inside a Silver Box, two people brought together by a horrific act are united in a common cause by the powers of the Silver Box.
His name is etched on the door of his Manhattan office: LEONID McGILL , PRIVATE INVESTIGATOR. It's a name that takes a little explaining, but he's used to it. Ex-boxer, hard drinker, in a business that trades mostly in cash and favors: McGill's an old-school P.I. working a city that's gotten fancy all around him. Fancy or not, he has always managed to get by - keep a roof over the head of his wife and kids, and still manage a little fun on the side - mostly because he's never been above taking a shady job for a quick buck.
Joe King Oliver was one of the NYPD's finest investigators, until, dispatched to arrest a well-heeled car thief, he is framed for assault by his enemies within the NYPD, a charge which lands him in solitary at Rikers Island. A decade later, King is a private detective, running his agency with the help of his teenage daughter, Aja-Denise. Broken by the brutality he suffered and committed in equal measure while behind bars, his work and his daughter are the only light in his solitary life. When he receives a card in the mail from the woman who admits she was paid to frame him those years ago, King realizes that he has no choice.
In this scorching, mournful, often explicit, and never less than moving literary novel by the famed creator of the Easy Rawlins series, Debbie Dare, a black porn queen, has to come to terms with her sordid life in the adult entertainment industry after her tomcatting husband dies in a hot tub. Electrocuted. With another woman in there with him. Debbie decides she just isn't going to "do it anymore". But executing her exit strategy from the porn world is a wrenching and far from simple process.
Los Angeles, 1948: Easy Rawlins is a black war veteran just fired from his job at a defense plant. Easy is drinking in a friend's bar, wondering how he'll meet his mortgage, when a white man in a linen suit walks in, offering good money if Easy will simply locate Miss Daphne Money, a blonde beauty known to frequent black jazz clubs.
In the beginning, Ezekiel "Easy" Rawlins and Raymond "Mouse" Alexander were merely two young men hitting the road. In a "borrowed" 1936 Ford, they head for Pariah, Texas on a mission to retrieve money from Mouse's stepfather so he can marry his EttaMae. But on their steamy bayou excursion, Mouse chooses murder as a way out, while Easy's past liaison with EttaMae floats precariously in his memory. Easy and Mouse are coming of age - and everything they ever knew about friendship and about themselves is coming apart at the seams.
Walter Mosley's talent knows no bounds. Inside a Silver Box continues to explore the cosmic questions entertainingly discussed in his Crosstown to Oblivion. From life's meaning to the nature of good and evil, Mosley takes listeners on a speculative journey beyond reality. In Inside a Silver Box, two people brought together by a horrific act are united in a common cause by the powers of the Silver Box.
His name is etched on the door of his Manhattan office: LEONID McGILL , PRIVATE INVESTIGATOR. It's a name that takes a little explaining, but he's used to it. Ex-boxer, hard drinker, in a business that trades mostly in cash and favors: McGill's an old-school P.I. working a city that's gotten fancy all around him. Fancy or not, he has always managed to get by - keep a roof over the head of his wife and kids, and still manage a little fun on the side - mostly because he's never been above taking a shady job for a quick buck.
Tommy's nickname is Lucky, but no one would think this crippled boy was blessed. Cursed with health problems and drawn into trouble more often than not, Tommy is the recipient of pity rather than admiration. He is nothing like his stepbrother Eric.
Ptolemy Grey is 91 years old and has been all but forgotten - by his family, his friends, even himself - as he sinks into a lonely dementia. His grand-nephew, Ptolemy's only connection to the outside world, was recently killed in a drive-by shooting, and Ptolemy is too suspicious of anyone else to allow them into his life, until he meets Robyn, his niece's 17-year-old lodger and the only one willing to take care of an old man at his grandnephew's funeral.
Living in an abandoned apartment building in South-Central L.A., Socrates is one step away from the streets. He bags groceries at the supermarket, collects bottles and cans to recycle for pennies, and feels himself slipping toward invisibility - that is, until he meets 11-year-old Darryl, whose already committed murder and is perilously close to slipping into a life filled with only violence and bloodshed. Socrates' determination to fight for and save Darryl lights his own pathway to self-forgiveness.
It was the night before his wedding, 15 years ago, when the nightmare began for Jay Crawford - locked up for a crime he never committed. Now he's escaped prison and wants nothing more than to clear his name and protect his family. To get justice,he'll need the help of the three best friends who have always had his back - Wil, Kyle, and Allan. But a man on the run requires absolute trust...and Jay may just be setting himself up for the ultimate betrayal.
Universally acclaimed as a musical genius, Miles Davis was one of the most important and influential musicians in the world. Here, Miles speaks out about his extraordinary life. Miles: The Autobiography, like Miles himself, holds nothing back. For the first time Miles talks about his five-year silence. He speaks frankly and openly about his drug problem and how he overcame it. He condemns the racism he encountered in the music business and in American society generally. And he discusses the women in his life.
Award-winning authors Victoria Christopher Murray and ReShonda Tate Billingsley are both beloved for their strong female leads and juicy plotting. In Sinners & Saints, Murray and Billingsley join forces to tell a tale packed with drama, scandal, and redemption. Jasmine Bush and Rachel Adams both want their husbands to be elected president of the National Baptist Association, and they’re willing to use plenty of low-down tricks to win. But when another woman joins the fray, she proves more devious than either of them could imagine.
It is the last season of high school life for Nadia Turner, a rebellious, grief-stricken, 17-year-old beauty. Mourning her own mother's recent suicide, she takes up with the local pastor's son. Luke Sheppard is 21, a former football star whose injury has reduced him to waiting tables at a diner. They are young; it's not serious. But the pregnancy that results from this teen romance - and the subsequent cover-up - will have an impact that goes far beyond their youth.
Paris Minton is a man who would just as soon walk away from trouble as stand up to it. But in 1950s Los Angeles, sometimes trouble just comes and gets you. When one of L.A.'s wealthiest women hires Paris and his friend Fearless Jones to find a missing nephew, Paris steps into the a complex and terrifying corner of the black bourgeoisie, and wonders whom he should fear more - the people he's looking for or the people he's working for.
Three never before published novellas from some of our very best crime writers, compiled and edited by Ed McBain.
The producer of a troubled play invites the cast to spend the weekend in his remote Scottish Highlands estate to hash out the problems. When the housemaid finds the playwright murdered in bed, Thomas Lynley and his partner must unmask the villain.
Why exactly Charley Bordelon's late father left her eight hundred sprawling acres of sugarcane land in rural Louisiana is as mysterious as it was generous. Recognizing this as a chance to start over, Charley and her 11-year-old daughter, Micah, say good-bye to Los Angeles. They arrive just in time for growing season but no amount of planning can prepare Charley for a Louisiana that's mired in the past: as her judgmental but big-hearted grandmother tells her, cane farming is always going to be a white man's business.
Walter Mosley, "one of crime fiction's brightest stars" ( People), returns to mysteries at last! Fearless Jones is a dazzling new thriller, set in 1950s L.A. and featuring the most engaging hero since Easy Rawlins.
The beautiful house has been in the Blakey family for generations, but Charles has just lost his job and is behind on his mortgage payments. The money would be welcome.
But Charles Blakey is black, and Anniston Bennet is white, and it is clear that the stranger wants more than a basement view. There is something deeper and darker about his request, and Charles does not need any more trouble. But financial necessity leaves him no choice.
Once Anniston Bennet is installed in his basement, Charles is cast into a role he never dreamed of. Anniston has some very peculiar requests for his landlord, and try as he might, Charles cannot avoid being lured into Bennet's strange world. Charles' summer with a man in his basement turns into an exploration of inconceivable worlds of power and manipulation, and unimagined realms of humanity.
Walter Mosely pierces long-hidden views of justice and morality with startling insight into the deepest mysteries of human nature. Original and compelling, The Man in My Basement is a literary feat from "one of the country's best writers." (Denver Post)
"The book's timeliness is irrevocably established. This is fine, provocative writing from the prolific [Walter] Mosley, whose gifts extend well beyond his excellent mysteries." (Booklist)
The premise of the story intrigued me. Now that I've finished it I'm left wondering, "Now, why did I read this again?" I never did understand why the man in the basement felt the need to do what he did down there.
Some of the characters really didn't move the story along. They simply served as a means of filling the gaps between when the main character and the man in the basement would meet, and that didn't happen until half way through the story!
And yes, there was a lot of X-rated content which had no place in this story line...just something to throw in there.
Pass this one by.
5 of 6 people found this review helpful
What did you like best about The Man in My Basement? What did you like least?
the story line was unusual to say the least. The story was tight and on line throughout the book.
1 of 1 people found this review helpful
This is classic Mosely after his dectective genre. Mosely is the type of author that makes one think and deals with real issues in an interesting way. This book deals with the ideas of slavery, heritage, right versus wrong, and some other issues. It held my attention but I probably would have liked the print format better. No a bad listen because the narrator is excellent, just have to pay attention.
1 of 1 people found this review helpful
Its very rare that I read a book like this. The premise is very simple, a white guy wants to move into the basement of a down-and-out black guy who is short on cash anyway. But what evolves from there is still to me, after many reads of this book, a great story. I cannot compare it to any other book I've ever read, but the closest comparisons are "The Stranger," by Albert Camus and maybe the works of Haruki Murakami. It's one of those books that has a very real terror to it, without scattering dead bodies and zombies if you know what I mean. It touches on many layers as you feel yourself being pulled deeper into this other life and other characters. I have tried two other Mosley books and disliked them very much, but this one is a gem to me.
1 of 1 people found this review helpful
This is my first audio book I started reading the hard copy, but, hearing it read with such emotion and clarity made me feel like I was watching a movie. I was so engrossed I listened to the entire reading in one sitting. I've always liked or rather enjoyed Walter Mosley and have found a new admiration for Ernie Hudson who narrated this piece. His voice just made me want to keep listening just as if I had read the actual book, you know how you get that sad kind of feeling just before you finish a good book? well the same concept applies. Nevertheless I enjoyed it and am glad I tried audio everthing else takes so much time with this I can listen and keep doing what I'm doing and never miss a beat. Thanks for reading. Peace!
1 of 1 people found this review helpful
I've read or listened to everything Mosley has ever done, including his non-fiction. This is one of his best works.
2 of 3 people found this review helpful
This book is great. It's simple yet profound. It's a literary jewel I'll never forget.
The characters are despicable, the writing wanders, and while I understand Moseley wants to expand....he should stick to Easy novels.
I couldn't stop listening to it. It kept my interest and I really enjoyed it
I really enjoy reading or listening to Walter Mosley's book the actor did a wonderful job re-creating in the imagination the man in the basement