
Down the River unto the Sea
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Narrated by:
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Dion Graham
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By:
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Walter Mosley
Winner of the Edgar Award for Best Novel of the Year: bestselling author Walter Mosley "is back with a whole new character to love...As gorgeous a novel as anything he's ever written" (Washington Post).
Joe King Oliver was one of the NYPD's finest investigators until he was framed for sexual assault by unknown enemies within the force. A decade has passed since his release from Rikers, and he now runs a private detective agency with the help of his teenage daughter. Physically and emotionally broken by the brutality he suffered while behind bars, King leads a solitary life, his work and his daughter the only lights. When he receives a letter from his accuser confessing that she was paid to frame him years ago, King decides to find out who wanted him gone and why.
On a quest for the justice he was denied, King agrees to help a radical black journalist accused of killing two on-duty police officers. Their cases intertwine across the years and expose a pattern of corruption and brutality wielded against the black men, women, and children whose lives the law destroyed. All the while, two lives hang in the balance: King's client's and his own.
"A wild ride that delivers hard-boiled satisfaction while toying with our prejudices and preconceptions."—Steph Cha, Los Angeles Times
©2018 Walter Mosley (P)2018 Hachette AudioListeners also enjoyed...




















Critic reviews
"Walter Mosley is back with a whole new character to love. . . . As gorgeous a novel as anything he's ever written. And with Joe King Oliver I'm betting, and hoping, he's given us a character we haven't see the last of."—Richard Lipez, Washington Post
"Gritty . . . The plot soars . . . Few mystery writers can examine issues of race—how it divides and binds people—as clearly and unflinchingly as Walter Mosley."—Oline Cogdill, Associated Press
"Great stuff . . . The vibrant characters and pulsating dialogue are primo Mosley."—Marilyn Stasio, New York Times Book Review
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Not Moseley’s best
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Lessons Learned
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Loved it! Hard to stop listening,
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definitely noir
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Mosley started out his career as brilliant as he has ever been. Devil in a Blue Dress has its clumsy narrative moments, but it’s an extraordinary reimagining of the detective novel as a lens to examine not just race – which it justly receives a lot of attention for having done – but also masculinity.
The more Mosley wrote, the more skilled he became, working through a lot of the clumsiness and – through the Mosley novels – exploring the changed nature of race in America. (I still love the title of the essay I have never quite finished: “A Line of Any Color is Still a Colored Line.) Racism didn’t end with the 1960s, of course not, but its manifestations changed, and Mosley was right there, tracing them through Easy’s adventures. The brilliance of the original insight got more and more attenuated, but he generally kept the novels fresh and compelling.
Here, as we move outside the Easy novels, Mosley is on top of his craft, but it feels as if he’s imitating himself. Joe King Oliver has a fair bit of Easy in him; he’s a decent man who, having been framed as a cop, tries to keep his head down from the “villainous” powers that be. Even more like Easy, he has a sociopathic friend – not Mouse here but rather Mel – who trades in the amoral violence he can’t quite stomach himself.
There are a couple mysteries in tandem – a convicted cop-killer who’s really more an African-American activist and then the reemergence of the case of his own framing – but that’s part of the formula.
Mosley is too good for this to be entirely disposable, and I like the glimpse of his method when he has to start from scratch after the many Easy and later Socrates Fortlaw novels, but this is too familiar to be all that memorable.
There’s nothing especially difficult here, but it isn’t Easy either.
Mystery Master Applies His Formula
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I pray that this is the beginning of a series...
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Great writer great book
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Not as good as usual
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great read!!!
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New mystery by this author
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