My favorite line in my favorite song about Dallas goes like this: Dallas is a rich man with a death wish in his eyes / A steel and concrete soul in a warm heart and love disguise....
Season of the Witch is the first book to fully capture the dark magic of San Francisco in this breathtaking period, when the city radically changed itself - and then revolutionized the world....
Edited by the best-selling author of The Ice Harvest, St. Louis Noir thickens the Midwest quotient for the Akashic Noir series....
Buffalo, New York, is still the second-largest metropolis in the state, but in recent years its designation as the Queen City has been elbowed aside by a name that's pure noir....
Dashiell Hammett’s The Maltese Falcon, first serialized in a magazine in 1930, is best known through the iconic Humphrey Bogart film of 1941....
A city equal parts darkness and hope. A scarred city. An often violent one. But a resilient city, too. That's our Memphis....
Launched by the summer '04 award-winning best-seller Brooklyn Noir, Akashic Books continues its groundbreaking series of original noir anthologies. Each book is comprised of all-new stories, each one set in a distinct neighborhood or location within the city of the book. Brand new stories by: Barry Gifford, Robert Mailer Anderson, Michelle Tea, Peter Plate, Kate Braverman, Domenic Stansberry, David Corbett, Eddie Muller, Alejandro Murguía, Sin Sorracco, Alvin Lu, John Longhi, Will Christopher Baer, Jim Nisbet, and David Henry Sterry.
San Francisco Noir lashes out with hard-biting tales exploring the shadowy nether regions of scenic "Baghdad by the Bay". In this superb collection, virtuosos of the genre meet up with the best of SF’s literary fiction community to chart a unique psycho-geography for a dark landscape. From inner city boroughs to the outlands, each contributor offers an original story based in a distinct neighborhood. At times brutal, darkly humorous, and revelatory - the stories speak of a hidden San Francisco, a town where the fog is but a prelude to darker realities lingering beneath.
What would have made San Francisco Noir better?
More Noir & more San Francisco.
What was most disappointing about Peter Maravelis’s story?
That I couldn't finish it.
What do you think the narrator could have done better?
Overall not bad narration but it occasionally seemed stiffly read.
What reaction did this book spark in you? Anger, sadness, disappointment?
It aspires to be a gritty collection of stories themed around crimes but the writing is very cliche-ridden and the performances are hit and miss.
I have no problem with adult themes, but several of the stories read more like masturbatory fantasies than fiction. The polts are not particularly plausible or engaging and there are few interesting or likeable characters.
What did you love best about San Francisco Noir?
That it was framed in San Francisco
If you’ve listened to books by Peter Maravelis before, how does this one compare?
Have not listened to.
What did you like about the performance? What did you dislike?
Neither good nor bad.
Was this a book you wanted to listen to all in one sitting?
Any additional comments?
San Francisco is a rough City, but too may of these stories were of a dirty, crime ridden city with a bunch of down and outers. People who love San Francisco will find this book depressing.
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