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New Grub St Audiobook

New Grub St

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Publisher's Summary

One of the greatest novels to have come from the 19th century, a realistic, gritty exposure of the lives, loves, intrigue and rivalry that existed in the literary world of London.

The art form and culture of writing is becoming a business, expanding rapidly, and profit is more important than integrity of purpose. In the search for a wider readership, editors and publishers look to the poorer educated classes believing that shorter, slighter commercial treatments will sell and thus erudite writers with serious ideas and 'urgent messages for the world' have their work devalued. 'Instead of Chat I should call it Chit-Chat...it would sell like hot cakes. On the same principle...if the Tatler were changed to Tittle-Tattle its circulation would be trebled...An admirable idea! Tittle-Tattle -a magnificent title; the very thing to catch the multitude.'

The downward intellectual spiral is of course contrasted by the progress of lightweight, jobbing writers able to turn their pens, with ease, to any task and supply copy with trite, popular appeal. Gissing knew his subject well, and his characterisation of the facile, unscrupulous Milvain, the rancorous Yule, the paranoid and impoverished Reardon all have the note of authenticity, as do the women used and abused by them in their struggle for success and the publication of their work.

Truly one of the books from which we should learn, monumental in the telling, the story is an engrossing tale, describing a shabby Pyrrhic victory, at the expense of all those with a reasoning mind, of self-advertisement over artistic endeavour in an ongoing war- of what happens when pen meets penury.

Public Domain (P)2009 Assembled Stories

What the Critics Say

"This bitter 1891 tale illustrates the cry of struggling writer, Reardon, as his life disintegrates: 'to make a trade of an art is a brutal folly'. Unable to squander his talent and write saleable ephemera, Reardon drags himself and his wife into abject poverty. Superb narration." (The Observer)

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