A tour de force of metaphysical reality, Kafka on the Shore is powered by two remarkable characters....
The year is 1984 and the city is Tokyo. A young woman named Aomame follows a taxi driver's enigmatic suggestion and begins to notice puzzling discrepancies in the world around her....
A poignant story of one college student's romantic coming-of-age, Norwegian Wood takes us to that distant place of a young man's first, hopeless, and heroic love.....
Hear the Wind Sing is the first novel by Haruki Murakami. First published in the June 1979 issue of Gunzo, one of the most influential literary magazines in Japan....
Across seven tales, Haruki Murakami brings his powers of observation to bear on the lives of men who, in their own ways, find themselves alone....
The new novel - a book that sold more than a million copies the first week it went on sale in Japan - from the internationally acclaimed author, his first since IQ84....
In South of the Border, West of the Sun, the simple arc of a man's life - with its attendant rhythms of success and disappointment - becomes the exquisite literary terrain of Haruki Murakami's most haunting work....
Here is a short, sleek novel of encounters, set in Tokyo during the witching hours between midnight and dawn. At its center are two sisters....
From Haruki Murakami, internationally acclaimed author of The Wind-Up Bird Chronicle and Norwegian Wood, a work of literary journalism that is as fascinating as it is necessary, as provocative as it is profound....
Equal parts training log, travelogue, and reminiscence, this revealing memoir covers Murakami's four-month preparation for the 2005 New York City Marathon....
A love story combined with a detective story, Sputnik Sweetheart ultimately lingers in the mind as a profound meditation on human longing....
From the Booker Prize-winning author of The Remains of the Day and When We Were Orphans, comes an unforgettable mystery that is at once heartbreakingly tender and morally courageous....
Louis-Ferdinand Celine's revulsion and anger at what he considered the idiocy and hypocrisy of society explodes from nearly every minute of this novel....
Composed in the last years of Roberto Bolaño's life, 2666 was greeted across Europe and Latin America as his highest achievement....
By turns haunting and hilarious, The Elephant Vanishes is further proof of Murakami's ability to cross the border between separate realities....
A gargantuan, mind-altering comedy about the Pursuit of Happiness in America set in an addicts' halfway house and a tennis academy, and featuring the most endearingly screwed-up family to come along in recent fiction....
In the spring of 1978, a young Haruki Murakami sat down at his kitchen table and began to write....
Fyodor Dostoyevsky is a titanic figure among the world's great authors, and The Brothers Karamazov is often hailed as his finest novel....
Japan's most highly regarded novelist now vaults into the first ranks of international fiction writers with this heroically imaginative novel, which is at once a detective story, an account of a disintegrating marriage, and an excavation of the buried secrets of World War II.
In a Tokyo suburb a young man named Toru Okada searches for his wife's missing cat.... Soon he finds himself looking for his wife as well in a netherworld that lies beneath the placid surface of Tokyo.
As these searches intersect, Okada encounters a bizarre group of allies and antagonists: a psychic prostitute; a malevolent yet mediagenic politician; a cheerfully morbid 16-year-old-girl; and an aging war veteran who has been permanently changed by the hideous things he witnessed during Japan's forgotten campaign in Manchuria.
Gripping, prophetic, suffused with comedy and menace, The Wind-Up Bird Chronicle is a tour de force equal in scope to the masterpieces of Mishima and Pynchon.
If you could sum up The Wind-Up Bird Chronicle in three words, what would they be?
Murakami's wonderfully delicate, mysterious and absorbing novel is terribly marred by the narration here; Degas renders the main character unpleasantly arch and snarky initially and seems to be struggling without success to find the right voice for him throughout; children and teens have voices like obnoxious TV cartoon characters, and both female and children's voices are indicated by a very rapid, jerky, breathy, oddly pitched delivery that's just all wrong and actually jarring. The tone throughout is much too theatrical and feverish for the quiet deeps, wry humor and reflective unfolding of this tale.I loved reading this book - Murakami's stories never seem abstract and 'experimental' in the off-putting way at all and I can never put them down. Other narrators have done Murakami really, really well (1Q84, with multiple readers, is terrific, as is Kafka By the Shore with Sean Barrett and Oliver Le Sueur ). Degas just never gets the mood of the work right, to my mind.
What did you like best about this story?
I'm a Murakawa fan; would just add to the many reviews of his work something that's often not mentioned - not only are they deeply beautiful, his novels are really fun to read. I think he's often made out to be less accessible than he is; newcomers should just relax and flow along with the narrative and not be too worried about assembling things - just kick back and enjoy the ride. Even with a poor narrator it's a dandy.
Would you be willing to try another one of Rupert Degas’s performances?
No indeed. I'm really not such a hard critic of audiobook performances and appreciate many readers deeply, but a good reader needs to understand and respect his characters and not deliver caricatures.
Any additional comments?
I didn't closely follow the outline suggested here (seriously?), but would say that this is a tremendous tale, difficult to put down for those who like Murakami's work, and widely reviewed elsewhere; I only wanted to warn readers that they might be unfairly put off this author by the disappointing performance here.
35 of 39 people found this review helpful
A weird metaphysical (I KNOW it is a bit redundant to start off ANY review of Murakami by dressing it up in adjectives like weird & metaphysical) novel. I remember wanting to buy this book back in 2007, but I was poor and just about to get married and it seemed like my limited money would be better spent on bread and cheese. Now I own three (four if you count audible), but I still wish I bought it. I still regret NOT buying it. Not necessarily because I wish I had read it earlier. I think I'm reading Wind-Up Bird Chronicle at exactly the right point for me, but just because I would have liked to carry that book with me like some form of lucky talisman during the last 17 years (kinda like what I did with Infinite Jest). And it is more than that ... I actually remember in my brain THE book. Displayed with the bird eye out against a support beam in the bookstore. I regret not buying THAT book.
I've now read about all of Murakami. Well not quite. I still have to read: 1Q84, Sputnik Sweetheart, Underground: The Tokyo Gas Attack and the Japanese Psyche, Hear the Wind Sing & Pinball, 1973. That's it. After THAT I'm done. Anyway, my point is even after reading 11 or more previous Murakami novels I still exit W-BC a bit uncertain.
I liked it a lot and think it is an important novel and worth the listen/read, but it just seemed a bit too untidy or ambiguous. I KNOW. The novel is built on ambiguity, uncertainty, evil, weird coincidences, funky time, projections, reflections, shadows. My only criticism is that sometimes the shadows seemed to cover the reflections (metaphorically speaking). Sometimes, I read a page and was left with not just a WTF moment, but exhausted from not knowing WHY it twas a WTF moment. Anyway, there still is no escaping that the novel is huge, creepy, cool, and feels like David Lynch should make the movie (complete with midgets and nymphets). For me it was a 21st century novel written in the last decade of the 20th century, reflecting on the evils and history of the past and present Japan.
32 of 37 people found this review helpful
Is there anything you would change about this book?
I've recently discovered Murakami and his style of writing is the perfect form of escapism for me: mysterious, fantastical, evocative, and darkly funny. I particularly love the sense of isolation of some of the main characters as they do mundane things in their Tokyo apartments. Sometimes the author's ambiguity and leaving loose ends untied is a bit of a letdown as you reach the end of his novels, but the overall journey more than makes up for it. I've listened to 1Q84 and now The Wind-Up Bird Chronicle and decided to leave a review because of the contrast in the quality of the narrations. I have not been able to write a review of 1Q84 because I listened to it on a friend's account, but I will once I purchase the audiobook myself, which I intend to do as I loved it. The Wind-Up Bird Chronicle I cannot entirely recommend on Audible however. I wish I had read the book instead. Rupert Degas voices many of the characters as cliched caricatures, particularly the female characters. I did enjoy what he did with Lieutenant Mamiya, but May Kasahara, one of the characters I most enjoyed, was a disaster. Degas reduced the morbid and reckless teenager to an absurdly annoying cheerleader.I don't understand how someone can read a phrase like 'I really did have nightmares in that place- all the time- and I'd wake up soaked in sweat, but even then I'd wish I could have kept dreaming, because my nightmares were way better than reality in that place.' and think 'I know, I'll do my best Kim Kardashian on speed impression!' Maybe it was meant to be extra disturbing that way. Didn't work for me.
Would you be willing to try another one of Rupert Degas’s performances?
If this book were a movie would you go see it?
Absolutely! Can David Lynch direct it?
4 of 4 people found this review helpful
How did the narrator detract from the book?
Many of the performer's voices were distractingly awful. His voice for May sounds exactly like a man doing a comedic impression of an annoying teenage girl for a broad comedy, his voice for Ushikara is a bad villain stereotype from a low budget Hanna Barbera cartoon, and he insists on reading the 'news story' chapters using a poor imitation of a classic newsreel narrator. The only thing that kept me listening was the wonderful writing of Murakami itself, which deserves the respect of a competent vocal actor.
17 of 20 people found this review helpful
Please tell male narrators that womens voices aren't all high pitched and breathy. It is almost impossible to listen to these "female" voices. If there needs to be a vocal change, hire a women to play a woman. I finished reading the book because the "female" voices in this recording are incredibly grating. I am a women and all of the "female voices" in this reading sound like a man trying to imitate a small child. I can't take it.
3 of 3 people found this review helpful
Loved the book itself, so nothing to say there, but WHY do performers feel the need to make female voices sound like cartoon children? Or drag queens? Just use your normal voice dude. Old men, great. Russian accent, fine. But every time a female character spoke I was entirely taken out of the story by grating aural agony. May Kasahara in particular. Someone tell voice actors to cut that sh*t out. Please.
3 of 3 people found this review helpful
Any additional comments?
The storyline was complex and VERY imaginative. From reading some of the other reviews, it seems that people either love the narration or hate it. I really enjoyed that Mr. Degas was able to create such distinct voices for each of the characters. It made the audio easy to follow. I admit that some of the voices were a bit exaggerated, consistent with the perceived nature of the particular character, but for me, that was a plus. I enjoyed both the story and the performance.
7 of 8 people found this review helpful
The narration was so distracting to me that I wondered how the story would be different with a better narrator. Degas fails to take into account that these people are Japanese and the story takes place in Japan. I'm not saying the characters should have Japanese accents, but the 15 year old girl shouldn't sound like an irritating Valley Girl! Some of the female voices mocks the characters they represent. It's painful listening to Mai and the ditzy voice discounts any value to her words.
None of the voices match the characters personalities. Our protagonist sounds more like an effeminate single guy than a suburban married man, and the character of Ushi (spelling?) sounding like Peter Lori detracts heavily from the story. It makes it too camp.
The story is at times stunningly graphic. The ability of the writer to conjure up scenes of torture and man's inhumanity to man may be a bit too much for those who are more sensitive. There is the ability for the horror to become rather too vivid when your mind visually fills in the scenes of men being skinned alive. I am not a person who is in any way delicate and some of it made me blanch.
This is a story of surreal fantasy and there are times the reader feels lost as to what is going on or feel they've missed something. A few of the subplots feel slightly unresolved as well.
The sex scenes are also relatively graphic but not so bad as torture scene by far.
Basically a very ordinary man who is floundering a bit in life and is feeling directionless after resigning from his job and has his life turned upside down the moment that his cat disappears. Murakami likes adding cats to his stories. From there, he gets odd phone calls from even stranger people. Which culminate in the life altering event of his wife disappearing. He is then thrown into contact with many odd and usually attractive women leaving the reader to wonder why he never contemplated locking the door and disconnecting his phone. From here on out we hear the stories of soldiers mentally scarred by the atrocities of war and some women with special gifts who often have been violated in sexual or psychological ways or both. If this all sounds confusing it is.
The book is the story of a living nightmare which our protagonist goes through where he becomes equally odd and often has a far too calm way of handling it. It's a bit tough to figure out how he really feels at times as most of us would not have reacted with equal equanimity at being trapped in a well.
Honestly, I couldn't put it down, but I'm not sure how much I enjoyed it. I would suggest that you read this one instead of listening to it to avoid the narration that will most likely leaving you distracted from the story thinking about the narration quirks and failures and how it effects the interpretation of the text.
Sarah in Brooklyn.
6 of 7 people found this review helpful
His books may not be for everyone, but for those that will appreciate it, I suspect they will love them. This book was no excretion for me. Unique, weird, and ultimately fascinating. I was enthralled throughout.
The narrator actually did a great job too. I was impressed with his distinctive voices.
This ranks as one of the top audiobooks I have listened to, no doubt.
2 of 2 people found this review helpful
How could the performance have been better?
The narrator inexplicably interprets Mei Kasahara (the teenage neighbor girl) as a valley-girl type. It has gotten so distracting that I've given up on trying to listen any more, and will finish by reading the rest in print.
4 of 5 people found this review helpful